Category: Self-Editing - Mala Naidoo's Book World

Story-Telling… greater the art of ending

Writing is fun, art, a visceral experience.

A story crafted from bone to flesh takes many months, or years of vested time where emotional attachment is difficult to relinquish.

There comes a time in every delightful story where the writer cedes the pen (for a while before the editing clean-up).

Knowing where to start is as important as knowing when to stop.

Writing sequels, trilogies and series is a long-term relationship between the writer and manuscript. Characters become real when they consume sleeping and waking thoughts. A character wanting a bigger space on the pages of a story holds the writer to ransom.

Endings must be free of padding or info-dumping that feed the writer’s attachment to the tale, people or place, serving no express purpose to the story. Readers will thank the writer for avoiding the stuffing.

The original plan for the story veers off when a character wanting to be acknowledged calls out the loudest. Such a character is allowed a voice that directs the action on a different path. This is a natural part of the process, but rogue characters must be reeled in and put under a microscope to assess their primary role—is the character essential to the plot, does the character add an exciting plot twist or are they unnecessary?

A benevolent muse is the one to thank for all that arrive to prod the writer. If the voice/story/scene are ignored, they find a way into somebody else’s story. Lady Muse is a perpetual huntress.

Heed the call we must!

Writing is joyful, hard work. It takes committed diligence to keep going until the story is over. It will only ever be over when the writer is convinced it is time to stop. Soliciting advice from a trusted other, The Reader, is a good way to ensure that it is indeed the right point to type in ‘The End’.

Well-written stories will entertain audiences long after the writer’s time has passed.

When it feels right to end it — do it! If it is deemed not right later down the editing track — change it or add in a few subtle changes. To ignore that gnawing feeling that something is not right, but not worth the trouble to rectify it, is a mistake that comes back to haunt the writer.

Great is the art of beginning, but greater the art of ending ~ Henry Wadsworth Longfellow, American poet, educator, linguist.

Structure in a story is important, but the creative does not adhere to structure alone at the sacrifice of something unique that has the potential to hold the reader’s attention.

Should the ending resolve all issues?

Are all life’s issues resolved?

Fiction entertains but should mirror life to connect with readers on the universality of our fundamental humanity.

Walking in the shoes of the reader is a good way to access whether a story crafted over a length of time, the writer’s blood on the page, has value for the reader.

A story begins with action or change, and everything follows on from there, and it may end with change, the character’s growth or downfall, but ultimately it must guarantee reader satisfaction. If not, then a sequel or epilogue might do the trick, or leave it open to interpretation, but keep the element of surprise.

Tie up loose ends without deliberating over them

Would you write the ending first? This might be a sure-fire way to lead the scenes throughout the process of the first draft.

Please share the endings of some of your favourite books in the comment box below.

Happy Reading and Writing!

Stay Safe!

Creative Life: Vanity Pride and Ego

Vanity, Pride and Ego – same family, different personalities, different agendas.

All three will have a negative impact if riding this wave is all that matters. It drains creative energy.

Vanity exudes a hollowness in its overindulgence on self, achievements, and appearance, etc. It is external.

Where does the artist sit on the pedestal of vanity?

One voice says, nowhere. Another asks, how will a receptive audience to the art be found if vanity is tossed aside? Vanity needs an audience. But, should it be at the cost of dominating one’s passion and purpose?

The muse, divine grace, or however inspiration is perceived, is not invited by vanity. Mother Muse is not needed, as narcissistic vanity, knows it all, and celebrates personal achievements, with no filter, in every waking moment, in multiple ways. I and me overshadow growth by ignoring the voices that have much to teach and share in learning new ways. The achievement has a use-by-date if not allowed to grow and expand in new and varied ways.

Then pride prods, ‘Look at me, I have published my book, or sold my artwork! I’m so excited!’ This has a ring, different to vanity. It’s internal, it is joy over what the artist has created. Children are invited to take pride in their work, push themselves to achieve their personal best. This level and definition of pride is a healthy option. Pride reflects reality, it’s a joyous reaction to having achieved a goal. There’s a dignity in the self-esteem and self-respect that comes with this type of pride. Because pride is internal, when injured, it could create feelings of worthlessness. Which do we prefer? Known for vanity or having a sense of pride? Pride may breed feelings of superiority if unchecked, and released often outside the inner glow of accomplishment.

Then there’s ego, ‘Oi! look at me and all I have achieved. I am the best in my game.’ Remember the id, ego, and superego in a Psychology 101 class? It might be necessary if marketing one’s wares, but with ego comes the threat of overzealous self-importance – conceit. Not a favourite in any working, social, or home environment.

To succeed in what we do, we need balance. The ability to know and understand who we are, and how we are received is vital to acceptance for a sense of belonging to promote mental and emotional wellness.

When acceptance and belonging thrive, productivity increases.

Balance in everything is vital to how social perceptions are influenced

It leaves the question, is ego, overblown pride? And what of vanity? Is it a wild show pony craving an adoring audience, or the unrestrained expression of pride and ego?

Now, there lies the dilemma.

Be proud of your creative work, yes? Avoid ego and vanity? Over-inflated expressions of self run the risk of sitting on the precipice of love and revulsion. What is the artist’s choice to be?

Shakespeare’s timeless tales tell us that hubris and hamartia lead to a character’s downfall. Lear’s, ‘Which of you shall we say doth love us most’, albeit being an aging man, he might be perceived as vain in wanting to hear his three daughters’ undying adoration for him before he divides his kingdom among them.

What are your thoughts? Vanity? Pride, or Ego?

Happy Writing and Successful Publishing!

A Fine Art or Brutal Chop

As I work through cleaning up my latest manuscript, a first in series, I am weeding out those darling crutch words, scene shifts, and other hidden gems (I thought they were gems until I read them with an unemotional, critical eye) to clear the wood for the trees to have a better view of where my characters are and what they’re getting up to. If I don’t have a clear, error free, sense of my story, how will the editor? Worse still what would the reader do?

It’s not easy after several self-edits to handover your baby for professional scrutiny. There’s no getting away from it, self-editing is turning the eye inward without a tear, first the incision then as you pass judgement, the brutal chop of your precious, crafted words, emotions, descriptions, settings, characters, and whatever else might need adjusting in your created world.

very, really, rather, quite, in fact… do you need them?

So, how many steps are there during the self-editing phase? (These are the steps I follow which varies from writer to writer)

First, line by line, chapter by chapter, on the computer screen change the double word use, missing words, etc.
The second step is to correct timelines if there are errors.
During the third phase, put the manuscript through editing software such as Grammarly, and Pro-Writing Aid — excellent to pick up flaws the naked eye missed — spelling (American or British?), grammar, repetitions, and general style especially when that sneaky passive voice creeps in.
The fourth step is reading your manuscript out aloud and recording the story for playback editing. Rhythm, the cadence, and sense become distinct during this process which directs you back to the screen to fix those snags.
The fifth phase is print a hard copy of the manuscript and rip though it with the colours of the rainbow to show you what is working, and what needs another chop or perhaps another trim.
The sixth phase is formatting an eBook in Scrivener to read through in a different form — anything that slipped through the self-editing cracks screams out, in a new form, for rectification.

Now the manuscript is ready for the professional edit although I might enlist a trusted, closely held, proof-reader to check through once before the professional submission. Then proofreaders step in for the final check.

During the process of self-editing do not rely solely on your gut experience in making changes. Consult those in the industry that you admire, read or use as a role-model . An editing guidebook, and a thesaurus is a must have on any good writer’s desk.

When working with an editor, it should be a negotiation on necessary changes, but be prepared that there could be changes suggested that might not sit too well with you, but for the success of the book, within reason, you should take the suggestions on board.

What is the editing timeframe?

There are many ways to do this , some say spend three months drafting, three months editing. However, some write a book a month — at best I could get through two to three in a year as a part-time writer. Remember, the professional editor could ask for a month to check your manuscript.

I generally veer to three months writing, three months editing, but sometimes life makes its call on time and energy so that varies year to year, book by book.

What are your self-editing tips? Let us know how you do it your way.

Collaborate + Consider + Cooperate + Change = an excellent MS ready to go.

Best wishes with writing, editing, and publishing.

Editing Ideas

The End! A joyous moment in finishing a novel after many months or years of getting up at the crack of dawn or staying up late into the night, writing the story that has burned within, but, it is only finished after the professional edit.

A product in hand created from the imagination in a fictional story is a proud moment. Now the editing process looms. No book ever goes out into the world without this step or rather several takes of this step.

I’ll share a few pointers that might be what you’re looking for, or perhaps you have another way of approaching the first round of editing.

Let the manuscript sit for a week before you look at it. Some say leave it for a longer period, perhaps six weeks before revisiting the composition with new eyes. Whatever works for you, ensure you have somewhat removed yourself from the emotional hooks of the work – this break allows the gaps, errors and omissions to come to light.

Print out the draft and run through the hard copy with several sharpened pencils, an eraser, and highlighter while correcting or adding in notes for a reconsideration of scenes etc. Scanning through a few chapters a day, when most energetic and lucid, perhaps over a two-week period, is an initial step towards removing redundancies, adding in omissions and checking spelling and other inconsistencies that arose during the feverish days of writing.

The second step is to read the draft out loud and record the reading. This highlights the flow or lack of it in dialogue and the unfolding of the story arc. This is followed by revisiting what needs to be rectified on pace, plot and character. Often at this stage, while characters might be developed, plot holes might be discovered.

After this is cleaned up, I usually format the draft as an Ebook and copy it to Kindle or iBooks and read it again on my device. Things that were missed in the last round of checks, pop in this new format and so the next round of corrections begin. This takes two rounds of Ebook checks. Reading chapters backwards has the benefit of noting errors that slip past the eye, as the mind sees and reads what is not there when following the sequence and ‘sense’ of the story.

Then a proof-reader is engaged for what the emotionally-hooked eye might have missed during the abovementioned process. All this occurs before the professional edit – a positive step towards getting advanced feedback on what could be improved upon to make the story sing. Ultimately, it’s up to the writer in what is accepted or rejected as plot, pace or character change.

Let the manuscript rest before revisiting it with ‘new eyes’

Some suggested pointers on key areas to work through during the self-editing of a manuscript.

Astound the Reader

Think about what intrigue is set up. How will the reader be surprised by an event or situation? Will there be a sudden revelation that the reader did not anticipate? The trick is to keep the reader turning every page in expectation of the next scene. Astounding the reader improves with each book written. The imagination is like a muscle, once taken to uncharted waters, it grows and develops. How is this achieved? ‘Read, read, read,’ the works of other successful writers, or be curious by turning to non-fiction books on the craft of writing. Become a life-long student of the craft.

Cut-out excess

In this fast-paced existence we lead, being superfluous kills the reader’s interest. In composing the first draft, write as much as possible – get all the ideas down in whatever fashion they emerge but be prepared to cull a lot during the editing phase.

Become a surgeon or a skilled chef of words, cutting away the disease or layers of fat that serve no purpose other than to make the story sluggish. This is referred to as ‘killing your darlings’ – the crutch words that we depend on are the unconscious gremlins that creep in.

Try not to include a back-story or contextual details that serve no purpose to the story – this is info-dumping that fills white space on the page to no effect in engaging the reader. Here, reading the manuscript out loud assists with discerning where the info-dump might be sitting with unnecessary details that steal from creating a more in-depth representation of an idea/character. Don’t give it all away too soon.

Make the Prose Sing

Style – choice of language and the general flow of the narration is an ongoing development of the writer’s craft that is enhanced with every piece written. The reader wants to see, feel, and be moved by the story. The use of metaphors, symbolism, imagery etc – bring music to the language of the story. This is what it means to ‘show, don’t tell.’

Additionally, look at how chapters end, are they leaving the reader with something that makes it difficult to put the book down? Keep it subtle and suggestive leaving the reader craving for more.

‘… emotional rawness in unadorned simplicity’ is indicative that the prose is appreciated for the meaning created, as is, ‘another engaging and addictive tale…’ Read your work as a reader, to feel, find, enjoy and connect to the story, then go back to the drawing board if something is not ‘singing,’ to polish the prose for a timeless read.

Create Characters with Emotional Depth

‘No tears in the writer,

No tears in the reader,

No surprise for the writer,

No surprise for the reader.

~ Robert Frost

If a writer does not feel it, how will the reader feel it? Invite the reader into the character’s head- what do they think, feel, see, and believe? How do they demonstrate this through their words, deeds and actions? Reading a review that states, ‘…brought tears to my eyes…’ is an indication that emotional triggers achieved the desired effect. Hearing a reader say, ‘I want a character like that in my life…’ signifies that a character has the effective emotional depth to elicit such a reader response. Reader reactions in, ‘… the characters had depth and charm…’ reveals a connection with the reader.

Creating believable characters with everyday concerns allows the reader to step into a character’s life to experience their foibles, vulnerabilities, strengths and challenges.

What are your thoughts on editing the first draft before the professional edit?

Please add your comments in the box below to share your views.

Happy Writing, Careful Editing, Enjoyable Reading!

What’s In Your Writing Toolshed?

A few months ago, towards the end of October 2017, this post detailed my definition of the essential steps to writing and publishing.

Today’s post includes what works for me in organising, writing and editing my book.

Organisation – Planning, Preparing, and Reminders

Having to juggle many things the tools that work efficiently for me are:

Evernote – I include my timeline of ‘to do things’, from chapter deadlines, my professional development reading, research and reminders for podcast and webinars I should follow. The added benefit is that an email reminder can be set to ensure I am aware of what’s coming up. This is an organisational tool that would benefit anyone with an overloaded weekly or daily schedule.

iPhone notes – My ‘on the go’ note making when the creative muse beckons without warning! This is then emailed for a quick inclusion into my work in progress.

Writing Software

After writing my first two books exclusively on Word, which I still use on a daily basis, I tried my hand at Scrivener. Its an amazing tool for planning and writing your draft in one place. It has all a writer needs from a word count feature at the bottom of the chapter, as you write (this helps keep your eye on your number of words per writing session as you go) , files and folders for everything from research, character profiles and a whole lot more. It’s not the easiest to navigate as a newbie to the tool so I purchased, Scrivener Superpowers: How to Use Cutting Edge Software and am finding my way through new discoveries of the magical properties of Scrivener every day! If you’re a plotter this is your ‘to-go-to’ writing tool and it serves you just as well if you’re a pantser. I write on Scrivener, save it in Word for polishing up and editing before the professional edit and am in the process of moving the edited manuscript back to Scrivener. The Scrivener app is available for your iPhone and iPad too!

Self-Editing Software

It is recommended that you give your draft a thorough check before the professional edit to eliminate ‘unknown’, ‘unseen’ errors.

These are three editing tools I find useful:

Grammarly

Hemingway Editor

Prowriting Aid

Why use all three?

Each has its unique way of alerting the writer to ‘creative mishaps’ from missing words, sticky sentences, overused words or lengthy sentences and good old proper use of punctuation and grammar and more!

While you might not agree with all suggestions, you are made aware of what might obscure meaning for your reader.

The writer needs an objective ‘third eye’ – while technology is a godsend, the human eye is essential if the ‘sense and meaning’ of the writer’s lines are to be interpreted as close to the writer’s intention.

More on the blog in future posts on new discoveries that are working for me.

Happy writing! Happy Reading!

Please share what works well for you and your preferred tools of the writing trade!