Category: Communicating - Mala Naidoo's Book World

Nurturing The Inner Creative

As emotional beings, the creative has a deep well of available resources to draw from in storytelling, writing poetry, and creating artwork.

The continual dipping and diving into emotional resources while working on a project drains energy for the capacity to be fully immersed while competing with life’s cacophony. The stretching of energy resources generated from deep creative work are challenged by personal situations that demand a share of the energy pumped into creativity.

Death, divorce, illness, moving house, or reframing work life, are but a few of life’s situations that test human stamina.

What is the way forward when passion projects and life’s necessities demand attention?

The first would be to step back from the writing desk, or the canvas to consciously acknowledge medical impediments, or pack up the Ute and head into the wilderness. Creatives write these situations into characters’ lives. The lived reality poses a different scenario. Just as characters require strength to overcome the imagined challenge, creatives need renewed energy to move forward.

A hiatus while weathering life’s challenges, recharges one for what lies ahead, replenishes creativity by momentarily allowing grief, illness, etc; to hold space, or frees time to toss out unnecessary materialistic aspects of life to invite the fresh, and embrace the new.

Nurturing the creative within allows one to go on with what makes the heart sing

Creative nurturing, heals, elicits joy and and ignites the imagination with a nudge from a benevolent muse eager to fan the fires of creativity. Grab the nudge, save it in the in-tray for when the time is right.

How long should this hiatus be?

As long as it is necessary to refuel the tank for the gigantic leap ahead.

Nurturing the creative within benefits from gentle physical activity: A walk in a park, beach, a weekend getaway, and meditation, meeting old friends, helping at a soup kitchen, volunteering at the RSPCA, or randomly doing something such as taking in a morning movie for one–a few examples of how one could nurture the creative within.

Never let doubters make one feel that being a creative on a break is a cardinal sin. While it might seem to be so to those who secretly hate their day jobs, the creative alone knows how to manage the emotional energy required to create timeless works of art.

Take a creative break when the need arises, not when you have you fix one of life’s demands. Then, watch productivity soar.

A source of inspiration:

“I saw that my image was changing or fading. One of the reasons for taking a break from clubs was to be missed—not forgotten.” ~Sammy Davis

And…one more piece of motivation worth listening to:

Hakuna Matata!

Like read, share, or comment below on how you create space to nurture the inner creative.

AI or the Human Touch

Whether we accept it, remain neutral, or deny it, it’s already present.

When it comes to creativity, how do you balance AI and the human touch?

Ernest Hemingway said, There’s nothing to writing. All you do is sit down at the typewriter and bleed. If this is so, why is AI necessary when the writing process is humanely natural?

For centuries, storytelling has been a cultural tradition in every corner of the world. Who is the best at sharing their personal experiences through storytelling?

Is it possible for AI to display raw emotions?

Some argue that it’s authentic, while others contend that it’s programmed and thus not genuine.

The subjectivity of creativity begs the question: can it be programmed?

The dilemma is that some humans conceal truths and wear masks to create a fake identity. The theme of appearance vs reality in Shakespeare’s plays exposes how easily humans can be deceived. Will AI be yet another mask for machine-generated creativity? Who receives credit for the positive reception of AI-generated work? Another door to truth and ethics is unlocked.

Be curious and informed before leaping.

Artists create. They can express themselves through art in a multitude of ways — painting, writing, music, fashion, architecture, machinery, transportation, and beyond.

Charles Dickens, Jane Austen, Leonardo da Vinci, Picasso, Mozart, and other masters of their crafts possessed scintillating minds and remarkable imaginations before AI.

How does AI affect the human brain and heart when it takes over our inherent rights to uniqueness, growth, and creativity? When AI ‘generates’ creativity, do artists’ voices and works lose their uniqueness that only the human touch can produce?

The books and authors that writers admire inspire them. Their mentors, past and present, guide them in honing their skills and style to create unique storylines. Imagination and voice make up a writer’s unique human fingerprint. It captures the reader’s attention. Have we reached a technological level where AI can imitate a writer’s style and imagination?

Imagination is the beginning of creation. You imagine what you desire, you will what you imagine, and at last, you create what you will. – George Bernard Shaw

AI is a part of our daily lives, but we often overlook it. Bots have butted into our lives before we had a name for them. Just whisper ‘Ok Google,’ or ‘Alexa’ and they are ready to provide us with the answers we seek. Does this make the human mind lazy if we don’t physically do the research?

The uniqueness of a writer’s voice lies in the manner in which they tell the story. AI can mimic the tone and intonation of the human voice, but can it replicate the character and personality of the human soul to articulate life experiences?

Creativity is seeing what others see and thinking what no one else ever thought. – Albert Einstein.

As an artist, you live your passion, share your talents and skills, and develop with every piece of art created.

The ways and reasons for entering this brave new world of creativity are widely debated.

The worst enemy to creativity is self-doubt — Sylvia Plath

Be curious and cautious to guide your choices in a rapidly evolving creative sphere.

Please share your views in the comments below.

Creative Time and Space

You work full time but have a raging desire to write that book buried deep inside you.

If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.’ ~ Toni Morrison

How can I make it happen?

Time and space are necessary, negotiation with your after work, home tribe is mandatory — your loved ones under the same roof need to know the rules of the ring-fence around your creative time. Tell them, the adults and children alike, that this is your scared time after dinner, and family time. It will be a stretch on your energy levels, it will erode your sleep time… but if you seriously want to, not hope to achieve your hidden dream, then lost sleep is a small sacrifice.

The space is as sacred as the time and needs a physical barrier around it to avoid little ones from tottering in to play.

Say you choose nine-thirty to eleven thirty each night, stick to it unless there is something serious that requires your attention. A no-phones-space or noise cancelling headset is all the additional equipment you need to lock in the time and space for your burst of creativity each day.

Let me live, love, and say it well in good sentences ~ Sylvia Plath

Quality, rather than quantity, counts during this spiritual time to achieve what you have set out to do. Adherence to this time space includes weekends. Be prepared for a dent in your social life. Exceptions are granted for extra special occasions—birthdays, wedding anniversaries, graduation night, etc. These are outside the prohibited norm, and you might have a special occasion not included here. Limit these to those dearest to you. Dwindling social circles are inevitable if your social tribe doesn’t appreciate what you’re doing.

That’s all it takes, but regularity, commitment and determination are the way forward to having your book in hand. And what an exhilarating moment that is!

A word after a word after a word is power ~ Margaret Atwood

As progress happens, negotiate a reduced day job working hours with your manager as you create more time and space for your creativity to flourish.

The writer also needs time and space to read, read, read, all the poetry, craft books, and novels one can fit into a busy day to enhance the craft of writing. Shorten an office lunch break, stroll outdoors and add to the daily scribblings.

And there’s connecting with creative peers for inspiration. It could be a master class or a writer’s association. This tribe is essential to avoid total isolation and to validate your passion.

Soon you will spend more time in your creative space and limited time on your day job.

Go tell that story you have harboured for so long. The world is waiting!

You never have to change anything you got up in the middle of the night to write! ~ Saul Bellow

Happy writing as you create the time and space for holy writing hours!

Please add your thoughts, and inspiration in the comment box below.

The Way We Were

The creative question asked is, where are we now? What have we done?

As we slow pedal to year-end, as opposed to manically motoring towards the shenanigans of the period, it’s time to reflect.

Lessons from lockdowns include pondering the way we were.

When freedom is aborted by the rapid onslaught of an unseen enemy, the subsequent mandated exodus from office spaces, a retreating from global, is a new way.

Home is the place to work, play, and rest. If graced with wide open spaces and human company, the retreat might be bearable.

The creative advantage is possible when the shutters are down, streets are emptied, and parks and beaches are deserted.

The creative muse tunes into stillness—if the eye and mind turn more deeply inward, away from the repetitive media message that induced fear and guilt every morning at 11.

When emotions are raw, thoughts tumble out in reaction to the siege on the way we were. Social interactions are prohibited and replaced by a hermit lifestyle, or heaven forbid, succumbing to the doom of extinction.

Global and national disasters, past and present—world wars, financial crises, bushfires, floods, earthquakes, tsunamis, hurricanes, and pandemics, shake up the world to stir the creative soul.

The documenting of histories during global upheavals through fiction and poetry, painting, or musical compositions captures the heartfelt angst of the moment. Creative works emerge from such a time to reverberate into the future. This has the potential to educate and strengthen the action of future generations.

We can never rewrite history’s truth.

Fiction and poetry fearlessly tell the naked truth. Stories created now, in any medium, hold the key to spreading awareness overtime on the traits, pitfalls, and reactions to disasters.

truth and despair – the creative gateway

Capturing today through visual images is vital. A history through words, however, is the ageless wisdom of the soul of our current human condition—life as we feel it, and breathe it in the now.

As we roll up the year, not a long way off socially and politically to where we were back on day one of 2021, let us reflect.

Reflect on the stories we should tell of this time. A time when the world faced a common threat, an enemy that morphs and attacks just when we hope we might return to the way we were.

Time moves forward, and the past is only a backward, behind-the-shoulder lingering glance at how we were.

Change is grain for an undulating creative harvest…

The way to make sense of the world is to read a good book or write one on the story of the world as you live it. There will never be enough stories told of a torrid era.

As you shed the skin of 2021, brace yourself with hope. Arm yourself with a good book, and share love, truth, and joy.

Go forth today in cheer, the world’s voices shake and threaten doom, but you, my friend, keep the spring in your step, the light in your heart and a smile upon your lips

~life~

Stay safe this season.

Please share, like and comment in the box below.

Creative Self-Care

A creative life brings much joy and excitement where it’s easy to forget that it is work. And as with all work, the mind and body tire when passion pushes on in a hedonistic surge, and more so when creating new worlds peopled with exciting characters doing extraordinary things or making the ordinary quite exciting.

Putting the foot on the brake when exhaustion sets in does not send the creative muse into permanent banishment—quite the opposite. A brief pause, a day or perhaps two, refuels the creative well with the elixir needed to push to the next level of creative intentions. It is only the physical act of doing that is on a temporary hiatus to clear the mind to absorb new inspiration, the sights, sounds, movements, to see the everyday and old with refreshed eyes.

The pause could be time spent to catch up on much needed relaxed reading, beach walks, feeling the outdoors, meandering in a museum, taking in a movie, going to the theatre, or out to breakfast or dinner with yourself. Me time invigorates the creative mind and spirit. Although most creatives work in solitude and might crave company, it is elected carefree time alone, whether in a crowd or on a private beach, that eases mental exhaustion generated by passionate overwork.

It is the creative’s passion that invests extensive time, and intense hard work to produce a work of art, be it a manuscript, painting, a sculpture, or music. The ultimate piece, the artwork outside the physical form has its own story to tell as one of sheer commitment for the love and euphoria generated by creating—early mornings before the world wakes, late nights, and oftentimes all night, fobbing off distractions and knowing when to say no to external demands irrespective of who makes the demand.

Only the creative knows what matters most.

Allow the self to enjoy one’s own company away from the work to fine tune the energy and inner wellness of the mind and body without the noise of mental chatter. The creative soul needs that one-on-one with the self. Decide if this one-on-one with the self should be a weekly, fortnightly or monthly date. Go out for coffee with yourself. Take a walk on the beach alone. Human gregariousness is always there to pick up when the time is right.

Work and life…life and work are indistinguishable for the dedicated creative

Have you ever set a date with yourself? Go to your favourite place once a week, alone, for a month and journal your thoughts and feelings. Something that might surprise you is that you will return after each date teeming with ideas for a new project. Time out is beneficial for productivity—the energy and freshness ignite thinking outside the four walls of a writing/creative/workplace space.

Fill the creative well with some time out.

Never be afraid, or think it selfish to enjoy your own company—you are your own best friend, number one in your tribe.

Just as we free-write in our journals every day, that private time with intimate words on a page—quite a different energy to drafting a manuscript—in the same vein, getting out of a regular creative space be it in an office at home, or elsewhere, is a self-made retreat for the creative spirit. Going AWOL for a day is liberating for creative energy, for all energy! Try it!

Make a date with number one. Enjoy your own company and return blessed and refreshed.

Happy Creative Rest!

Please like, share and comment in box below.

Creative Life: Vanity Pride and Ego

Vanity, Pride and Ego – same family, different personalities, different agendas.

All three will have a negative impact if riding this wave is all that matters. It drains creative energy.

Vanity exudes a hollowness in its overindulgence on self, achievements, and appearance, etc. It is external.

Where does the artist sit on the pedestal of vanity?

One voice says, nowhere. Another asks, how will a receptive audience to the art be found if vanity is tossed aside? Vanity needs an audience. But, should it be at the cost of dominating one’s passion and purpose?

The muse, divine grace, or however inspiration is perceived, is not invited by vanity. Mother Muse is not needed, as narcissistic vanity, knows it all, and celebrates personal achievements, with no filter, in every waking moment, in multiple ways. I and me overshadow growth by ignoring the voices that have much to teach and share in learning new ways. The achievement has a use-by-date if not allowed to grow and expand in new and varied ways.

Then pride prods, ‘Look at me, I have published my book, or sold my artwork! I’m so excited!’ This has a ring, different to vanity. It’s internal, it is joy over what the artist has created. Children are invited to take pride in their work, push themselves to achieve their personal best. This level and definition of pride is a healthy option. Pride reflects reality, it’s a joyous reaction to having achieved a goal. There’s a dignity in the self-esteem and self-respect that comes with this type of pride. Because pride is internal, when injured, it could create feelings of worthlessness. Which do we prefer? Known for vanity or having a sense of pride? Pride may breed feelings of superiority if unchecked, and released often outside the inner glow of accomplishment.

Then there’s ego, ‘Oi! look at me and all I have achieved. I am the best in my game.’ Remember the id, ego, and superego in a Psychology 101 class? It might be necessary if marketing one’s wares, but with ego comes the threat of overzealous self-importance – conceit. Not a favourite in any working, social, or home environment.

To succeed in what we do, we need balance. The ability to know and understand who we are, and how we are received is vital to acceptance for a sense of belonging to promote mental and emotional wellness.

When acceptance and belonging thrive, productivity increases.

Balance in everything is vital to how social perceptions are influenced

It leaves the question, is ego, overblown pride? And what of vanity? Is it a wild show pony craving an adoring audience, or the unrestrained expression of pride and ego?

Now, there lies the dilemma.

Be proud of your creative work, yes? Avoid ego and vanity? Over-inflated expressions of self run the risk of sitting on the precipice of love and revulsion. What is the artist’s choice to be?

Shakespeare’s timeless tales tell us that hubris and hamartia lead to a character’s downfall. Lear’s, ‘Which of you shall we say doth love us most’, albeit being an aging man, he might be perceived as vain in wanting to hear his three daughters’ undying adoration for him before he divides his kingdom among them.

What are your thoughts? Vanity? Pride, or Ego?

Happy Writing and Successful Publishing!

2020 and Beyond – Voices in Literature

Diverse voices exist in literature but are under-represented by trade publishers.

All hail the dawn of self-publishing!

The tragedy of George Floyd’s death in the United States has sparked a resurgence for the recognition of black writers. Read the rumble in the UK here on what the newly found Black Writer’s Guild has initiated.

It is shocking to note that black writers are offered a lower advance to that of their white contemporaries, and editors ask for white or racist characters to be added to books.

As an author of colour, in Australia, I faced the dilemma of whether I should create a neutral non-black pen name to get publishing recognition. But my writing mission is, In our angst and joy, we are ONE under the sky of humanity, which does not support using a pen name and so authenticity prevailed.

My apartheid past in South Africa had stolen the right to feel comfortable in my skin or to dare to speak out against racism. Hence my debut novel Across Time and Space and the sequel Vindication Across Time, present the bald face of racism as a universal disease through my eyes. My third novel, Souls of Her Daughters exposes injustice on multiple levels.

Fear makes one believe that a name that hints at race would be bypassed by publishers and readers. Listen to the words of author Michael La Ronn who articulates the issues black writer’s face in writing and publishing. Note what he says about gaslighting

Racism – Inequality – Injustice – Prejudice – by any name must be caught and called in the books we read, movies we watch and conversations we have

The Zulu word Ubuntu refers to the human spirit as it should be:

I am because we are
humanity towards others
the belief in a universal bond of sharing that connects all humanity

In writing multicultural stories as I do – the spirit of Ubuntu prevails.

What will you be reading and watching in the renaissance of Black Lives Matter in literature?

I recommend watching the movie In My Country on the Truth and Reconciliation Commission (TRC) in South Africa and Rabbit-Proof Fence on Australia’s Stolen Generation.

From the Uncle Tom’s Cabin and beyond, voices have raised the alarm but sadly the call to end racism fell on deaf ears. Now it must be made history, an unforgotten one to remind us that prejudice is heinous and should be obliterated from the stage of life. Diverse voices that are in the main ignored, share why the human condition needs a radical shake-up.

Feel the angst, walk a mile in the shoes of the racially downtrodden – only then will you know the corrosive impact of racism.

The wound of prejudice cuts deep to the soul leaving indelible scars.

But you pick your head up, as you do, to face another day no longer silent especially to subtle bias…

In the wake of the change in 2020 and beyond, walk a mile through these suggestions to know and feel that in our diversity the common factor is that we are emotional beings with the capacity to rectify prejudice by the stories we tell and read.

Here are ten suggestions where diverse voices rip out your heart to sensitise your soul.

Long Walk to Freedom – Nelson Mandela
. My Place -Sally Morgan
Talking to My Country – Stan Grant
To Kill a Mockingbird – Harper Lee
The Underground Railroad – Colson Whitehead
Between the World and Me – Ta-Nehisi Coates
Cry the Beloved Country – Alan Paton
The Power of One – Bryce Courtney
The Bluest Eye – Toni Morrison
Race Talk and the Conspiracy of Silence – Derald Wing Sue

May you write and read stories that share histories to sensitise our souls to dismantle racial bias.

May I tell you?

Growing up in apartheid South Africa as a non-white person, living under the Group Areas Act where you only saw people like you with the same coloured skin, living with the knowledge that your people had to be hidden from view — white view — left scarred for life and needing immense strength to shelve the hurt and pain in memory’s hinterland.

This divisive system invites shame — why am I not good enough? Why can’t I eat at that wonderful seaside restaurant? Why can’t I go to a school with its English countryside setting and Victorian buildings? Why am I afraid every time I see a police officer or paddy wagon? Why can’t I lift my eyes above the ground? What have I done to be born black?

Here is why…

Racism is hatred that unleashes a plethora of negativity both ways: Unchecked power that intensifies with acts of brutality that crucifies an already broken self-concept. Systemic injustice — physical, emotional, and psychological feeds the depraved hands of power. How does the victim deal with an enforced erosion of who they are?

Let me tell you…

There are only two ways: head down — mind their manners or take to the streets to protest. Stop! When power strikes up against protest it is obvious that human survival instinct kicks in and violence erupts. Nobody wants violence — justice is all the victim wants — a fair go — it starts out as a peaceful protest, and if left to do just that, no force is necessary. Let the voices crying out for change be heard or it speaks of intolerance to change.

Then somebody cries ‘looters!’

This is why this happens…

The downtrodden are as the words say it, the ‘have-nots’— denied, deprived, shamed, and blamed for all the ills of the land. Human instinct kicks in again and necessity guides reaction/behaviour. Before we cry ‘looting’ investigate what underpins it. Where there’s social inequity the ‘haves’ have ‘looted’ the country for a very long time taking more than they needed — perpetuating inequity.

History tells us that peaceful protests become violent when the hand of power strikes. Decades before Nelson Mandela sat at the helm of government in South Africa, the country was on the brink of civil war and the Sharpeville massacre of 1960 like the Soweto riots of 1976 started out as a call for justice but led to police taking up arms against protesting civilians who wanted their voices heard.

#BlackLivesMatter is a timeless cry for justice from the time of Rudyard Kipling who referred to the people of the African continent as ‘half-devil and half-child, ’ in his 1899 poem, White Man’s Burden.
Colonialism stole the right to justice — a fair go, for original inhabitants of the land. Assimilation — one way or no way denies culture, heritage and the right of recognition.
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Remember those fallen at the hands of racial prejudice — countless — the loved ones of grieving families — too many still dying at the hands of what can be changed…if they are heard.

Listen to this Ted Talk by Amy Thunig: Disruption is not a dirty word that pulls no punches on racism endured by Indigenous Australians in a country I call home.

It’s 2020, and some in the misguided grip of power swim in the quagmire of the barbarism of racial prejudice — educated by book not humane moral code — sure-fire intellect — no emotional intelligence. Silence widens and deepens the stain of prejudice. Speaking out against racism does not always win friends and influence people, but the few who join black brothers and sisters in the fight for justice at the risk of losing their tribe — those are the gems that make #AllLivesMatter, for they will pull together to create liberty, equality and we all need fraternity.

What is your choice to be on #BlackLivesMatter?

Stay safe, speak up against injustice but as John Proctor cried in The Crucible – ‘Because it is my name! Because I cannot have another in my life! … leave me my name!’

What do you want to be remembered for?

Writing For Success

Continue reading “Writing For Success”

Women Who Inspire

Often the women around us, those we interact with, those who do not ask for acknowledgement and serve their life’s calling with unstinting passion, must be noted to celebrate them and say thank you for who they are and what they have shared and continue to share.

Today amid the chaos in the world, social isolation physically separates us but has allowed us to deepen and broaden our thinking without the usual everyday distractions.

This quietening of the mind has heightened my appreciation for the women that inspire and have inspired many lives. As a writer of thriller fiction and contemporary women’s fiction, it is befitting that I pay homage to the women who have impacted my world.

From the corporate world, writing and publishing and health care, here are three women I salute today.

Kalyani Pillay (Entrepreneur)

Former CEO, of SABRIC, (South African Banking Risk Information Centre) Kalyani Pillay resides in Sandton, South Africa. Kalyani has inspired many in her passion for instituting protocols for the elimination of bank fraud. A job that entailed being a globetrotter spreading innovative ideas on how to protect ourselves from financial scams, and as an advisor to large corporations, particularly banks. Kalyani Pillay has been head-hunted for presentations at international conferences in her relentless fight against fraud. She has worked as a lawyer, State Attorney for Gauteng, and Special Advisor to the Head of the National Prosecuting Authority in South Africa before she joined the ranks of SABRIC as CEO. Her resilience, dedication, optimism, and integrity are qualities that inspire for as long as I can remember.

Here is Kalyani Pillay’s inspiring interview with, Dudu Msomi on her show, ‘WisdomPersonified’ to illustrate the passion, courage, determination, and humility of a woman of note.

Brenda Mohammed (Author/Poet)

Trinidadian author and Founder of the How to Write for Success Group, a rapidly growing literary group. Brenda Mohammed promotes rising stars in literature, and assists in expanding the repertoire of existing, established authors with selfless commitment through collaborative writing of anthologies in the prevention of suicide and against domestic abuse. She is a noteworthy multi-award-winning novelist and poet. As a former banker and seasoned traveller she exudes a resilient spirit as a cancer survivor, depicted in her memoir I am Cancer Free, and one who has the Midas touch in creating bestsellers. These attributes make Brenda Mohammed an inspirational woman as my peer and mentor in my role as an administrator in the HTWFS group. Brenda’s book How to Write for Success offers nuggets of wisdom on writing and publishing, serving as a handbook for writers of any genre. Her warmth and generous nature in promoting the love for reading in children is evident in her contributions and interactions with schools in Trinidad. Brenda Mohammed is highly valued by her administrators and followers in the How to Write for Success group.

It isn’t where you came from. It’s where you’re going that counts.

~Ella Fitzgerald

Queenie Naidoo (Health Care Professional)

Retired South African nurse, residing in Australia, Queenie Naidoo, in her eighties today, is passionate about healing as she ever was. She served the poor and destitute, the ill and dying with devotion. She was fondly known to many as, ‘Sister Queenie.’ She garnered the support of local doctors in the town of Pietermaritzburg, South Africa, to donate medication which she dispensed at the free medical community clinic she steadfastly ran, for many years, on Sunday mornings, to serve those who were unable to access medical treatment. Her home was a haven to the ill, depressed, and ailing hearts. Her sense of humour and maternal warmth drew many to her. Her lifetime commitment to healing and supporting the physical and mental health of her patients resonates today with the selfless and potentially dangerous work of health care professionals during this global pandemic we currently face. Added to Queenie Naidoo’s inspirational credit is her creative talent in having produced a theatrical performance, God the Last Refuge, staged at the King Street Theatre in Newtown, Sydney, in 2014. Queenie has inspired me from the cradle as my loving, caring, mother and continues to do so to this day.

We never stop learning and growing with each passing day, hence inspirational individuals are the heartbeat of the societies we inhabit.

I have handpicked three inspirational women, there are many more who inspire us every day. Please share the inspirational women in your world in the comment box below.

Writing and Publishing During a Global Crisis

Every corner of the world has been hit by Covid19 — life for millions has come to a grinding halt. Businesses have shut down left, right and centre. Bookstores have closed their doors. Libraries are no longer a sanctuary as silent voices are in lockdown.

The question tossed around is: do we go ahead with the launch of a new book?

My heart says yes but my mind says, should I? Then a voice whispers an answer: yes, launch it online, reach people who need to move out of the mental space of the current crisis we all face. We need the sanctity of books. Bookshops continue to take orders online if a digital book is not a preference.

In the face of a global crisis, publishing is vital now more than ever before — it says we are here, later it will speak confirming that we were here, and this is what we did. It is akin to writing historical fiction. The Great Books of the world brought us knowledge of people, cultures, events, aspirations, challenges and celebrations from eras long before our current existence. Without those scribes, the artists of the past, we would be as ignorant of the world as the occupants in Plato’s cave.

Literature is the light into now, the glow of the past and spotlight into our dreams of the future.

Books imprint memory

Writers have the acute ability to sense mood and observe human behaviour down to minuscule details. So, why wait? It is time to pick up the pen of prose or poetry. Each will speak of this time and of our dreams and visions. Leave the messages that say we are indeed one.

In our angst and joy, we are ONE under the sky of humanity

To ignite compassion, we must walk in the shoes of angst, or suffering, to extend love and care to others because we know it—we feel it. Stories elicit compassion and bring meaning more particularly as we sit in self-isolation to protect our loved ones and communities.

Writing and publishing must go on, as must, soft digital launches of news titles and relaunching of backlists. Lower prices, offer free titles, reach the masses by bringing meaning to the lives of those living in fear of what the next news bulletin or press conference will announce. Our uncertainty unites us in our desire for a renewed tomorrow. We inhabit the same house under a global sky.

Now we speak with the same human voice in our sans streets, sans parks, sans beaches… but we should never be reduced to fearing each other.

Keep literature flowing for generations to come—it is within our control, thanks to the digital platforms that serve us.

Keep Writing, Keep Reading.

Stay Safe.

This time will pass. Keeping hope alive through poetry and stories.

From Sydney to Seychelles

Today we travel across the Indian Ocean to meet Magie Faure-Vidot. Magie is a French-language poet from beautiful Seychelles. She has published work in English and Seychelles Creole. She is the Chief Editor/Director of the Publication SIPAY and is an inspirational supporter of rising poets and writers. She is tireless in her dedication to upholding international close connections between writers of all genres and forms.

Recently she has travelled to India for the World Thinkers’ and Writer’s Peace Meet attending two international events in December 2019 in Vijayawada and Kolkata.

Meet the Poet

Magie Faure-Vidot was born in Victoria. She is a member of the Institut Académique de Paris and the Académie Internationale de Lutèce. She has won numerous prizes over the course of her career, including the Coupe de la Ville de Paris, a Lyre d’honneur, and six silver and numerous bronze medals in various international literary competitions, and she has represented her home country at many international poetry festivals and other initiatives. Her work has been discussed in critical studies of Seychellois literature. She has also achieved some fame as an oral performer.

After living for some time in Lebanon, England, Italy, and France, Faure-Vidot returned to Seychelles. There she co-founded and continues to codirect, both the online literary review Vents Alizés and the online publishing house Edisyon Losean Endyen, both of which she runs in conjunction with Hungarian poet Károly Sándor Pallai. Her work is regularly published in Seychelles Nation and The People, and she is the Chief Editor/Director of SIPAY, the only Seychellois international literary magazine. Her poems were published in the international poetry anthology Amaravati Poetic Prism in India. In 2017, she received the prestigious Seychelles Arts Award in literature for her outstanding literary work and achievements. She writes for Spirit of Nature where she features amongst the 60 poets published in 2019.Opa Anthology of Poetry.

She is a member of the World Nations Writers Union Kazakhstan. She is the Regional Director – East Africa and Central Asia and on the Administration Council of MS.

Additional information on Magie Faure-Vidot is available on Wikipedia.

Getting to know Magie

When did your love for poetry begin?

The love for literature began when I was a kid. My parents worked on a vast agricultural property and had many animals. I loved them so much that I used to tell them small stories. We lived close to the beach and I had my private beach where I used to enjoy the sea, the birds, coconut trees, swimming with small fish, and playing with crabs. Being a loner, I had to keep myself busy. The sea carried me to faraway imaginary places. And I would always be asking my parents to buy me pencils and exercise-books.

What do you enjoy the most about living in Seychelles?

The island life, friendliness of the inhabitants, no snow but the sand.

The View From Magie Faure-Vidot’s Home in the Beautiful Island of Seychelles ~ A Creative Haven

Tell us about the International Literary Journal, SIPAY. When did it begin? What is its aim?

SIPAY saw birth in 2008 but registered in June 2009. At first, the aim was to promote the French language at 60% and 40% shared between our two other national languages, English and Creole. But now it has taken another turn. It is affiliated to Motivational Strips, and Spanish has been added to the three languages. SIPAY is now an International Literary Magazine and opportunities are given to various writers all over the globe. SIPAY is a non-political, non-religious magazine. SIPAY is distributed to the Ministry of Education for all the schools, Ministry of Culture, Creole Institute, the National Library, the National Journal (NISA), and some private individuals. One copy is posted to all contributors at no charge. SIPAY is a non-profit making publication. Money generated from the sale is reinvested in the next edition.

Describe your typical writing day.

I write when the urge tickles me. First, however, I take care of my home, family and animals – three dogs, and I feed some fifty birds every day. I then take to writing, attending to posts in MS, Lasosyasyon Lar san Frontyer, Congo Ecrit etc.

What are your future goals for literature both within Seychelles and internationally?

I’m planning my 7th book, assisting the Lasosyasyon Lar San Frontyer as a Chief Consultant and Congo Ecrit. I attended two international events in December 2019 in Vijayawada and Kolkata.

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I extend my gratitude to Magie Faure-Vidot for sharing her illustrious writing journey. You can connect with Magie Faure-Vidot for more information on her recent literary travels and works:

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Through Australian Eyes

As 2020 dawns it will be remiss not to look at the world that is changing before our very eyes.

Through Australian eyes, sadly, the ongoing bushfires have encircled our lives affecting health, and mindset with loss of human lives, homes, fauna and flora — this impacts the creative soul and spirit which is closely aligned to the natural cycle of life. There is an unease that wants answers and quick solutions to a problem that has been steadily growing.

As we cry, ‘climate change’ — it is more about necessary unified ‘human change’ to rectify that which ails our burning country. Change can be initiated by ongoing fostering of awareness that we all have a part to play to improve the state of our country, the world and subsequently the human condition. As writers, this awareness becomes a moral obligation, as I see it. Books/stories are valued for the message/s they extend to make us aware that our angst is a global issue.

Natural disasters multiply around the world causing human decimation, yet the power to minimise this rests in human hands. I draw the analogy to writing, the creative arts — the passion exists, but a huge effort is required to produce quality art — passion without persistence is naught.

Literature today will speak into all our tomorrows about human negligence and irresponsibility in the quest for more. Like the wars of the past and those that exist in the here and now, it is a time for soul searching and a coming together to rectify that which has gone awry. Like editing a manuscript, we cannot take out without replenishing with good, better, and best to improve the story, poem, or essay — likewise, constant extraction from the earth must be restored.

Healing is not a band-aid fix to the problem — it takes a mammoth collaboration of all sectors of society to reach out and do what is necessary — cut back on all forms of pollution/emissions for a purer balanced tomorrow.

It’s never too late to begin afresh if it matters, like revisiting a manuscript to cleanse, to be rid of that which is not necessary, to clear the waters for something brighter, purer, clearer and better.

Let’s make the 2020’s a healing decade of body, mind, spoken and written word, the spirit, relationships and heal the earth we live on and from.

All positive contributions matter — raising one life, saving one wild animal or property is the beginning of survival from extinction by fire or other natural or human ills that befall the planet.

As we look forward to a bushfire-free future, let us remember we all have a part to play to save this beautiful land we call home.

Have a safe and happy entrance into the next decade. May it be filled with many blessings.

May peace abound and the earth receive the blessing of rain, may poverty and pain diminish.

Happy Reading, Happy Writing and Publishing.

Please add your comments below:

Fiction: History, Culture, Truth

Every voice like every story has its place in the world. A niche audience might be readers of a particular history, people and culture of forgotten voices.
In an era that has in so many ways moved leaps and bounds forward, the opposite is true of human tolerance. Everywhere we dare to look, the capacity of the human spirit for evil outweighs the good around us, often overshadowing a multitude of voices and actions for common good.

Stories, fictional stories, even if thematically dark demonstrates the human capacity for change.
Fiction has had and continues to have the rite of passage to dismantle oppressive notions of the wicked side of human nature.

At the Sydney Writer’s Festival last week, the festival theme, ‘Lie To Me,’ resonated with memories, of the apartheid era where race and power/powerlessness named and played the game, and understanding of the impact of assimilation on the stolen generation.
An evening of storytelling affirmed the need to keep telling our societies’ truths to dispel the mistruths in the media, in politics and the use of social media as a tool to denigrate.

Forgetting past atrocities in no way heals the human condition. It’s a double-edged sword — remembering keeps the pain alive, but alive in recall that has the potential to thwart such heinous future acts. To quote Descartes, ‘I think therefore I am,’ is significant, but must be married to, ‘I feel therefore I am,’ and what better way than through a fictional story that ensures that the movement towards human value for all lives, does indeed matter.

Those who cannot remember the past are condemned to repeat it. ~ George Santayana

Cultural stories of forgotten people hold them in conscious thought, remembered as life lessons to pass on to the next generation. While such stories might have a micro niche audience because they tell of the far-flung corners of history, they must be told.

Lines from Vindication Across Time sees the character Marcia Ntuli telling Michael Morrissey, a human rights lawyer about her mother’s hardship as a single mother under the apartheid regime.

Mama Dolores…the police would barge into our home and drag her to the police station for questioning. They were rough with her, they broke things in the house… kicking her in the back, calling her an evil kaffir. It was horrible. ~ Vindication Across Time.

Michael walks in Marcia’s and Mama Dolores’s shoes to gain an understanding of what preceded democracy in a troubled land. His theoretical basis on what constitutes human rights has a ‘live’ life lesson in a recount of the terror Marcia’s mother endured at the hands of the district police. This, in turn, opens the depth of understanding on what might have been misreported in historically written and spoken accounts of this era. The voices of men/women struggling on the fringes of society are left forgotten if not told through story, to entertain and awaken compassion that a history forgotten is dangerous — it lurks in the dark corners of the mind ready to be unleashed in the terrors we experience today.

The storyteller has the power to dispel untruths by telling stories that make us uncomfortable, those stories that some publishers are reluctant to put out into the world, so why wait, when a world of empowerment, without gatekeepers, awaits the telling of unheard stories.

Go tell those stories today. Keep an underrepresented history alive, in the minds and hearts of a niche audience in engaging fictional stories -stories that tell of truths that have been swept under a forgotten, tattered rug.

Share your reading that has inspired a new wave of thinking in the comment box below.

Happy Reading, Happy Writing.

On Creating Characters – The Outlier

There are numerous defining aspects to what makes a character in a novel or short story, an outlier.

This is shaped by societal and cultural values, or more directly by prejudice. Size, race, ‘foreign’ origins are just some elements that create the outlier fence.
This deepens when layers of social and professional barriers are erected making the outlier, who ascribes to individual ways of expression, an ‘outsider’ rather than a unique contributor to society.

Regardless of the category/label attached to the outlier, it’s divisive, destructive, and a living death for the character experiencing the hell of being (mis) treated as such.

The outlier syndrome is growing in society, slouching back to outdated values, and emerging new forms of prejudice in how individuals treat each other. Literature should mirror life in all its ugliness, hopes and dreams. While we read to lose ourselves in the pages of a good book, what is the experience worth if it does not linger with the ills evident in society, and the hope that we have the capacity to be change agents? Writing purely on the prejudice of life without the yardstick or suggestion on how this ‘disease’ can be overcome, would be remiss on my part, in particular, in any story I tell. Writers are change makers by opening our minds and voices to what needs rectifying. This is the beauty and at times the daunting reality of being a writer.

Hardship is a fact of life for the majority of the worlds’ population. This is not defined by financial issues alone. My novels capture these issues from death, parting relationships, loneliness, cultural pressures, past psychological and physical traumas, and more.
In each situation, an individual or character is an outlier by choice or societal prejudice.

Literature offers that connection to the outlier’s suffering and hope for redemption and redefinition. Reading is imperative, words linger and dwell deep in the readers’ psyche as a visual and emotional connection to the situations and events the outlier might experience.

Souls of her Daughters reveals that the outlier syndrome affects all regardless of professional or social position. Dr Grace Sharvin struggles with her secret, making her an outlier in her family- in her need to conceal her pain from her mother and sister. Her sister, Patience, is an outlier through interracial adoption in apartheid South Africa, forcing her to acknowledge her birth culture. Across Time and Space and the sequel Vindication Across Time unveil both Meryl Moorecroft and Marcia Ntlui as outliers in personal, cultural and professional contexts. Michael Morrissey, a human rights lawyer, becomes the outsider in his relationship with Meryl when the course of their lives change. Housekeeper, Ana Kuznetsov and Boris Malakov are outliers in their complicated families. Global landscapes invite the notion that the situations characters undergo are not isolated – shaping the universality of human angst and joy.

The Rain, a Collection of Short Stories presents this notion in the human capacity for good and evil.

Drama, crime and abduction bring high entertainment value to the reader, but beneath the layers lie the human face and soul of the outlier. The character should be carefully crafted to invite empathy or repulsion by stripping away layers that shroud the essence of human angst and joy.

The continuation of ‘Souls of Her Daughters,’ in the next saga, Chosen Lives, grows in representing the outlier theme with glimmers of a futuristic world where perfection resides in imperfection.

Let’s continue to create stories that leave a lingering message.

Please add your thoughts in the message box below:

Do You Feel It?

No pain, no gain, no compassion, did the book you read make you feel, did it create a connection? Did you feel the fear, pain, joy, laughter, hope, and love or perhaps just one, maybe two of these emotional triggers through the characters and events in your book?

‘In a dark time, the eye begins to see’ ~ Theodore Roethke

Some of the greatest artistic expressions emanated from the seat of pain, ‘a dark time’. Sylvia Plath’s Ariel comes to mind, her suite of poems on life and pain.

Emotion brings art to life, inviting the beholder to stop, listen, and absorb, to feel the pulse of the writer’s being.

In a dark time, challenges and struggles turn the eye and ear inward. Stop… still yourself from thought and action – listen and connect to your internal landscape. When writing grows from such a place, compassion is born through created events and characters.

Emotion, regardless of whether it’s negative or positive, draws us in, more so when love and understanding emerge through the connection. We are emotional beings. While Descartes said, ‘I think therefore I am’ (Cogito, ergo, sum) – it can be said, ‘I feel, therefore, I connect’ or ‘I feel, therefore, I understand, appreciate…’

Giving in to the emotion-feeling the pain to redefine your world (pixabay image)

Stories should build connections, to validate the reader by bringing characters and their challenges to life. When readers leave a review on the connections the writer’s prose created for them, this provides valuable feedback and acknowledgment.

Here’s an extract from my latest novel, Souls of Her Daughters when the realization of where her life is at, comes crashing down on the protagonist… too much has happened, the past and present collide…

Grace walked around the hospital grounds, confused, lost in thought on the uncertainty of life. Visions of what her mother would have done came to mind. She walked to her car, sat back in the seat and sobbed for all she had lost in her life, and that poor Mrs. Beresford lay dead for the better part of a day, waiting for someone to claim her – Grace understood the pain of loneliness.

Loss and loneliness are sadly, but realistically universal. With the protagonist feeling the emotional weight of both, in a single moment, empathy is elicited and might perhaps connect with the reader, offering solace that we essentially are not alone in what we feel.

Emotional connections whether through song, literary fiction or a life-size painting, draw us in by the intensity of the emotion expressed.

Alternately, there are light-hearted moments in the novel, to lift the weight of the struggles the protagonist and the women around her undergo. The blurb concludes, ‘A timeless tale of every woman’s story…’ Timeless on the struggles and celebrations of life, of women from different cultural contexts and professional backgrounds but nonetheless women with collaborative fighting spirits.

Tapping into the essence of our humanity through any art form, is a way forward, to capture the moment in its rawness, to allow us to walk away from the wars of the world, to look at the pleasure and beauty of life, to let the time of struggle pass. Appreciation and compassion are bred from challenges – how do you know the dark side, if you have not felt it? So too, characters’ lives should represent life through art to make fiction sing with timelessness.

Souls of Her Daughters captures the dark side of life, but the positive emotions swell in the relationship between mothers and daughters. Amidst tears, there is laughter, the reality of the experience of life. I hope you read this tale which will leave you with the message – never deter telling the truth, no matter how painful it might be.

I leave you with this timeless TED message from Susan David, that encapsulates the essence of Souls of Her Daughters, on embracing your emotions in its truth.

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What have you done with your days?

It’s the summer of December 2017. Eleven months of the year are done and perhaps not quite dusted yet as we tie up loose ends to set us free for the holidays.

Do you take stock of the year in your business of life? Do you tick off all that you have achieved and create another list of goals yet to be achieved?

The final month of a year is time to step back, think over and set the bar further for a host of things that will drive your passion into the next year.

Continue reading “What have you done with your days?”

Are You Grateful?

Every day should be Thanksgiving.

Kindness, Thankfulness, and Generosity in equal parts, blended together, is the alchemy needed for harmony and peaceful coexistence.

The words, ‘thank you,’ ‘I give thanks,’ ‘I’m grateful for,’ send out good vibrations to both the messenger and recipient of these encouraging words.

Let’s take a look at wise words on moments of gratitude.
Continue reading “Are You Grateful?”

Do We Need Migrant Literature?

The world is a melting pot, an ever-increasing paradise of voices that need to be heard if tolerance and understanding are to reign for peaceful coexistence.

Migrant literature, while evident through powerful voices, needs new sounds to add to the colourful history that should be shared if we are to live side by side.

Knowledge is necessary to foster understanding and compassion to move us closer to our innate humanity. Living in international communities in the 21^st Century is a goldmine of multiculturalism that offers rich insights on culture and values.

What better way than to extend understanding through the literature we read and write. This could be a work of fiction, a non-fiction book, or a blog that creates connections to our neighbours near and far.

Literature is and should continue to be a vehicle that dispels ‘otherness’ or the ‘outsider’

Continue reading “Do We Need Migrant Literature?”

School BOOK TALK

It’s with gratitude that I write this post today in respect for the invitation to speak on reading and writing at a local school whose English Faculty and Librarian are tirelessly working to foster a love for reading to encourage students to expand their horizons and improve their speaking and writing skills.

Leading up to my talk, students were asked to send me their response to, ‘I enjoy reading because…’ – a simple question that elicited some thoughtful responses from teenagers.

Here are a few lines that suggest that young readers seek refuge between the pages of a book:

I enjoy reading because it is a spectacular and intriguing ticket to a distinctive and captivating dimension which either creates a gulp of despair or a shiver down my spine.
I enjoy reading because it allows me to be in two places at once.
I enjoy reading because it allows me to escape reality without leaving the comfort of my home
I enjoy reading because it allows me to broaden my horizons without having to get on a ship and sail halfway across the world…
I love reading because my heart is satisfied- my heart learns more than my brain can ever know- I learn priceless lessons. It’s the portal to my heart.

Additionally to complement the study of Cry Freedom I was asked to share my apartheid, South African experience on a personal level to forge greater connections to students’ appreciation and understanding of the world through the study of their school selected text.

The sharing of a terrible history elicited compassion and questions from students on how one overcomes this decimation of one’s people and identity and yet remain simple and humble, free from anger. My response was, that drawing from family values, the people one associates with and careful selection of role models will ultimately work in sync to fortify and support the entrance into light from darkness. I cited Nelson Mandela’s ideology of tolerance, acceptance, and forgiveness as the selfless way forward. This attribute shapes the crafting of the character, Marcia Ntuli, in my novel Across Time and Space.

The final message was that reading expands understanding of diverse ways of thinking, promotes exposure to varied writing styles and elicits inspiration from the unique crafting of characters and their experiences.Ultimately it’s about allowing strength to grow from fear.

To Quote Jane Austen:

I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! – When I have a house of my own, I shall be miserable if I have not an excellent library.

Here’s to many hours of delightful and informative reading!

What are your views on the benefits of reading for teenagers today and into the future? Extend the conversation today.