Perspectives on Truth and Conflict

 

Conflict casts a shadow on truth telling, giving rise to versions of the truth over time .

Plantation Shadows unravels the truth through competing perspectives or on point revelations captured for posterity to convince the reader on a particular point of view.

 

The crafting of characters influences how the reader receives fictional truths. The proven trustworthy character holds the stronger sway in truth. Often, the social standing of a character influences following the ‘esteemed’ character, which might, unfortunately, lead the reader down the rabbit hole to a multiplicity of mistruths.

Who should the reader trust, the doctor, gardener, or domestic staff? Truth is not devoid of emotional strains, and memory creates versions of the truth depending on who demands it, narrates it, and receives it.

Plantation Shadows unearths the inner and outer conflict spanning three generations in a family drowning in secrets. The women living in a patriarchal community on the canefields of Natal, South Africa, take the forefront in narrating the truths that unfold one perspective at a time. The only male perspective has no blood ties to the conflicted family he serves. Edgar is the all-knowing eyes and ears between the two plantation houses, embroiled in secrets withheld in the living years. What ancestral truths will the grave yield?

 

 

 

 

There was internal strife that I was privy to, but I kept my head down and my ears open… Part Three, Edgar, ‘Plantation Shadows’

 

In unraveling the truth in a land buckling under colonial domination and rising resistance, is the twisted patriarchal mindset genuflecting to colonial expectations by preventing women from being heard. It is not until the fourth generation breaks the cycle of control, by assuming the courage and conviction to address and accept the long-held secret of an imploding family, hope rises.

Creating fictional women as untainted characters in a controlled society is to deny their right to break with convention in choosing the path they desire. Plantation Shadows is a closely held sisterhood of hidden truths among grandmothers, mothers and daughters.

Truth is a double-edged sword—it names and shames but creates understanding and gradual acceptance. Are generations of secrecy ever allowed to rest in peace?

Read Plantation Shadows, to feel and understand the secret hearts of the aging Milly and her dead mother.

 

 

Secrets diminish with death – Part 3, Edgar, ‘Plantation Shadows’

 

 

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Holiday Reading

It’s time to get off the wheel. Imagine days lying in or relaxing on the beach, or in your own backyard.

Laid-back days are built for leisurely or serious reading. Soul searching or fun, reading is a fascinating activity that delivers anywhere -anytime- every time.

I asked readers to recommend some of their recent great reads. With Black Friday deals still available at some retail bookstores, it’s quick and easy to bag a good book bargain.

 

 

Here is a mixed-genre list of the most enjoyed and/or informative reads. Blurbs are not included; they are available online and at bricks and mortar bookstores wherever you are.

I took the liberty of naming some lists. Three recommendations from Queensland’s Logas Padayachee, who thoroughly enjoyed her choices:

LL’s Selections:

When the Singing Stops by Di Morrissey

Without Merit by Colleen Hoover

Apples Never Fall by Liane Moriarty

 

 

Mavis’ Sydney Picks:

Black & Buddhist by Pamela Ayo Yetunde and Cheryl A. Giles

Man’s Search for Meaning by Viktor E. Frankl

Black Teacher by Beryl Gilroy

Blue Mercy by Orna Ross

 

 

Jenny Trotter’s Choice:

The Tilt by Chris Hammer

 

 

More Suggested Reads

Notes from a Small Island by Bill Bryson

Miracles Happen by Dr Brian Weiss

 

 

Stories with a Christmas theme are appealing during this time of year.

Stocking Fillers, Twelve Short Stories for Christmas by Debbie Young

Christmas in the Scottish Highlands by Donna Ashcroft

The Christmas Bookshop by Jenny Colgan

 

 

My Books with a hint of Christmas:

Gallery Nights by Mala Naidoo

Souls of Her Daughters by Mala Naidoo

 

Literary classics by Charles Dickens, Jane Austen, and many other literary great-reads offer timeless entertainment.

Add your favourite reads in the comment box below to spread the love of reading this holiday season to keep books alive.

Happy Reading! Happy Holidays!

 

Fiction and Reality

Pen, a fictional story and aspects of the scribe’s life, spills onto the page between fiction and reality. Angst and joy collide in the unfurling of the emotive content of the story. The emotional hooks in a story invite readers to open their own wounds and happiness for a well-penned story.

 

In my novels and short story collections, dogs feature as necessary in human lives. A lifelong love of dogs finds their way into the lives of significant characters I create.

In the Sequel set Across Time and Space, and Vindication Across Time the wonderful Ted is the adored pet of human rights lawyer, Michael Morissey, and aspiring writer Meryl Moorecroft. Michael advises and befriends schoolteacher Marcia Ntuli, caught in workplace professional racism. Ted is the first to understand the growing romantic involvement between Michael and Marcia. His sensitivity to Marcia makes him even more adorable.

 

Fiction is the lie through which we tell the truth. ~Albert Camus

 

Read Now

 

Two hours later they emerged from Michael’s bedroom, laughing at Ted’s quizzical peaked ears and worried frown.

 

 

In Souls of Her Daughters, Patience, a social worker has two dogs, Ajax, and Sprite. She adopted them while her sister Grace was overseas at a medical conference. Patience witnesses her sister’s battle with her past demons and hoped Ajax and Sprite might offer her healing and joy. We may read this novel as a stand-alone novel or as a trilogy.

 

Read Now

 

They were abandoned in an old building on the south side of town. I could not take one and leave the other. They are high maintenance in the love department but adorable to come home to.

 

 

Life’s Seasons, a short-story collection, includes a valiant dog as title story – Toby. This story was first published in the short-story collection, The Rain, where Toby, a brave dog, living on his owner’s family farm is confronted by a treacherous storm. Instinct guides Toby when the safety of his beloved human family is threatened. Toby’s heroic, selfless act unwinds minute-by-minute to melt hearts.

 

Read Now

He gripped the harness between his teeth, prostrating to give the children a lift, to allow them to be pulled up with ease.

 

The Bardo Trilogy has Woza and Khaya, the loyal companions to the mysterious doyenne Tempest, on her mission to offer safety to women and children who are victims of crime.

 

Fiction reveals truth that reality obscures ~ Ralph Waldo Emerson

 

 

Read Now

Living in isolation was difficult, but her parrot, Caramba, a keen white watcher of the skies and her two Rottweilers, Khaya and Woza, filled her lonely hours.

 

The act of including dogs in each of these novels and short stories is a subconscious inclusion drawn from experience.

Pets are companions who combat loneliness, fulfil a caring need, aid healing from grief and bring joy during life’s challenging times. Both fiction and reality meld to create balance to live in unison with the universe.

Now there’s nothing like one’s writing companion puppy snuggled at one’s feet as words and new worlds rise and fall on the page.

 

Happy Reading. Happy Writing.

 

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Mothers Mirrored in Fiction

Mother’s Day this year has a different ring to the freedom of yesteryear.

 

The nation waited to hear if we would be allowed to visit our mothers on this special day of the year. Something we took for granted… our mothers would always be there to listen, comfort, cook an amazing meal, take care of grandchildren, advise on matters of the heart, and chastise bad behaviour.

 

Love the whole world as a mother loves her only child ~ Gautama Buddha

 

 

 

 

The hype leading to Mother’s Day has been a buzz from infancy.  2020 has been still but some retail stores have opened for a dash purchase of a gift and a card to celebrate our mothers to tell them we love them. We fervently add that we want our mothers to be safe and well during this global health crisis. Some among us ache to see our mothers, some have passed on,  and others are in social isolation — it has been two months of just telephone conversations and if possible, FaceTime, Zoom and Skype chats. The aching emptiness of the missed mama/nana hug is still not a possibility. A joyous expression of love is now a cause for global anxiety as we fear the unknown, the lethal. The comforting hug now a possible cause of harm.

Mothers occupy a universal, sacred place in our hearts. A mother’s unconditional love goes with her children from the cradle to the grave. Cultures revere mothers with a divinity deserving of profound respect and care. This value should undoubtedly be universal. The hearth of family and home is a mother.

 

Paradise lies at the feet of your mother~ Prophet Muhammad (PBUH)

 

 

 

In paying tribute to all mothers today I also refer to the fictional mothers in, Souls of Her Daughters,  and two follow-up novels in the trilogy (each reads as a stand-alone novel too) Chosen Lives, and, What Change May Come.

 

 

 

Mothers Varuna and Elsie present as the yin-yang of motherhood. Mama Varuna is Grace’s bold and strong mother who has weathered hardship with loss and societal criticism. Patience’s mother, Mama Elsie is a mild-mannered mother who faces racism and hardship in apartheid South Africa. Both mothers raise their daughters as one family united in their cultural difference and struggles. The highs and lows of the lives of mothers and daughters captured in the daily lives of Grace and Patience are what makes Mother’s Day a constant expression of love.

To all mothers, and future mothers, you are the pillars of family and society and should be celebrated daily.

 

She opens her mouth with wisdom, and the teaching of kindness is on her tongue.’ ~ Proverbs 31:26

 

Share your thoughts in the comments.

 

 

Stay safe and well as restrictions ease in New South Wales and around the world.

 

 

Happy reading, happy writing.

 

 

Poetry Educates Prose

 

 

 

A thing of beauty is a joy forever.
Its loveliness increases; it will never
pass into nothingness …
~John Keats

 

Poet or novelist, one, the other or both — one grows into the other almost instinctively to develop the ideal creative state.

 

Writing improves with consistency and ongoing learning of the essentials of the craft. The art of writing expands the imagination and bulks the creative muscle by triggering the desire to know more, to research, to read, to push boundaries, and feel joy — a perpetual quest of the writer.

 

Voracious reading of all forms and more particularly poetry, the fine art of saying much with an economy of words, is a skill worth learning to enhance prose writing skills. Poetry as a literary form is laden with layered sensory imagery, conveying pain and joy, the state of the human condition and a celebration of nature which when emulated in prose fiction, is the lyricism in narration or the cadence of poetic storytelling.

 

 

 

 

‘And above all, poetry is compacted metaphor or simile’ ~ Ray Bradbury, Zen in the Art of Writing

 

The habit of reading poetry grows the writer’s ability to choose appropriate/effective language or specific words that says it all with brevity. We live in an era where attention span is brief, access is quick, and impatience governs desires.

 

Saying it all in four lines:

Hear it, See it, Feel it, Believe it…

 

Spring Song

Hark, I hear a robin calling!
List, the wind is from the south!
And the orchard-bloom is falling
Sweet as kisses on the mouth

~Lucy Maud Montgomery

 

 

 

 

   Little bursts remain to sustain…

 

 

Invictus
It matters not how strait the gate,
      How charged with punishments the scroll,
I am the master of my fate,
      I am the captain of my soul
 ~ William Ernest Henley

 

 

There is an intensely intimate, mindful experience apparent in poetry,  a purity that makes it more personal where prose is more social, and when married with a sensitivity to both forms, the reader benefits from the writer’s authenticity.

 

As a teacher, evidence points to incremental learning leading to lifelong knowledge. Piecemeal understanding is committed to memory in meaningful short bursts of information whereas lengthy mindless memorisation disappears after the moment of recall.

 

Poetry speaks in the rhythm and profundity of its brief lines, a boon in holding the attention of the reader.

 

Poetry read before sitting down to write prose or read as the last activity before sleep, sharpens the ability to borrow from the poetic form and style for precise, well-formed ideas that touch with the depth and clarity that poetry engenders.

 

If writing in a particular genre or establishing an emotion in a prose scene, turn to poetry that’s appropriate in that instant and feel the passion and power of the words and those left unsaid, then a deepening of thought processes emerge to heighten the imagination. Reading poetry written in any period has the inspirational ability to enhance overall writing.

 

Crafting poems for creative leisure or publication is beneficial as self-directed editing of what works and what requires reworking. Poetry cannot hide intention and purpose, it’s stark, it’s true, a visual and emotive painting through words. This skill shapes brilliance in prose writing.

 

Poetry and prose are close cousins of the writing family. Read as many novels as you would poems, or more to capture that sweet spot of simple, short, stunning sentences, one after the other, until a story is born.

 

How many poetry books are there on your bookshelf? The internet is a valuable source, but there’s much to be said on having a book in your hand as you read, delight in, make note of,  absorb and contemplate.

 

For aspiring writers: Write a poem today on any topic, let it tumble freely onto the page, then try your hand at prose. Watch the magic unfold. An open mind is necessary to attain this joy, and brilliance in prose writing.

 

Happy Reading. Happy Writing.

 

Share your thoughts on the benefit of poetry in prose writing.

 

Writing Through Adversity

 

Writing has been well documented as having therapeutic value. Do you keep a personal diary, or a journal to record moments that are significant to you?  Would you write a memoir or autobiography? Have you tried poetry writing?

 

Fiction is an avenue that has therapeutic benefit when writing about angst through fiction or poetry. This has value in reaching readers who might face a similar situation. Receiving a reader’s comment on connecting with a character or situation makes writing move from the realm of fictional entertainment to enhancing life, creating a sense of belonging through the power of story/words that whisper,  ‘there are people who go through this, you are not alone, it’s not you…’

 

Human difficulties like our joys are universal and part of our shared humanity regardless of demography or any divisive label. We learn from each other, we share with each other — altruism is part of our human ‘feel good’ makeup. We feel good or secure in knowing that challenges are not unique. This is where fiction like a memoir/autobiography/biography and poetry has the ability to say, ‘I see you, I hear you, I feel your situation.’

 

‘In our angst and joy we are one under the sky of humanity’

 

Oftentimes something heard, something seen, or read triggers the imagination to create a story/poem — these seeds have their origin in human experience. Everything in life has imaginative storytelling potential. Historical fiction is a genre whereby much from history or literature is reimagined to suit a particular context adding timelessness to a story. 

 

Poems and stories, when turned inward, create… growth… healing… self-awareness

 

Shakespeare’s The Tempest reimagined by Margaret Atwood in her novel, Hag-Seed is an example.  Prospero becomes Felix a theatre director in a present-day context —  he is grieving the deaths of his wife and daughter and has been backstabbed by an aspirational colleague. His vulnerability is an evocative point of connection with the reader. Professional or workplace strife present timeless human dilemmas, but when tastefully explored as a novel’s premise or ideas, it has the potential to speak to many isolated, lonely individuals — there is no shame in being vulnerable. Shame sits on the shoulders of those who abuse vulnerability. The most endearing people, in reality, are those who have experienced hardship, financially, in grief or loss, abuse or ill-health — having walked in the shoes of many with struggles, wires empathy — as human experience should be if we hope to coexist in peace and harmony.

Fiction can remind us why it is essential to be true to who we are in our expressions of self and in our interactions with each other. 

 

 

In Souls of Her Daughters, Dr Grace Sharvin who heads a busy medical ER has unimaginable frailties but her strength is in her capacity to reach out to others while fighting her own demons. 

 

Life’s lessons come from the adversarial people met, and they become the basis upon which writers craft their villains. A little bit of this and a little bit of that blended in a cauldron and hey presto! The (im)perfect villain is born! The good people we meet shape perspectives on why adversarial individuals have no place in a shared world.

Timeless heart-warming and gut-wrenching stories on life’s challenges and celebrations.

 

 

 

Literature is a luxury, Fiction is a necessity — GK Chesterton

 

 

and

Albert Camus said,  Fiction is the lie through which we tell the truth.

 

Who can argue with such pearls of truth now? 

 

Life, literature, news of the day, and history portray human experiences that provide inroads to new fictional stories and evocative poetry that connect rather than divide by exposing, celebrating, loving, grieving and understanding what it really means to be human. We all, whether real or fictional are indeed not alone in adversity. 

Which novels and poems would you recommend to readers on overcoming adversity? Have you read A Spark of Hope?

 

Short Stories – Imagined or True Life?

 

As writers, it goes with the territory that autobiographical bits of ourselves will slip into our writing. A creative project, the creative process is emotion-driven, its passion on a page — bleeding…
My collection of short stories, out this week,  Life’s Seasons into the digital and print worlds is a diverse collection that emanates from my visions of life and some from a generous muse — or perhaps a subconscious memory on history or culture of different times and places.

 

 

 

Launch Video

 

Here’s a little teaser on some of the stories:

The book cover is drawn from a story set at a picturesque beach resort when an incident occurs to disturb the world of the observer. Final View is both dark and lighthearted through the voice of an aging mortician — her take on why she serves the way she does. Now, I don’t know any morticians, personally, but this story found me. Those Were the Days, is part autobiographical and part imagined on life as a university student. Ancient cultures fascinate me, hence in, Moving On, the life choice of young Anqui emerged to represent the clash of the old and the new. Crime fiction is a passion and a particularly enjoyable teaching experience so The Call of the Outback was born with Inspector Donovan out and about during his early retirement days when a crime finds him, not your typical crime fiction story, but my spin on how things find you where your passion lies.
Then a story about a writer in search of her muse, set on the ocean aboard a luxury cruise ship stems from my love of the ocean although the story is far from peaceful, akin to the symbolism of a turbulent ocean. And there’s more in Stilled Heart, a University Professor struggling with not knowing what happened to his family during an air raid, and meeting a young, hopeful writer who shares the same sense of loss. A secret from the past is revealed by Jacob, a messenger of dreams in Wandering The Earth. And there’s Mai in Adrift, hiding her past on how she arrived in a new country. The shame apartheid enforced in my world is a trigger for Mai’s tale.

Haruki Murakami’s view on the writing of short stories captures the essence of pouring the self into what we write.

My short stories are like soft shadows I have set out in the world, faint footprints I have left. I remember exactly where I set down each and every one of them, and how I felt when I did. Short stories are like guideposts to my heart...
― Haruki Murakami

Without a doubt, the voices and visions of a writer’s world seep into the stories we tell, dressed in different clothes, stretched through the imagination with colour, light and shade, and not forgetting what the muse wills, and so stories are born.

Launch day this week is 22/8/19 for the ebook and 29/8/19 for the Print editions in hardback and paperback. For more on each story you are invited to go these links for the full description:

 

Amazon (print and ebook)
Kobo
B&N
Apple Books

Loot South Africa (print)

Other Select Retail Stores

 

Happy Reading, Happy Writing.

 

Sign up at www.malanaidoo.com for more updates.

Australian Voices

So many voices, so many stories in a country as diverse as Australia, each sharing a connection to people and place.

Today on the blog we have Rhonda Forrest, a high school teacher, from beautiful, sunny Queensland. Rhonda began writing under the pen name ‘Lea Davey’. Her first two novels, Silkworm Secrets and The Shack by the Bay were published under the pen name, Lea Davey, however her latest novel, Two Heartbeats, published October 2018 has been published under her real name, Rhonda Forrest. Having always lived in Queensland, the vast Australian Outback and the pristine Whitsundays feature strongly in her stories. Rhonda Forrest shares her story and tells us more about her writing journey.

 

Meet the Author 

 

Rhonda Forrest/Lea Davey

 

 

Biography – I was born in Brisbane and grew up in Rochedale, which at the time was a rural farming area. It was a fabulous place to grow up and as kids, we spent our time playing in the bush, riding horses and living in a community where everyone knew each other. I married at the age of 21 and my husband and I moved to acreage at Bannockburn where we lived for thirty years. Along with a menagerie of animals it was here that we brought up our three daughters and made life-long friends with many of our neighbours. At the age of 40, after a multitude of different jobs and running my own business, I decided to study. After 4 years of full-time study, I graduated as a high school teacher of History and English. Recently we have moved to Tamborine Mountain and live between the mountain and a 100-year-old cottage with a rambling garden up in the Whitsundays. Both places are quiet and idyllic places to live and write.

 

Writing Journey – As a child, I loved reading and was surrounded by books. My mother who is 90, still to this day reads every day and as a teenager, she always handed me her books after she had finished them. Nothing was off-limits and I vividly remember being enthralled by books written by Harold Robbins, James Michener, Wilbur Smith and Jackie Collins. I used to always think that one day I would write a book, however, it wasn’t until about five years ago that I had time to seriously think about pursuing my writing. Long hours spent out on a tinnie in the middle of the ocean fishing, allowed plenty of time for daydreaming and the story of, The Shack by the Bay began rolling around in my head. Once I started writing the words flowed easily and I knew that I had found a new passion in my life – writing!

 

Genre – All of my books are different. The Shack by the Bay is contemporary historical fiction, Silkworm Secrets is contemporary fiction and Two Heartbeats is Romance. My favourite genre is historical fiction although I also love to read true-life stories.

 

Motivation – If you want to do something you should just have a go at it. I don’t think I ever considered failing, actually I don’t think about the end result that much, I just go for it. Really you have nothing to lose and once I start writing it’s hard to stop until the story is finished. The editing and parts that come after the actual writing for me are the hardest parts and I would love just to be able to write and to have someone else do the rest for me. But when this is not possible I stay motivated, buoyed along by the lovely reviews and comments I get from readers. With writing, it is not about the money that you make (because that is limited) but rather the motivation that comes from readers who love your books. One of the most exciting things is to look on the Brisbane library website and see that all 5 copies of your book are being borrowed!

 

Influencers – Probably the biggest influence for me in relation to my writing was the Australian author Coleen McCulloch. It was after I read her book, The Thorn Birds, in 1977, that I decided I would write a book. It took 40 years to have time to do that, but eventually, it happened.

 

Favourite Books – Just recently I read Boy Swallows Universe which is set in Brisbane so lots of familiar places and just a fabulous entertaining read. My Instagram page has a countdown of my top 50 books and these range from Mao’s Last Dancer to All the Light We Cannot See as well as, The Old Man and the Sea and Australian classics, The Cattle King and My Place. I have so many favourite books, but I do love historical fiction. The Garden of Evening Mists, A Good Muslim Boy and The Space Between Us are also some of my favourites.

If you want to do something you should just have a go at it 

Continue reading “Australian Voices”

Book Blurbs

Book blurbs are as important as the cover story of your book. It’s what readers look at to decide if they will take it home to love. Why? Because they cannot walk away from the temptation the blurb triggered. Think of it this way, if you’re a chocoholic, or one who cannot walk past a coffee shop, without going in to pick up a cup of your favourite beverage, because the aroma is overwhelmingly tempting,  or the sight and smell of your favourite chocolate bar, is irresistible enough to make you pick up many bars,  while you chomp on one on the way home!

It’s not that easy with a book blurb, but the temptation must be created through a strategic choice of keywords, associated with your genre. Tap into the right sensory imagery, tug at emotions, create a connecting interest. Say enough to grab the reader’s interest, to make them want to know more –  that should be your blurb goal.

Captivating your potential reader in 200 words, including your intriguing heading, is the sum of the blurb. Second, to the book itself, the blurb is a significant part of the book package. It’s a sales pitch that has to have a timeless ring. Intrigue without giving too much away is the trick. It takes several drafts to perfect the blurb, and it might also mean going back to it after your book has been published, to tweak your choice of language by perhaps escalating how you  present tension or to cut back on the number of words used etc, to draw more reader interest and enhance book sales.

 

 

Short, Concise, Punchy, Captivating

 

Often the blurb is left as the final step in creating a book. It’s a vital part of your book package and should be developed along with the writing of the story. A summary point of each chapter should be written to have a storehouse of ideas to draw from. Play around with possible blurbs as you are writing your novel. This morphs as you reach the middle or end of the writing process. The crafting of the blurb becomes less onerous this way.

 

A few suggestions to consider when constructing a blurb.

  • Who is my audience?
  • How will I entertain them?
  • What emotions do I want to elicit?
  • What’s at the core of my story – my purpose?
  • What’s the high point – the point of challenge and intrigue
  • What does my book offer?
  • How will I create a sense of place
  • What will I say about the characters?
  • Avoid spoilers
  • Use a hook opening line/question
  • Use hyperbole to heighten reader interest
  • Keep your voice/tone authentic
  • Write a blurb tailored to your genre
  • Keep it succinct, punchy, captivate the reader
  • End with a cliff-hanger

A book I recommend reading and drawing skills from in writing a killer blurb, is Bryan Cohen’s, How To Write A Sizzling Synopsis. It’s a step by step guide to a sizzling synopsis.

Write your killer blurb for your next brilliant story!

Please share your thoughts on what grabs you in a killer blurb, in the message box below.

Happy Reading, Happy Creating!

 

 

 

 

 

 

 

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