A story crafted from bone to flesh takes many months, or years of vested time where emotional attachment is difficult to relinquish.
There comes a time in every delightful story where the writer cedes the pen (for a while before the editing clean-up).
Knowing where to start is as important as knowing when to stop.
Writing sequels, trilogies and series is a long-term relationship between the writer and manuscript. Characters become real when they consume sleeping and waking thoughts. A character wanting a bigger space on the pages of a story holds the writer to ransom.
Endings must be free of padding or info-dumping that feed the writer’s attachment to the tale, people or place, serving no express purpose to the story. Readers will thank the writer for avoiding the stuffing.
The original plan for the story veers off when a character wanting to be acknowledged calls out the loudest. Such a character is allowed a voice that directs the action on a different path. This is a natural part of the process, but rogue characters must be reeled in and put under a microscope to assess their primary role—is the character essential to the plot, does the character add an exciting plot twist or are they unnecessary?
A benevolent muse is the one to thank for all that arrive to prod the writer. If the voice/story/scene are ignored, they find a way into somebody else’s story. Lady Muse is a perpetual huntress.
Heed the call we must!
Writing is joyful, hard work. It takes committed diligence to keep going until the story is over. It will only ever be over when the writer is convinced it is time to stop. Soliciting advice from a trusted other, The Reader, is a good way to ensure that it is indeed the right point to type in ‘The End’.
Well-written stories will entertain audiences long after the writer’s time has passed.
When it feels right to end it — do it! If it is deemed not right later down the editing track — change it or add in a few subtle changes. To ignore that gnawing feeling that something is not right, but not worth the trouble to rectify it, is a mistake that comes back to haunt the writer.
Great is the art of beginning, but greater the art of ending ~ Henry Wadsworth Longfellow, American poet, educator, linguist.
Structure in a story is important, but the creative does not adhere to structure alone at the sacrifice of something unique that has the potential to hold the reader’s attention.
Should the ending resolve all issues?
Are all life’s issues resolved?
Fiction entertains but should mirror life to connect with readers on the universality of our fundamental humanity.
Walking in the shoes of the reader is a good way to access whether a story crafted over a length of time, the writer’s blood on the page, has value for the reader.
A story begins with action or change, and everything follows on from there, and it may end with change, the character’s growth or downfall, but ultimately it must guarantee reader satisfaction. If not, then a sequel or epilogue might do the trick, or leave it open to interpretation, but keep the element of surprise.
Tie up loose ends without deliberating over them
Would you write the ending first? This might be a sure-fire way to lead the scenes throughout the process of the first draft.
Please share the endings of some of your favourite books in the comment box below.
Writing with a pen or pencil in hand has the natural rhythm of heart, mind, and soul, working in sync.
When creative thought emerges, there is no schedule. It arrives on the wings of Mother Muse who transports the message for the composer to pick up.
Longhand novel drafting and writing has been my process from the middle of my third book. I tested the shift to handwriting, and the creative process flowed with ease and gained momentum sooner on story advancement. While this is positive for creative flow, additionally time has to be built into the deadline to type up the longhand manuscript. Essentially this is like a second draft if writing entirely in longhand, then type on Word or other preferred platforms. There are pros and cons to the process. The toll on the wrist for one — writer’s occupational health matters. The positive side is that before the first full self-edit, the dried leaves, dead wood bits and pieces are swept away as the typed word hits the digital page.
How do we maximise the pros to meet deadlines, and create a polished piece? Dictating from longhand onto Word is a great way to save the old wrist issues. This takes time and will be near accurate when voice recognition is on the mark, or there will be more to clear up than just the longhand manuscript flaws.
Scrivener dictation is great across all devices and allows easy transition to a Word document. There are countless other ways to dictate the handwritten word to the digital format.
The brain engages differently when handwriting, compared to keyboard writing. Memory is enhanced with handwriting, a great way to keep track of sequence, characters, scenes etc in their contribution to the whole novel/story. Memory alone will not suffice to keep track of such, note making and journaling are an important part of the process. Scrivener helps the digital tracking of all the parts that make up the sum.
Handwriting, according to psychological studies, is therapeutic for coping with trauma, and to process emotions — the physical formation of letters to words to sentences to paragraphs is undistracted with handwriting, it settles the mind and spirit. This has the benefit of capturing emotional scenes in novels with authenticity to enhance reader engagement.
… handwriting like playing a guitar or preferred musical instrument, it is thoughtful and mindful.
In an era where speed is the demand (a mixed blessing) anxiety levels have increased across all generations. Handwriting is akin to playing a musical instrument, think of the strokes on a guitar to produce the sweet melody. Notice the musician’s facial expression, lost in moments of pleasure. Handwriting is markedly slower than tapping a keyboard, and thus intensely calming. The very act of handwriting like playing a guitar or preferred musical instrument, makes the process thoughtful and mindful.
As a teacher and writer, spelling benefits from handwriting without spellcheck, free of predicted text that can at times mumbo jumbo intention/meaning.
If you’re a digital only writer and need a conversion test, start small.
Write out your daily or weekly home or work plan on a bedside or desk notebook.
Poets don’t draw. They unravel their handwriting, and then tie it up again, but differently~ Jean Cocteau (French poet, playwright, novelist, designer, filmmaker)
Now sit back and watch your creativity grow!
Happy handwriting. Let it flow!
What’s your best writing practice?
Please share, like and comment in the message box.
A creative life brings much joy and excitement where it’s easy to forget that it is work. And as with all work, the mind and body tire when passion pushes on in a hedonistic surge, and more so when creating new worlds peopled with exciting characters doing extraordinary things or making the ordinary quite exciting.
Putting the foot on the brake when exhaustion sets in does not send the creative muse into permanent banishment—quite the opposite. A brief pause, a day or perhaps two, refuels the creative well with the elixir needed to push to the next level of creative intentions. It is only the physical act of doing that is on a temporary hiatus to clear the mind to absorb new inspiration, the sights, sounds, movements, to see the everyday and old with refreshed eyes.
The pause could be time spent to catch up on much needed relaxed reading, beach walks, feeling the outdoors, meandering in a museum, taking in a movie, going to the theatre, or out to breakfast or dinner with yourself. Me time invigorates the creative mind and spirit. Although most creatives work in solitude and might crave company, it is elected carefree time alone, whether in a crowd or on a private beach, that eases mental exhaustion generated by passionate overwork.
pixabay
pixabay
It is the creative’s passion that invests extensive time, and intense hard work to produce a work of art, be it a manuscript, painting, a sculpture, or music. The ultimate piece, the artwork outside the physical form has its own story to tell as one of sheer commitment for the love and euphoria generated by creating—early mornings before the world wakes, late nights, and oftentimes all night, fobbing off distractions and knowing when to say no to external demands irrespective of who makes the demand.
Only the creative knows what matters most.
Allow the self to enjoy one’s own company away from the work to fine tune the energy and inner wellness of the mind and body without the noise of mental chatter. The creative soul needs that one-on-one with the self. Decide if this one-on-one with the self should be a weekly, fortnightly or monthly date. Go out for coffee with yourself. Take a walk on the beach alone. Human gregariousness is always there to pick up when the time is right.
Work and life…life and work are indistinguishable for the dedicated creative
Have you ever set a date with yourself? Go to your favourite place once a week, alone, for a month and journal your thoughts and feelings. Something that might surprise you is that you will return after each date teeming with ideas for a new project. Time out is beneficial for productivity—the energy and freshness ignite thinking outside the four walls of a writing/creative/workplace space.
Fill the creative well with some time out.
Never be afraid, or think it selfish to enjoy your own company—you are your own best friend, number one in your tribe.
Just as we free-write in our journals every day, that private time with intimate words on a page—quite a different energy to drafting a manuscript—in the same vein, getting out of a regular creative space be it in an office at home, or elsewhere, is a self-made retreat for the creative spirit. Going AWOL for a day is liberating for creative energy, for all energy! Try it!
Make a date with number one. Enjoy your own company and return blessed and refreshed.
It is with great joy today that I travel on the blog from Sydney to Washington to feature the inspirational Keshni Washington who I met through an introduction from a respected and trusted mutual acquaintance. I have had the privilege of attending a virtual screening of ‘Immigrant Story Telling Night’ with Keshni Washington and speakers on the night who shared their honest, authentic, lived experiences as immigrants.
Regardless of where we reside in the world, the connection is palpable.
Author – Keshni Washington
My ten questions introduce Keshni’s life and work in Washington DC as a writer and compassionate person, living, working, and contributing to DC society with a strong connection to her South African roots.
1.What is your most vivid memory of South Africa?
I miss those perfect hot dry Joburg summer evenings, the smoke of a braai (bbq) with friends and the clear skies and stars. Along with this memory, I also miss the taste of Koo baked beans and South African mayo potato salad.
2. Did you move to Washington for work?
Yes, I was recruited from South Africa to work for an international non-profit that is based in Washington DC. I had never been to the USA before coming through for the interviews. I worked there for 8 years but have been trying my hand at being an entrepreneur for the past year.
3. When did you realize you wanted to be a writer?
I can remember composing the opening to my first book when I was 11 on the walk to and from school in Chatsworth, Durban. But I was soon discouraged and advised to do something more financially rewarding that would secure my future – I grew up in an apartheid segregated neighborhood and so being able to support yourself and others financially was a natural priority. I put away the dream until decades later in life. Coming back to it about 5 years ago, reaffirmed the feeling inside me, that this is what I was meant to do, and I know I will be telling stories for the rest of my life. I have been learning and honing my skills and now have two draft novels.
4. Tell us about your ‘Signal Fire Series’ podcast and what motivated you to do it.
I wanted to fuel my own fires of inspiration by talking to some of the people that inspire me about their journeys and glean some of their wisdom. I realized quickly that these conversations could do the same for others out there, whatever their passion. Since I have deep roots in South Africa, I decided to host conversations with both Americans and people from my first home. It has been an expansive experience, in which I have found a new admiration for every single person’s journey, whether they pursue their passion in their spare time or full time. It’s my offering, and I hope the person who needs it will find their connection and inspiration.
5. Please share your recent publishing success and writing motivation.
Published in Yellow Arrow Literary Journal
I have recently had short pieces/essays published in American literary journals: Yellow Arrow Literary Journal, Mer Vox Quarterly and Pen-in-Hand Literary Journal. I have also been fortunate to attend two writing workshop intensives – VONA (Voices of Our Nations Arts Foundation) with author Daniel Jose Older and Tin House Writing Workshop with author Alaya Dawn Johnson.
Keshni Washington’s favorite writing spaces where a cup of South African Rooibos tea is served at the Jamaican Tea Shop in DC.
Sunday street-side cafe
Espresso and mini cake
Writing at Deep Creek Lake, Maryland
Jamaican Tea Shop in DC
6. What genre do you enjoying reading the most?
This is hard to narrow down as I read just about everything. When I was young, I was obsessed with science fiction. When I got older, I gravitated to literary fiction and poetry. Over the past year, I have been reading a lot of YA as my latest novel is a YA novel, which has been a ton of fun.
7. Tell us about Tin House, and the experience you have gained/are gaining.
Tin House is an American publisher of award-winning books of literary fiction, nonfiction, and poetry; home to a renowned workshop and seminar series; and partner of a critically acclaimed podcast, Tin House champions writing that is artful, dynamic, and original.
The writing workshop consists of a series of small classes of no more than eight writers per class, so spots are limited. I got to work with the amazing Alaya Dawn Johnson. As part of the selection process, I submitted the first three chapters of my book, and these chapters were critiqued during the workshop by both my classmates and my workshop leader. All my classmates were critiqued this way. It was an invaluable opportunity for feedback and discussion. I had one-on-one meetings with Alaya and a literary agent who gave me feedback on my query letter. There were many amazing craft lectures by the faculty, generative exercises, and discussions about the publishing industry. We had the opportunity to do a reading from our work and mingled with other amazing writers attending and teaching at the workshop. It was an intense but invaluable experience.
8. When did KAMA DC start and what is your role at KAMA DC?
I first found Kama DC when I signed up to participate in their Immigrant Story-Telling Night. (where immigrants share a five-minute story from their experience on the theme of the night.) I have since stayed with Kama DC as a volunteer – part of the Storytelling team. Kama DC is a nonprofit in the DC area, run by volunteers, whose mission is to build community through immigrant-led experiences, providing a platform for immigrants to teach classes, share stories and their skills and passions to foster awareness, understanding and community. I also inaugurated and now run the @immigrantsOftheDMV Instagram feed, which is similar to Humans of New York in that we invite immigrants on the DC, Maryland, and Virginia area to do a takeover – hold the handle and share a bit about their story, home country, and experiences in the USA. It is a wonderful group of people and I am immensely proud to be a part of this mission.
9. What has been most inspirational about your semester of Creative Writing at GW?
During this semester we get to learn from published author Cutter Wood. It is focused on creative non-fiction aka essays, and how to write our true stories. As my self-study has been focused on fiction and novel writing for many years it’s wonderful to develop this different writer muscle. It is a small class of 13 people. We write a new piece every week, so I have to dig around in my memories and experiences and create something on a schedule. And the best part is sharing in class and getting to grow through the experiences and creations of the wonderful writers in my class.
10. If there is one piece of advice that you would share with young aspiring writers, what would it be?
To just start. Just write. Whether you think it’s imperfect or feel you are not ready. Just write. Put your fingers to the keyboard, or your pen to paper today, start journaling today. You are not too young nor too old. Just write. You will get better by doing, I guarantee this. But you must start, the world needs your stories.
With gratitude and best wishes to the inspirational Keshni Washington for sharing her creative journey, life and work in Washington DC.
Vanity, Pride and Ego – same family, different personalities, different agendas.
All three will have a negative impact if riding this wave is all that matters. It drains creative energy.
Vanity exudes a hollowness in its overindulgence on self, achievements, and appearance, etc. It is external.
Where does the artist sit on the pedestal of vanity?
One voice says, nowhere. Another asks, how will a receptive audience to the art be found if vanity is tossed aside? Vanity needs an audience. But, should it be at the cost of dominating one’s passion and purpose?
The muse, divine grace, or however inspiration is perceived, is not invited by vanity. Mother Muse is not needed, as narcissistic vanity, knows it all, and celebrates personal achievements, with no filter, in every waking moment, in multiple ways. I and me overshadow growth by ignoring the voices that have much to teach and share in learning new ways. The achievement has a use-by-date if not allowed to grow and expand in new and varied ways.
Then pride prods, ‘Look at me, I have published my book, or sold my artwork! I’m so excited!’ This has a ring, different to vanity. It’s internal, it is joy over what the artist has created. Children are invited to take pride in their work, push themselves to achieve their personal best. This level and definition of pride is a healthy option. Pride reflects reality, it’s a joyous reaction to having achieved a goal. There’s a dignity in the self-esteem and self-respect that comes with this type of pride. Because pride is internal, when injured, it could create feelings of worthlessness. Which do we prefer? Known for vanity or having a sense of pride? Pride may breed feelings of superiority if unchecked, and released often outside the inner glow of accomplishment.
Then there’s ego, ‘Oi! look at me and all I have achieved. I am the best in my game.’ Remember the id, ego, and superego in a Psychology 101 class? It might be necessary if marketing one’s wares, but with ego comes the threat of overzealous self-importance – conceit. Not a favourite in any working, social, or home environment.
To succeed in what we do, we need balance. The ability to know and understand who we are, and how we are received is vital to acceptance for a sense of belonging to promote mental and emotional wellness.
When acceptance and belonging thrive, productivity increases.
Balance in everything is vital to how social perceptions are influenced
It leaves the question, is ego, overblown pride? And what of vanity? Is it a wild show pony craving an adoring audience, or the unrestrained expression of pride and ego?
Now, there lies the dilemma.
Be proud of your creative work, yes? Avoid ego and vanity? Over-inflated expressions of self run the risk of sitting on the precipice of love and revulsion. What is the artist’s choice to be?
Shakespeare’s timeless tales tell us that hubris and hamartia lead to a character’s downfall. Lear’s, ‘Which of you shall we say doth love us most’, albeit being an aging man, he might be perceived as vain in wanting to hear his three daughters’ undying adoration for him before he divides his kingdom among them.
The past year of profound change where retreating was not a choice but a necessity, turned the eye inward in this time of social incarceration—a springboard for creative pursuits.
Poetry, stories, art, music, new skills in any area of the vastness of possibilities, bring courage to those who stand in the shadows, voiceless and afraid to be seen or heard.
With the external locked out to preserve life, the inner voice raises its head, looks around and mulls over hidden possibilities. Heed the message. We need action to claim the creative possibility within grasp.
Embrace the stillness to find what a fast-paced life has stymied. With materialistic desires placed on the back-burner, an almost magical transformation emerges.
Simplicity grows courage and innovativeness
We learn from our forebears who with flintstones created fire, almost two million years ago. Today we have so much more at our fingertips.
The past spent bemoaning being time-poor is a state of mind. Creating space, both in time and place, waters the creative spirit with a thirst to innovate—encourage the spirit, and mind to seek something new.
Tip in a toe, test the waters by reading more and much more, find your tribe to encourage confidence, dive in, one stroke at a time! Feel the warmth of submersion generated from praise and acknowledgement.
Creativity requires the courage to let go of certainties ~ Erich Fromm
Planning is paramount and being flexible with the plan is equally important. Creativity flows freely when intentions are set, then the ground-work seeps in. Like the earth requires conditions to grow—sun, soil, and water, so too the creative prepares the way forward, add in basic equipment needed, one step at a time.
The indisputable thing with creativity is that once begun, ink, paint or music flows in generous abundance if invited in.
In a time of retreating from global, awaken the creative spirit by the choices made.
What will we let go to allow the creative muse to take up residence with us?
Know our passions, doggedly pursue them, and find the healing in creative pursuits.
May 2021 be the year of finding or growing and deepening our creative wells.
Happy Creating.
Stay Safe.
Please like and share to spread creative love.
What are your thoughts on inviting creative space into our lives?
Brevity is not only the soul of wit, but the lifeblood of today. Now— the immediate, matters in a world where nothing is constant.
Attention span flits in the blink of a second.
Words matter, live and linger…
The upswing in the unquenchable thirst for poetry is a gratifying return to the appreciation of the poetic word and form. Poetry propels one on a light year’s journey into measureless realms. It delights and moves the human spirit with the evocative and provocative choice of words, themes, shape and style.
Haiku is short, so brief that every word tells a story to leave its inscription on memory.
For the writer, (for me) haiku is inspiration, a deep but quick inhale and a rapid expulsion of observations and emotions. The effect is cathartic but unforgettable.
The on-tap, sharp and visual that bombard our senses every day, growing an ever-increasing need for quick satisfaction—that adrenalin rush akin to a gym workout.
The economy of life’s necessities gives haiku breath in a world juggling too many balls, where survival is a luxury.
Haiku, originally a seventeen syllable (5-7-5) three-line structure poem was predominately about nature—weather, animals, plants, and changing seasons. Traditionally the Japanese form was the opening of a longer poem, serving as a haiku introduction to the composition.
Variations to the original 5-7-5 syllables are widely used by poets in the modern world to capture values, love, life’s challenges, and varying themes beyond the natural world.
Writing might simmer in the novice writer’s subconscious, afraid to put words on a page, or perhaps a manuscript sits half-written or complete, but safely locked in a desk drawer or tucked away in the garage under a heap of stuff.
Are you that person?
Risk 1: Creative Exhilaration
Taking the first creative risk is writing the story or poem that dwells in the mind’s hinterland.
Then pursuing the idea through to completion is the time risk invested to get to ‘the end.’ This is the honeymoon period. Bliss reigns as a generous muse massages words
Risk 2: New Eyes on the Page
The most daunting risk is getting an extra pair of eyes to read those beloved, private words. This could go horribly wrong if fresh eyes are inclined to be super critical about EVERYTHING.
The novice writer is a sensitive soul in need of validation. A poor selection of new eyes could end a potentially stellar career. Then again, choosing new eyes as your significant other, carries the risk ramifications that over validates, or liberally criticises, and possibly risks ‘the end’ to the union!
New eyes on new words should be benevolent in first congratulating the timid scribe on getting that far, then comment on the story, and throw in a few suggestions, expectations, and gently draw attention to plot holes that might exist.
Risk 3: Who will edit?
Choosing an editor who is the right fit for a novice writer has its risks that could go either way. Choose wisely, ask and check out vetted individuals through organisations such as ALLi, or trusted fellow authors in finding the right match that assures writing longevity.
Nobody’s perfect
Image Credit: Mohammed Hassan (Pixabay)
If a novice is averse to professional feedback then the red flag goes up, and it’s best to consider whether the risks taken to get this far will be worth risking much more, or if it’s time to hand in the pen.
To be a successful writer, lock ego in the desk drawer or stash it under the rubbish in the garage, or better still, scrub it out of existence.
It is imperative to observe and listen to the safe, knowledgeable advice of those who do it well and successfully so. This applies to anything in life. In publishing, it is necessary to do so.
Be authentic, be unique, but know the ropes.
Take risks with an open mind. Push boundaries but know when to ponder the road ahead.
The journey is not over yet, there is the risk of whether the general reading public will love or loathe a close to the heart piece of literature.
When fear is overcome, it steels the novice (for a while – NB creatives are sensitive beings) to continue dipping a toe into the world of writing and publishing.
Risk 4: Publishing
There are many ways to get your words out into the world, so carefully consider the risk of giving up all the rights of a creative endeavour that spanned many days and nights, the ultimate sacrifices made to get to the grand finale before the decision to hand over blood, sweat, tears, and other emotional hooks.
Protect your rights, know your rights.
Risk you must, for unheard stories to be told, leave your legacy — stories have value, but choose your tribe wisely.
George Orwell in his essay, Why I Write:
‘In our time, political speech and writing are largely the defense of the indefensible.’
Best wishes, always!
Happy Reading, Happy Writing!
Where are you now in your writing dreams?
Please share, and leave a comment to help a fearful novice step out in the right writing shoes.
As creatives, we are flexible in what we do if we are steering the vessel.
A sense of place and time is important to the creative, but in the unpredictability of current times, adapting to everything that comes our way is daunting.
Patience is the ultimate virtue in a creative life. Nothing happens overnight, now more than ever, with all that blew in with 2020.
It is the slow burn that needs a tender mind, hand and heart
Amidst waiting for the right time, there is the desire for the energy of the muse to enlighten the artist on how much, when, and what will be written/created. This wait is underpinned by the bend and twist of the tide of change that tests adaptability.
Shifting an established creative routine generates a splurge of musings when the noise and demands of new daily expectations receive attention.
A daily meeting with oneself in morning reflections on what is and is not working facilitates the coming to terms with how to create a new routine.
Reflection is the art of patience that sharpens the creative pen.
The writing muse happily visits if the mind is willing.
Patience takes hard work; it sits on the back of perseverance — one without the other is a no go.
To cultivate the art of patience, look at reactions/behaviours to situations outside of creativity, learn from it and readjust the behaviour. While patience is a virtue, it is also a personal inner medic, keeping creative work in check by allowing the body and mind to process situations without elevating stress levels.
Finding what calms and settles the creative is the best way to grow in being patient rather than becoming a patient.
The writing world is competitive enough without adding layers of undue stress — the art of writing is profoundly therapeutic.
After writing a scene or chapter, the sense of exhilaration that follows such achievement is remarkable. Journal these moments to refresh a reflective morning that needs a reminder about why we do what we do.
To be a writer, requires barrel-loads of patience in how to nurture a story from seed to flower, chip back words and scenes, polish to refine the story and then publish.
Patience, perseverance, and adaptability are the keys to creating more stories and poems as is refining before a book/product hits retail shelves.
Step back, let time and place do the work, relax overthinking and communication to create valuable space to refine the manuscript. This aspect of the creative zone has the potential for success, abundant success if that is the desire.
Be gentle and patient with yourself, persevere with your creative goals and adapt to the ever-changing demands of a writing and publishing life.
Go well in all your endeavours.
Share, like and commenton what works for you as a creative sailing through the winds of change.
Routine is necessary to accomplish a finished product. The creative benefits from a routine that maximises goals and intentions.
Rote, however, harms creative growth when curiosity is denied in favour of robotic daily ‘doing’ that limits the capacity and capabilities of the mind. Rote erodes enjoyment, takes the fun out of creativity if allowed to fester in mindlessness.
Once we relinquish the act of questioning, debating, and learning alternative ways, the creative quest goes down the rabbit-hole
Open to what others are doing successfully in their creative pursuits. Debate with the self, first, to test how to improve our creative patterns and when we observe or flex to alternative methods, before embracing them, then we are on the route to extending the creative mind.
What we read is as significant as what we write. As a fiction writer, it is essential for me to move beyond restricting myself to only reading fiction.
Get out of the box – mind the bog
It is imperative that we read judiciously selected, respected successful forerunners of the craft of fiction—past and present—for inspiration on the ways in which we can flex the mind. Engaging with the information gathered is the actual flexing—then question what does not sit well. Argue why this is so, look for alternatives to the arguments that have surfaced. Never ignore your internal unrest without asking why and how. Why am I unsettled by this? How should I address why I feel this way? We learn to flex and extend our skills from observing first and then listening to what is around us. The inner well is deep, but testing the waters from the ocean of talent available deepens and brightens the path ahead.
The choice to extend ourselves is within our grasp to refresh or radicalise how we create. Flex to invite minor changes, analyse what is working for you, and incrementally extend to achieve more.
Like muscles that face a new physical challenge which is overcome by gradual flexing and extending, achieved through the art/act of trying—not rote, but being open to challenging the self, so too, the creative mind grows.
Photo Credit: My Life Through a Lens (Unsplash)
Creative and Critical
As creatives, we ought to be critical thinking beings—not cynical but critical. Herein is the source for debate to generate fresh waves of thinking and doing.
Watching a documentary, for example, on an unfamiliar topic that holds some interest is beneficial for starting the mindset extension with exposure to new knowledge. This opens inner and external debates that arise from the observation phase to grow the knowledge base and experience on the subject/topic.
Extend listening skills to enhance creative growth without visual distractions by listening to podcasts that present new knowledge to stimulate thinking without the bias of the visual effect. The brain rain received generates novel ways of thinking or questioning how we can reinvent old patterns.
Never stop asking why, how or what can I gain from this?
As fiction writers, we should seek to understand the values that differ from our own to invite creative ideas to emerge from this openness to what lies outside of our inner workings.
I ground my novels in, in our angst and joy we are one under the sky of humanity.’ Inclusivity is my pre-wired emotional mindset because I have lived my formative years under South Africa’s apartheid regime’s divisive rule.
Suggested Reading
Try reading all or extracts from the following non-fiction books to open new vistas of understanding, or to deepen your understanding of human relations, justice, and politics, if this is of interest.
Essays – George Orwell
The Source of Self-Regard– Toni Morrison
The End of Imagination – Arundhati Roy
Caste – The lies that Divide Us – Isabel Wilkinson
Pick up, or do something different—something you have never read or done before and observe, reflect and note by writing what it stirs within. Get past the initial discomfort then decide if you want to extend what you do and how you do it.
When we flex the mind in a new direction, there’s discomfort at first, when extended, it fuels passion and ignites creativity
How do you flex and extend the mind in your creative pursuits?
Being a people-pleaser often impedes the writing deadline. Some perceive writing as not a regular day, serious job, and expectations are that the writer is always available, because the writer is self-employed, locked in the head of imagination that does not,(by choice of some), demand a fixed workspace.
Write as a free-flowing creative. Be the rigid business manager
If we do not rectify this thinking, impositions on the writer’s free time could seriously hinder writing progress to the point of murdering the writing mojo.
Know when to say No
The writing mojo is temperamental and disappears if there’s no plan, the time and process wind up bending to the noise and demands that soon override it.
Being flexible is paramount to the creative
If the writing mojo is showing signs of being at risk — set down a plan and stick to it as far as possible. Achieve at least 80% of your daily or weekly goals with consistency to make a writing life productive.
A writing life incorporates many facets and significant among them is audience/reader engagement. To flourish in this career, and a career it is, if given every opportunity of serious intention, then it becomes that sweet spot of primary income or multiple streams of writing income – a way of life.
Turn off the phone – block the internet
Creating blocks of time to have regular hours that are not sidelined by the daily demands of life happens if there is a set plan.
Here are a few pointers to keep the writing mojo on an upswing.
• create a routine and stick to it as you would any day job • set the clock – have several /number of words per session/chapter a day goals • take your working day coffee and lunch breaks – remember ONE coffee break in the morning and ONE in the afternoon. • choose your most creative part of the day to get your words on the page. • leave your phone in another room, muted to avoid its cradle cry. • get some exercise – a walk outdoors for half an hour should get the mojo back on track • track monthly, weekly and daily productivity. • note potential distractions and cut them out. • the space you write in must be free of distractions – • no internet – no television – no phone. • have water and a healthy snack close by • learn to say: writing is my work life. • begin your day with a writing reflection, FREE Writing (Free, Raw, Exact and Easy) as Orna Ross, Founder of The Alliance of Independent Authors, teaches or writing morning pages as Julia Cameron advises in, The Artist’s Way – clear the cobwebs to open the creative path to your writing day.
Now, what is holding you back? Get to it with a further nudge from these inspirational lines:
If I waited for perfection, I would never write a word – Margaret Atwood
Without great solitude, no serious work is possible – Picasso
Like an ability or muscle, hearing your inner wisdom is strengthened by doing it – Robbie Gass
Inspiration may be a form of super consciousness, or perhaps of subconsciousness — I wouldn’t know. But I am sure it is the antithesis of self-consciousness – Aaron Copeland
Happy Writing, Happy Reading!
Best wishes.
Share your thoughts and ideas on how to avoid distractions in your creative day. Please like and share.
Where did you grow up? Do you think your background has colored your writing in any way?
I grew up in South Africa during the apartheid era. This horrendous annihilation of a sense of authentic self, visibility and acknowledgement, features in and through my novels in shaping the necessity for inclusivity.
What developed your interest in the suspense genre?
I have always enjoyed Crime Fiction and taught Crime Fiction as an Extension English Course which further developed my interest in suspense/mystery/thriller/crime fiction.
What was that one moment in your life when you realized that you wanted to write?
I was a closet writer for almost ten years and never thought of publishing my work until I read Stephen King’s On Writing and that pushed me over the threshold with my debut novel, Across Time and Space, followed by its sequel, Vindication Across Time.
How has been your experience of working as a teacher in South Africa and Australia in secular and non-secular institutions?
With the Group Areas racial segregation in South Africa, the schools I taught in were largely of my demography. My Australian teaching experience has been diverse, but regardless of the geographic location, the time and space, as it were, students are similar in their love of learning or in their need of motivation to learn. Socio-economic status does not make an iota of difference in a student’s capacity to learn or to soar to great heights.
When did you publish your website, Mala Naidoo’s Book World?
My website was published to coincide with my first book being published in 2017.
Who inspired the character of Viola Bardo in “Aurora Days”?
Viola Bardo is a music teacher and vigilante justice seeker — she is a figment of my imagination although her name was drawn from Shakespeare’s Viola in his play, Twelfth Night.
How was the idea for The Sisters Helping Sisters Organisation (SHSO) in “What Change May Come” developed?
The need for safe houses with the ever increasing global threat to women in toxic relationships spurred me to create such a fictional organisation to serve the diverse characters in Chosen Lives and What Change may Come.
Would you be friends with someone like Dr Grace Sharvin from “Souls of Her Daughters” in real life?
Absolutely! She has phenomenal strength and vulnerabilities that make her endearing as a compassionate being both personally, and as head of ER at City Hospital. A wonderful friend indeed.
Which is your favorite story in “The Rain”?
This is a difficult question because I love them all. Every story was written during a week of torrential rain in Sydney so I feel I have lived through each one of the stories. The title story, The Rain is a favourite.
What was your favorite part, and your least favorite part, of the publishing journey?
Writing and seeing my book in hand is the favourite part, as is seeing the cover for the first time. Sending my manuscript to strangers in the publishing world and waiting for a response was a nail-biting experience.
What would you say is your interesting writing quirk?
I write a haiku on any topic that comes to mind and then dive into my novel writing.
What was one of the most surprising things you learned in creating your books?
I have to let the flow of the story guide the pen. It’s almost like being held hostage by the story when the characters dictate their actions.
Do you hear from your readers much? What kinds of things do they say?
A dedicated group of readers will drop me a line about something they connected with in any one of my novels or respond to a blog post I might put out that holds appeal for them.
What other authors are you friends with, and how do they help you become a better writer?
An online platform of authors through The Alliance of Independent Authors such as Orna Ross and Joanna Penn are great mentors and recently interacting with Brenda Mohammed has been great .
What is your takeaway based on your experiences with AllAuthor?
A very friendly highly active service that I felt a connection to almost immediately.
We have read it and heard it repeated everywhere we look and listen.
Change is — has been — will impact all facets of life. The current global change that has claimed 2020 has challenged the ‘do I dare?’ mindset of the creative. The muse is a sensitive soul. She feels the angst as deeply as the joy — inspiration is derived and mined from this seat — gold mined.
Health crisis, economic crisis, the uncertainty of life, the fear of not so much the outdoors but whether we can trust that everybody is doing the right thing.
For how long must we entertain fear as it enslaves us by forfeiting joy?
The creative forges on to leave the carbon footprint of these challenging times.
Dare and dare again and the muse shall heed the call.
The creative day, if allowed to slide, is a difficult one to recover but is possible with the determination of, ‘I will dare.’
TS Eliot’s poem, The Lovesong of J Alfred Prufrock. conveys the uncertainty of modern times where ‘normal’ becomes unusual. Images of desolation pervade his poem:
Like a patient etherized upon a table/Let us go, through certain half-deserted streets,/The muttering retreats
This echoes the current emotional and scientific uncertainty we face.
The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Eliot’s raw emotions capture the universal angst of his time where rapid economic and technological advancement changed his perceptions of life. And the yellow fog of uncertainty seeps into 2020 rising, falling …
The natural outcome is to be perplexed but navigation to the new normal through introspection is vital.
The pen is the mighty memory of our time, of all times, and writing must go on as must art and music and all creative pursuits.
In the making as creatives, writers, artists, we share a universal experience in that it is normal to be afraid, and it is brave to dare by creating new worlds that either mirror the present or transport us to worlds we dream of. In dreaming we bring those hopeful worlds into the conscious mind of the reader/audience who in turn subconsciously works towards making that dreamed, hopeful world, a new reality.
The writer’s pen will never dry or fade — words speak into the future from the past bringing meaning and understanding that this too shall pass.
The human condition is live with the possibility for new stories to be told, poems to be written, songs to be sung and paintings to be created to articulate and quell all fear.
Do I dare, and do I dare, — oh yes, we must, to make this life the best life we have had the courage to dream into our reality!
Today step forward — leave the fences and backyards of your mind and speak of your fears, insecurity, and uncertainty through artistic expression.
Take a chance. Live your passion.
This is a time for you to be YOU in all that you do without the fear of judgement.
Happy writing. Happy creating. Happy daring to channel your way forward for a life free of angst with the promise of joy.
Writing a trilogy is not how I began writing, Souls of Her Daughters. The ending brought on an extension to the lives of Grace and Patience, and as the muse requested two more tales were born ending in the grand finale of, What Change May Come. The second book, Chosen Lives, picks up from Patience’s mission shrouded in mystery, and suspense when the aircraft she travels in disappears, followed by time tense revelations and heart-stopping fulfilling thriller magic!
enthrals with mystery and suspense ~ engaging and addictive ~ exhilarating… oozes with deep passion ~
~ Goodreads
The present trilogy in the making was planned. Book 1 of The Bardo Trilogy, Aurora Days, was released in April 2020 and Book 2 is scheduled for an October/November release. Book 3 will follow in the first quarter of 2021. And poetry beckons, egging me on with each publication. Hence Viola is also a closet poet! Stories crafted will always borrow some aspects from the writer’s world.
1
2
3
entrances and entertains… epic tale of courage, love and peril ~ Goodreads
Lessons learned in writing a trilogy are keeping a tight track on characters, places, time, and events. While for the most part, I am a panster, I do plan on Scrivener and shift and rearrange as each idea emerges. The glory of Scrivener is a necessary asset in a writer’s toolkit!
Sometimes the protagonist’s trajectory takes on a different path than originally envisioned. This is the power of independent creative choices — a freedom to chop or sustain at will.
Creative freedom is the stuff dreams are made of!
The Bardo Trilogy revolves around a family mystery in the life of PI Viola Bardo, schoolteacher extraordinaire with music in her heart and justice in her soul. Family relationships are a keen part of both my trilogies as are hidden secrets that connect to my thriller edge.
Changing locations is a wonderful way to revisit places I’ve been to in grounding the story.
While all this is in the making, a new venture beckons as an epic once-off or standalone novel on a family saga. The title came to mind first and pieces are emerging on that idea. Currently, I run two journals, something I have not done with my backlist publications. It has been largely one book at a time.
I am allowing the creative spirit to bite whichever way it wants so while the second book in The Bardo Trilogy is given priority, I am jotting down ideas as they appear on a new vision. I have taken on board Elizabeth Gilbert’s advice in ‘Big Magic’ — if you don’t pick up the stories coming to you, someone else will.
The muse will nudge the writer with her private messages when a story must be told.
The new venture beckoning will shift and change with time and no deadline is on the horizon for that yet. But it will be created as it comes.
I don’t intend on leaving Viola Bardo in the wings because she has many more revelations for the reader.
Keeping track of all that the divine muse dispenses is the best way forward.
A creative life calls for a balancing of our daily demands for a true representation of talent and untapped possibilities.
Too much doing becomes a mindless mission – routine for the sake of routine.
We rise – we shower – we go to work – we return home – dine – go to bed – and do the same thing the next day.
Thinking and overthinking generates zero doing as we are suspended in thoughts playing over, and over again – a scratched vinyl turning the whys in a dizzying circular dance until bitterness creeps in and a stony countenance is set to stay.
The quest for wonderment in everything around us generates positive energy but wait a minute, too much leaves a rose-tinted view of life. Floating through life this way might be an enjoyable ride until reality bites knocking the air out of the bubble and the fall could be a crushing blow.
Mindset balance in a creative life is essential to achieve an outcome both in the accomplishment of the product and a sense of self-satisfaction. This balance preserves the self.
Creativity involves breaking out of established patterns in order to look at things in a different way ~ Edward de Bono
Doing is vital to finish what has been started. The danger is when doing is obsessive. Unhappiness seeps in as exhaustion from too much doing consumes body and mind.
Thinking is the main ingredient, but overthinking can spiral out of control and have the opposite effect on creativity by becoming judgemental and critical of self, society and soon everything about life, leading to mental decline. The mind can heal you or kill you harks at how dire balance is.
The chief enemy of creativity is good sense ~ Pablo Picasso
In a creative life being driven by passion requires the ability to know when to shift the dial. Enjoying the creative process is as important as doing the slog to get to THE END. No good work is created without the slog. But the balance between work and play results in a far more fulfilling outcome with the bonus of a healthy body, mind and the spirit of joy for the long haul.
This birthday that is the resolution for my older self, but in this order — think, learn, create, and enjoy. Revise new ways and start over.
May you find your creative balance. Too much of one thing denies the joy of many missed aspects of life that have the potential for new ideas and new ways of thinking.
Here are some inspirational lines to prompt a quest for a creative life.
Diverse voices exist in literature but are under-represented by trade publishers.
All hail the dawn of self-publishing!
The tragedy of George Floyd’s death in the United States has sparked a resurgence for the recognition of black writers. Read the rumble in the UK here on what the newly found Black Writer’s Guild has initiated.
It is shocking to note that black writers are offered a lower advance to that of their white contemporaries, and editors ask for white or racist characters to be added to books.
As an author of colour, in Australia, I faced the dilemma of whether I should create a neutral non-black pen name to get publishing recognition. But my writing mission is, In our angst and joy, we are ONE under the sky of humanity, which does not support using a pen name and so authenticity prevailed.
My apartheid past in South Africa had stolen the right to feel comfortable in my skin or to dare to speak out against racism. Hence my debut novel Across Time and Space and the sequel Vindication Across Time, present the bald face of racism as a universal disease through my eyes. My third novel, Souls of Her Daughters exposes injustice on multiple levels.
Fear makes one believe that a name that hints at race would be bypassed by publishers and readers. Listen to the words of author Michael La Ronn who articulates the issues black writer’s face in writing and publishing. Note what he says about gaslighting
Racism – Inequality – Injustice – Prejudice – by any name must be caught and called in the books we read, movies we watch and conversations we have
The Zulu word Ubuntu refers to the human spirit as it should be:
I am because we are
humanity towards others
the belief in a universal bond of sharing that connects all humanity
In writing multicultural stories as I do – the spirit of Ubuntu prevails.
What will you be reading and watching in the renaissance of Black Lives Matter in literature?
I recommend watching the movie In My Country on the Truth and Reconciliation Commission (TRC) in South Africa and Rabbit-Proof Fence on Australia’s Stolen Generation.
From the Uncle Tom’s Cabin and beyond, voices have raised the alarm but sadly the call to end racism fell on deaf ears. Now it must be made history, an unforgotten one to remind us that prejudice is heinous and should be obliterated from the stage of life. Diverse voices that are in the main ignored, share why the human condition needs a radical shake-up.
Feel the angst, walk a mile in the shoes of the racially downtrodden – only then will you know the corrosive impact of racism.
The wound of prejudice cuts deep to the soul leaving indelible scars.
But you pick your head up, as you do, to face another day no longer silent especially to subtle bias…
In the wake of the change in 2020 and beyond, walk a mile through these suggestions to know and feel that in our diversity the common factor is that we are emotional beings with the capacity to rectify prejudice by the stories we tell and read.
Here are ten suggestions where diverse voices rip out your heart to sensitise your soul.
Long Walk to Freedom – Nelson Mandela
. My Place -Sally Morgan
Talking to My Country – Stan Grant
To Kill a Mockingbird – Harper Lee
The Underground Railroad – Colson Whitehead
Between the World and Me – Ta-Nehisi Coates
Cry the Beloved Country – Alan Paton
The Power of One – Bryce Courtney
The Bluest Eye – Toni Morrison
Race Talk and the Conspiracy of Silence – Derald Wing Sue
May you write and read stories that share histories to sensitise our souls to dismantle racial bias.
Growing up in apartheid South Africa as a non-white person, living under the Group Areas Act where you only saw people like you with the same coloured skin, living with the knowledge that your people had to be hidden from view — white view — left scarred for life and needing immense strength to shelve the hurt and pain in memory’s hinterland.
This divisive system invites shame — why am I not good enough? Why can’t I eat at that wonderful seaside restaurant? Why can’t I go to a school with its English countryside setting and Victorian buildings? Why am I afraid every time I see a police officer or paddy wagon? Why can’t I lift my eyes above the ground? What have I done to be born black?
Here is why…
Racism is hatred that unleashes a plethora of negativity both ways: Unchecked power that intensifies with acts of brutality that crucifies an already broken self-concept. Systemic injustice — physical, emotional, and psychological feeds the depraved hands of power. How does the victim deal with an enforced erosion of who they are?
Let me tell you…
There are only two ways: head down — mind their manners or take to the streets to protest. Stop! When power strikes up against protest it is obvious that human survival instinct kicks in and violence erupts. Nobody wants violence — justice is all the victim wants — a fair go — it starts out as a peaceful protest, and if left to do just that, no force is necessary. Let the voices crying out for change be heard or it speaks of intolerance to change.
Then somebody cries ‘looters!’
This is why this happens…
The downtrodden are as the words say it, the ‘have-nots’— denied, deprived, shamed, and blamed for all the ills of the land. Human instinct kicks in again and necessity guides reaction/behaviour. Before we cry ‘looting’ investigate what underpins it. Where there’s social inequity the ‘haves’ have ‘looted’ the country for a very long time taking more than they needed — perpetuating inequity.
History tells us that peaceful protests become violent when the hand of power strikes. Decades before Nelson Mandela sat at the helm of government in South Africa, the country was on the brink of civil war and the Sharpeville massacre of 1960 like the Soweto riots of 1976 started out as a call for justice but led to police taking up arms against protesting civilians who wanted their voices heard.
#BlackLivesMatter is a timeless cry for justice from the time of Rudyard Kipling who referred to the people of the African continent as ‘half-devil and half-child, ’ in his 1899 poem, White Man’s Burden. Colonialism stole the right to justice — a fair go, for original inhabitants of the land. Assimilation — one way or no way denies culture, heritage and the right of recognition.
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Remember those fallen at the hands of racial prejudice — countless — the loved ones of grieving families — too many still dying at the hands of what can be changed…if they are heard.
Listen to this Ted Talk by Amy Thunig: Disruption is not a dirty word that pulls no punches on racism endured by Indigenous Australians in a country I call home.
It’s 2020, and some in the misguided grip of power swim in the quagmire of the barbarism of racial prejudice — educated by book not humane moral code — sure-fire intellect — no emotional intelligence. Silence widens and deepens the stain of prejudice. Speaking out against racism does not always win friends and influence people, but the few who join black brothers and sisters in the fight for justice at the risk of losing their tribe — those are the gems that make #AllLivesMatter, for they will pull together to create liberty, equality and we all need fraternity.
What is your choice to be on #BlackLivesMatter?
Stay safe, speak up against injustice but as John Proctor cried in The Crucible – ‘Because it is my name! Because I cannot have another in my life! … leave me my name!’
Some quick pointers as we either drown in or swim out of the quagmire of negative news.
As fiction writers we are wired to all that happens around us as our receptors absorb ideas for the next great story. The blessing and curse of the news – more a curse in the current times while essential for updates on matters of health and mortality, the economic slump and the general state of the nation – it is disruptive in its overdose of negativity.
Brain receptors
The writer’s receptors grab ideas at the speed of a 5G network – the mind is never at rest, dreams emerge during troubled times as stress levels are elevated and the quest for ideas, for the next great book, arrives in a mangled mind needing time out. Once this agglomerates to confuse and clog thinking which we are at risk of in the current global climate, the danger is depressing outcomes for the writer on high alert – never wanting to miss a moment of the rapid global change we are undergoing. The virulent effect, if we are not selective, leaves its scar for a lifetime.
Be Selective
Choice matters when words count and writing deadlines are set-up. Where possible avoid mismanaged choices that deaden your writing plans – dry the inkwell or moves the virus into your hard drive. Choose to read inspirational material to reframe how you see yourself in the world. I recommend reading TheUntethered Soul, the journey beyond yourself, by Michael Singer to redirect thoughts to positivity and peace.
To attain true inner freedom, you must be able to objectively watch your problems instead of being lost in them – Michael Singer, The Untethered Soul
Erase Negative News for Creativity to Shine
Poetry, meditation, or inspirational music will reset your inner dial for greater productivity. Catch up on writing podcasts to refresh your muse. There are loads of positive platforms to draw from to rev your creative mojo free from negativity.
Whatever your choice of music choose healing sounds to quieten the mind and open the creative receptors free of the pollution of an overload of negative news.
Dance like nobody is watching is an excellent way to get the blood pumping and the mood in an upswing, so whatever you choose to do, jive, toe-tap or nod to the rhythm of the sounds, you will feel energised to activate what might be momentarily blocked.
Watch old comedy movies/television sitcoms or stand-up comedy shows. Slapstick humour relaxes the body and mind and transports us to joy – a positive mental state necessary for general wellbeing and a surge in creative energy.
Fawlty Towers
Are you being served?
‘Allo ‘Allo
Select what you will read, listen, dance or move to in your week and notice how your writing flows when you mindfully infuse beauty and peace into your daily activities.
Stay safe, find peace, abundant writing best wishes sent your way!
Happy Reading. Happy Writing!
Share your ideas on how to uplift positivity in our writing lives and life in general.
Mother’s Day this year has a different ring to the freedom of yesteryear.
The nation waited to hear if we would be allowed to visit our mothers on this special day of the year. Something we took for granted… our mothers would always be there to listen, comfort, cook an amazing meal, take care of grandchildren, advise on matters of the heart, and chastise bad behaviour.
Love the whole world as a mother loves her only child ~ Gautama Buddha
The hype leading to Mother’s Day has been a buzz from infancy. 2020 has been still but some retail stores have opened for a dash purchase of a gift and a card to celebrate our mothers to tell them we love them. We fervently add that we want our mothers to be safe and well during this global health crisis. Some among us ache to see our mothers, some have passed on, and others are in social isolation — it has been two months of just telephone conversations and if possible, FaceTime, Zoom and Skype chats. The aching emptiness of the missed mama/nana hug is still not a possibility. A joyous expression of love is now a cause for global anxiety as we fear the unknown, the lethal. The comforting hug now a possible cause of harm.
Mothers occupy a universal, sacred place in our hearts. A mother’s unconditional love goes with her children from the cradle to the grave. Cultures revere mothers with a divinity deserving of profound respect and care. This value should undoubtedly be universal. The hearth of family and home is a mother.
Paradise lies at the feet of your mother~ Prophet Muhammad (PBUH)
In paying tribute to all mothers today I also refer to the fictional mothers in, Souls of Her Daughters, and two follow-up novels in the trilogy (each reads as a stand-alone novel too) Chosen Lives, and, What Change May Come.
Mothers Varuna and Elsie present as the yin-yang of motherhood. Mama Varuna is Grace’s bold and strong mother who has weathered hardship with loss and societal criticism. Patience’s mother, Mama Elsie is a mild-mannered mother who faces racism and hardship in apartheid South Africa. Both mothers raise their daughters as one family united in their cultural difference and struggles. The highs and lows of the lives of mothers and daughters captured in the daily lives of Grace and Patience are what makes Mother’s Day a constant expression of love.
To all mothers, and future mothers, you are the pillars of family and society and should be celebrated daily.
She opens her mouth with wisdom, and the teaching of kindness is on her tongue.’ ~ Proverbs 31:26
Share your thoughts in the comments.
Stay safe and well as restrictions ease in New South Wales and around the world.
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