Category: Uncategorized - Mala Naidoo's Book World

Creative Life : Discerning Choices

Is there ever too much in a writing life?

A full-time writer lives and breathes, creating fresh stories, poetry, and essays. Nothing is ever too much for the creative.

When starting out as a writer, passion draws one to all things writing, from social media, literary associations, events both live and online and a plethora of books on how to write and publish. FOMO consumes the early years, but on the flip side, it can erode creative time.

Over time, whittle down to those activities that create the time and space for the creative process together with growing an author brand and business. There is much to gain from trying different groups and associations to test what fits your values and the type of writer you hope to be.

Be unique, select memberships wisely

Don’t strive to be someone else. Readers appreciate authenticity.

While exploring the creative cyber space, books, groups, and associations, you realise, over time, what adds value to your work.

It is vital to look for integrity when seeking to find where you belong as an artist in what can be an overwhelming space if trying to fit in with more than you can humanly manage.

Passion and FOMO drive the need to be a part of all and more

Give priority to the innate reason for choosing a creative life. This will guide your understanding of where to invest your time and growth. Running your own creative business is a mammoth task before investment in virtual assistants.

In the initial stages of a creative life, creatives might manage a day job and fit in a creative life after hours, besides managing rest and domesticity.

To ensure you give adequate creative time to your work, divvy up time to at least two associations that echo your values. An authentic organisation such as ALLi guarantees professional development, keeps you informed of current writing and publishing trends. Podcasts and FB live monthly advice sharing, and a Self-PubCon offer advice not to be missed. A directory of vetted services available to ALLi members is where you will find cover designers, editors, and many other services you require as a creative in publishing.

Depending on where you live in the world, you might hook up with a local association and join a Facebook Group or two for the quality of the experience. It is easy to slip down the rabbit-hole chasing after what appears bigger and better. Over time, this will steal valuable time from your ultimate purpose: to write and write more.

Sharing across author platforms is a great way to promote your work to different readers while helping promote the work of writers you enjoy and admire to your supporters. This garners support from grateful creatives who return the respect by promoting your work.

The creative space is generous and supportive. Find your authentic niche and belong to grow your creative works.

Please share the platforms you enjoy in the comment box below to help fellow aspiring writers make discerning creative choices.

Happy Writing, Happy Learning!

Creative Inspiration: Tiger Courage

Narrow down goals set for 2022 as we enter the Lunar New Year in the Year of the Tiger – courage, strength and wisdom offer the possibility to soar in new creative dimensions.

Creativity, like the birth of every new year goes on in whatever shape, form, time of week, or day it chooses to make its presence felt. A fresh look at how to reinvent creativity is alive with the advent of the Lunar New Year.

the noble and fearless creative

Competing with oneself is healthy competition in achieving one’s heart’s desires for a better version of last year’s self when the tiger’s strength and courage are called upon.

To endeavour (NB: a lifelong endeavour) to master the craft of writing is to read and learn from the writers/artists one admires as mentors, and whose works are enjoyed. Choose from a range of mentors to extend the reach by being open to the recommendations on the craft of creating. Read every book humanely possible to grow the craft in many and diverse ways.

To say a writer should write in one style or genre is limiting the capacity a writer possesses for experimentation, and possible success that comes with attempting a new way.

sitting in a long-term comfort zone is tedious, safe – this is not in the spirit of the brilliantly courageous tiger.

Challenging the self is a wise way to curate the best creative version of oneself.

dare to be different

No one way is ever the only way or best way – the best stems from daring to be authentic, to enrich how the creative works to harness new inventive powers buried within.

Here’s to courage and strength in the dawn of the Lunar New Year!

the dawn of the second month creeps in — January pants

in unfinished business carried over

days pass like the speed of light

chasing the tail of many months

as responsibilities mount

like the leaves of autumn winds

but imagination breathes new life

in spring dreams of possibilities

arriving on the gilded wings of time

twelve months to reinvent

turn the page on the book of life

the wind whispers then roars

‘we’ll get there — together’

Have a very happy, and adventurous Lunar New Year!

Good health!

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Creativity and Grief

Creativity feeds off emotions both positive and negative. Words give vent to the language of the heart.

Grief after the passing of a deeply loved one, sucks the wind from the sails of creativity, for a while… Fighting it is futile, emotions are in a tangle when death is unexpectedly sudden.

Fit one day, gone the next. The mind is thrown into chaos as exhaustion sets in, slowing down the clock to a sonorous ticking of every minute, every hour.

Be gentle with yourself when grief momentarily steals the creative edge.

Isolation and solitude are necessary to process the deeply felt loss. Within there is the need to comfort the nearest and dearest around one going through the same process.

But in those still, grieving, reflective moments, hours, days, and many weeks, creativity takes on a new face — creative expression on loss and grief. Picking up a pen and journal offers the promise of comfort when there is no inclination to turn on the laptop. Poetry emerges in the healing as words tumble out in emotional self-expression, mourning the deep-seated loss.

Words comfort and clear the brambles of the heart.

Seeking solace in meditation while grieving might, at times, seem impossible when the conscious mind buckles, contorts in pain. The way out is through writing, giving vent to grief and anger and all the unanswered whys…

Memory beckons, draws one in to seek solace in understanding the heart’s tears.

Soon, day by day, time allows the soul to accept, to find a new way, to adapt, to be, by letting go of the familiar patterns of one’s life. As humans we are adaptable to change, if one allows the mind to remain healthy by turning to warm memories, and articulating emotions — pain eases, and limits sinking into the dark depths of despair.

Grief is the single most difficult challenge of life (as I see it) in coming to terms with the gentle, deep cadence of a voice one will never hear again, a face never seen again in the flesh – the Guiding Light of one’s angst no longer there to soothe troubles or share joy.

Time is a long-standing ally to a grieving soul.

Acceptance is not an easy path to tread when the void is palpable…huge… but healing will come with time as memories resurface in those moments when a birthday card or photograph falls out a book, or pops up on a phone or Facebook Memories to remind one of the love shared. Loss is never overcome, but heart-warming moments return when least expected in unexpected places, to catch a breath in quiet recall to ignite a smile.

Creativity hooks emotions — grief the impasse as the eye turns inward to gather new creative pace and space.

If you have lost a loved one, take heart, your muse never flees in the hours of need, but draws renewed vigour from your newest angel, ready to guide your creative light.

a month too soon

let him rise in peace

as he lived his life

sharing love and joy with those

who honoured his stature

a compassionate giving soul

taken gently in the early morn

rising swiftly into the arms of Divine Grace

(RIP Beloved Father of Mine)

I hope you find comfort and reassurance that grief borne needs time, so be gentle with your creative self by keeping the mind healthy to protect your heart for the wondrous, comforting glow of memory and renewed imagination…

Stay safe.

Please share, like and comment.

May The Trilogy Be With You!

Writing a trilogy is not how I began writing, Souls of Her Daughters. The ending brought on an extension to the lives of Grace and Patience, and as the muse requested two more tales were born ending in the grand finale of, What Change May Come. The second book, Chosen Lives, picks up from Patience’s mission shrouded in mystery, and suspense when the aircraft she travels in disappears, followed by time tense revelations and heart-stopping fulfilling thriller magic!

enthrals with mystery and suspense ~ engaging and addictive ~ exhilarating… oozes with deep passion ~

~ Goodreads

The present trilogy in the making was planned. Book 1 of The Bardo Trilogy, Aurora Days, was released in April 2020 and Book 2 is scheduled for an October/November release. Book 3 will follow in the first quarter of 2021. And poetry beckons, egging me on with each publication. Hence Viola is also a closet poet! Stories crafted will always borrow some aspects from the writer’s world.

entrances and entertains… epic tale of courage, love and peril ~ Goodreads

Lessons learned in writing a trilogy are keeping a tight track on characters, places, time, and events. While for the most part, I am a panster, I do plan on Scrivener and shift and rearrange as each idea emerges. The glory of Scrivener is a necessary asset in a writer’s toolkit!

Sometimes the protagonist’s trajectory takes on a different path than originally envisioned. This is the power of independent creative choices — a freedom to chop or sustain at will.

Creative freedom is the stuff dreams are made of!

The Bardo Trilogy revolves around a family mystery in the life of PI Viola Bardo, schoolteacher extraordinaire with music in her heart and justice in her soul. Family relationships are a keen part of both my trilogies as are hidden secrets that connect to my thriller edge.

Changing locations is a wonderful way to revisit places I’ve been to in grounding the story.

While all this is in the making, a new venture beckons as an epic once-off or standalone novel on a family saga. The title came to mind first and pieces are emerging on that idea. Currently, I run two journals, something I have not done with my backlist publications. It has been largely one book at a time.

I am allowing the creative spirit to bite whichever way it wants so while the second book in The Bardo Trilogy is given priority, I am jotting down ideas as they appear on a new vision. I have taken on board Elizabeth Gilbert’s advice in ‘Big Magic’ — if you don’t pick up the stories coming to you, someone else will.

The muse will nudge the writer with her private messages when a story must be told.

The new venture beckoning will shift and change with time and no deadline is on the horizon for that yet. But it will be created as it comes.

I don’t intend on leaving Viola Bardo in the wings because she has many more revelations for the reader.

Keeping track of all that the divine muse dispenses is the best way forward.

May the Muse be With you!

Happy Writing! Happy Reading!

What’s your favourite trilogy read?

Creative Space

Psychological boundaries are either self-constructed or built by others. Whoever is doing the construction of the wall is of no relevance — both will hinder creative energy.

We need people around us as creatives just not their negative energies that overwhelm and stifle.

Vulnerability is the birthplace of innovation, creation and change ~ Brene Brown.

Creatives are sensitive souls, dreamers in tune with what the naked eye might not see. This opens the mind and soul to all aspects of the universe and in so doing leaves the creative vulnerable.

Choose your associations. This is crucial to creative energy. People who understand the creative, appreciate the need for space to commune with the muse, nature and the imagination.

Positive vibrations come from such associations that sustain and enhance a creative life. People who understand solitude and the creative need to slip off the radar for a brief period are associates to nurture and stay connected to.

In seeking creative space distancing the self from negativity is crucial to avoiding that which mars the creative process

What to watch…

those who tell you what you should be creating
those that question what you write or why you write
those who are not writers but freely offer writing advice
those who imagine a character or situation reflects their lives. It’s good if they do — that’s being a good writer to be able to craft lives/stories that people feel connected to — the ultimate writing goal is to reach the reader.
those who scour your books and comment that your book is a reflection of your own life by ignoring that you’re writing fiction and have not got down to writing a memoir yet.

Creative energy is more critical than learning ~ Albert Einstein

Who should we hang onto?

those who can’t wait to read your next book
those who let you know what they loved about your writing and let you know what thoughts your book has left them with
those who allow you to be you — gentle, idiosyncratic or wild.
those who spread the word about your books

Choose your friends and associates with care — those who appreciate the creative in you, and if it’s a small number — that’s all you need for abundant positivity to flow

Choosing your tribe is vital to preserving creative flow and production.

Engage in activities that enhance the creative within. Turn to meditation, singing, writing or reading poetry, reading the books you have on the nightstand calling out to you, read something different, a different genre. Take a walk on the beach or in a park or forest — do whatever makes your heart sing!

We undertake certain spiritual exercises to achieve alignment with the creative universe ~ Julia Cameron

Be your wildest or quietest authentic self and gravitate to those people who appreciate you for whoever you are, wherever you are in your creative life.

~Dare to be different~

Share your thoughts on your quest for creative space.

Happy Writing. Happy Creating. Happy Connecting!

Word Rhythm – some time… somehow

People ask, ‘so how does one complete a novel?’ The simple response is, ‘write every day.’

Fifty words on a page are better than a blank page.

Consistency is key and if for whatever reason writing is impossible on a day, double up the output in the next writing session. Perhaps not all in one go, divide the writing time to two sessions if possible, on a given day that fits in with what is already on your plate.

Writing more is by showing up, at a regular time, bottom on the seat, minimal distractions or no distractions at all. Commit to a solid ninety-minutes, then change the activity, but if the juice is still flowing go back for another session.

Blocks of time, free of distractions is essential to see a creative project to completion.

Ways in which to maximise creative time is to have a notepad/journal at the ready wherever you are. I have A5 journals in my handbag, workbag and pencils stashed in every pocket. Sitting in the doctor’s or dentist’s waiting room, or with colour in your hair at the hairdresser, or as I do, while sitting in the car at the car wash, scribble a few lines to keep the momentum of your story going. Watching soap suds gyrate in a splash of colour stirs the imagination! Back at your desk, if that’s where you prefer to write, draw those mini journal creative thoughts into your WIP manuscript.

Having word count goals helps to hold one accountable. My target is to finish a chapter at each writing session, if possible, or to leave a trigger sentence for the next writing session, to pick up the pace, action and momentum.

Caught in a roadblock? Pull out a notepad and write, if you can’t take your eyes off the road, audio record your verbal musings — now traffic cops, I dare to say, have not come up with traffic fines for the some time… somehow writer at a standstill in a roadblock, NOT in moving traffic, I must add – that is a massive NO-NO! Anything that will hinder the imagination is a blaring siren and flashing lights… although a fictional high-speed chase adds adrenaline to a thriller… let me add that… to my…

Like we need our zzzz’s, we need our number of words down on the page each day.

Some like holding themselves accountable through a writing group and others prefer to create their own deadlines. Either way, commitment matters to take your draft from a manuscript to an actual book.

Courage is the commitment to begin without any guarantee of success ~ Wolfgang Von Goethe

Some have a few writing days set aside in the week and commit like it’s a job they go to for five or six hours a day. If these are the only days available, the habit is cultivated and creative productivity soars on those days.
Roads trips, as long as you’re not doing the driving, is another great way to nab some writing hours, the imagination will be stimulated as you travel through various locations.

My next some time… somehow is to jump on a train and go to the furthest end of the line and back while writing. I am a desk-bound writer so this is an adventure that might or might not yield a new result. Let’s hope nobody throws me off the train for wearing heavily shaded sunglasses, a cap and seen to be furtively writing some secretive lines, perhaps on the comings and goings on each platform?

Get on that train, write at the car wash, whatever you do, do create space for your book!

Happy Writing, Happy Musing!

Carpe Diem!

Please share your some time… somehow to help others maximise writing outcomes.

Writing: Historical Memories Recalled

Historical fiction entertains and feeds memory. I remember teaching, Jackie French’s Hitler’s Daughter, and noted students’ curiosity on whether Hitler did indeed have a daughter. Research flourished and wonderful creative writing emerged.

Some of my favourite historical reads are, Charles Dickens, Tale of Two Cities with London and Paris during the French Revolution, Margaret Mitchell’s Gone With the Wind, a tale of the American South during the Civil War, Salman Rushdie’s, Midnight Children, a story of children born at the time of India’s independence from Britain.
The lists are endless and as diverse as the world we inhabit.
Currently, I’m reading Orna Ross’, Her Secret Rose (The Yeats-Gonne Trilogy 1) cited as a ‘delicate balance of fact and fiction…’ (bookbag UK)

Writing drawn from history emerges as an unconscious process in some of my books. The experience of apartheid atrocities comes through in Across Time and Space and Vindication Across Time and underpins leaving South Africa in Souls of Her Daughters. History might be more explicit in some and more subtle in others but it emerges from the deep well of the subconscious – the unforgotten seat of memory.
‘…sit down at a typewriter and bleed,’ as Ernest Hemingway aptly stated is where authentic stories emanate from – that space of creative intensity.

Today marks a significant day in South Africa’s history, country of my birth. June 16, 1976, was the Soweto Uprising that changed the socio-political landscape. It was a day when police fired at peaceful demonstrating students – the images of this brutality surged international revulsion. From this dark history, the most soulful artists emerged, creating music and poetry that stirs the soul to this day. The seat of struggle and suffering creates indelible timeless stories.

As a fiction writer and teacher, histories of the world find their way into some of my stories. The responsibility rests with the writer to present the accuracy of the histories chosen, not in a textbook rendition, but through selective and extensive research to create believable nuances of character, place and situations for palpable connections to the past.

The joy in reading historical fiction is in being transported to a time and place as an observer of significant moments, or better still, experiencing an era through brilliant writing.

What’s your favourite historical fiction?

Happy Reading, Happy Writing!

Share your thoughts on historical fiction in the comment box below.

Fiction: Women and Culture

Every writer has a unique voice drawn from culture and values. Even when one opts to write a ‘different’ tale with ‘different’ people, the authentic self seeps into some aspects of the writing process.

Having been raised in South Africa my psyche is wired to the spirit of the people. I remember older women as the stalwarts in the home – stalwarts with hearts of sheer gold. Writing this infuses me with warmth and tenderness. This is the reason for the crafting of Mama Elsie, in Souls of Her Daughters, Mama Thembu in Vindication Across Time and Grace’s mother Varuna whom Patience lovingly refers to as ‘Mama Varuna.’ Each of these women epitomises the significance of a mother in the home which accords them profound respect for the hardships they endure in a country that negates their existence.

The character Marcia Ntuli has the strength of character that her mother, an activist for women’s rights, exudes. Yet in seeking a new life, in a new country, she is subjected to professional racism until she is forced to give up her passion with a rapidly declining sense of self-worth. It’s only when Michael Morrissey, a human rights lawyer helps her through her dark days of self-doubt is she able to pick up the pieces of her shattered life. It is not the act of racism that is showcased but rather the resilience of the women and men who help victims find their way through inhuman situations.

In offering a lesson on how to uplift the human condition, it is men like Michael, Andrei, Brad, Keefe, Petros and Andrew who cherish the broken souls of my African women characters. A multicultural cast adds colour to the worlds of these women as the way of the world – as it should be.

I learned to appreciate this after having lived in segregation under apartheid. My premise will always remain that in our angst and joy we are one under the sky of humanity. Idealistic, perhaps, but hope has to be pursued to make a difference in how people perceive and engage with each other.

In The Rain – A Collection of Short Stories Thuli in the title story is a young, strong village woman who will do anything to keep her family together.

The song she sings to her children, a lullaby, Thula Thula Baba as she waits for the storm to end, is one I remember hearing from the cradle. It moves me to this day in its sweet, yet haunting sounds and meaning.

I give you Thula Thula Baba– a lullaby sung by mothers to calm their fretful babies while their husbands went into the cities to find work.

What Change May Come presents the coping strategies of sisters Grace and Patience in their struggle with irreversible change. Here the notion of perfection is challenged when one woman has motivations that clash with Patience’s perception of what it means to be human.

If stories open vistas of understanding and bring a lesson while entertaining – that is the footprint needed for a better today and even better tomorrow.

Go in peace.

Food and Fiction

A good story, like good food, is an unforgettable experience.

In the creation of fictional worlds, the protagonist comes to life through his or her foibles, eccentricities, habits, relationships, hobbies, voice, mannerisms etc. While sensory details include the sounds, we hear and the images we see, through the words on the page, the degustation in a fictional novel brings the reader to the table, heightening the sensual effect in a shared meal with characters.

In my debut novel, Across Time and Space, the aging Ben loves kippers and poached eggs for breakfast. In the sequel, Vindication Across Time, while breakfast is important, especially when Ben and Meryl overhear a conversation in a tiny restaurant, on the dark history of the mysterious Professor Andrei Malakov – it’s the journey through South Africa’s gustatory delights that bring drooling joy as barbecued corn on the cob – braaied mielies, to locals, on the breathtaking beaches of the Cape, chilli pineapple in, Sweet, salty, hot and pungent collided, tantalising Michael’s tastebuds. And then who can forget the delectable Kaapse snoek! In contrast, back in Florence, Meryl consumes endless cups of coffee as the trial drains her emotional and physical strength. Her favourite chicken pasta and prawn linguini meals are left untouched as her mind swims with horrific thoughts on where her life was heading.

In the trilogy, Souls of Her Daughters, Chosen Lives, and the third book, out this April, What Change May Come, Thai Delight, a fictional place, is Patience’s favourite restaurant, but both sisters, Grace and Patience find great joy and comfort in cooking and eating their mother’s signature chicken curry – their memory of her is alive in love and food. Grilled salmon, thoughtfully prepared for an elderly neighbour is pushed aside as she perspires through, and relishes Grace’s fish curry, saying, You have your mother’s touch with the delicate spicing, what a scrumptious meal... There are wonderful Mediterranean breakfasts, turmeric lattes and cardamom chai for a full international array of gustatory heaven!

I need chillies to warm my soul’ ~ Patience says in Souls of Her Daughters

From the spicy to the crisp – ham and cheese croissants, in the April release of What Change May Come, complements the racy change and quick food that others bring to Grace and Patience.

Food and fiction are a formidable combination, setting the mood of the moment, letting the reader into a part of the character’s life that we all enjoy – eating as a necessity, or social activity, regardless of what we eat, or where we eat it.

Food will always feature in my fictional tales as comfort food, memory food, and soulful food.

Cheers to more, tasty, thrilling tales!

Share your thoughts in the comment box below.

Whose Voice is it Anyway?

Voice is the defining feature of any book we read. It is unique to the author and is often what draws readers to pick up a particular book, by a particular author.

Turning to influencers is a significant aspect of the writer’s professional development, but mimicking the voice of another, as in tone, values, the nuance of language, etc, underscores the authenticity and value that a unique voice offers. Just as our personalities differ, so too does voice – it has character, personality, and it becomes the signature of the writer/speaker/narrator.

Readers find comfort, delight, and excitement in the voice they read, in being entertained or informed, or perhaps both. The rush to ‘be like others,’ comes with the risk of losing purpose or creating a voice that is inconsistent with the message. Voice is a significant part of connecting with readers. It communicates values and visions drawn from life experience, culture, lifestyle, education, angst, joy, and more, as part of early, and ongoing socialisation. We are after all, beautifully unique.

The writer’s voice is delivered through narration, characterisation, description etc. In characterisation, the writer’s voice is distinct, based either on personal experience, research conducted, and observations of human patterns of behaviour and communicating. Tension or suspense through voice is also drawn from the writer’s observed, or experienced fears, to capture the moment with accuracy and evocative creative design. This should move the excitement/thrill to the next level, for the reader. Emotional aspects of a novel are effective in holding the reader’s attention when it comes through from an authentic/believable/unadorned voice.

We often say, ‘seeing’ is believing, but, ‘feeling’ is living the moment in a book – it might well be remembered long after the book has been put down. Now, Shakespeare’s Othello craved, ‘ocular’ proof, of his wife’s alleged infidelity, yet if he cautioned his doubting mind by embracing his deep love for her, he might have lived his happily ever after. Well, one can surmise and hope, it’s to the writer’s credit when readers are overjoyed or disappointed when the character/s either meet up to or deviate from their expectations.

The accolade is huge when readers say, I could hear your voice while reading.

Voice in graceful narration is as important as the ‘voices’ that diverse characters are given in stories. Narration, description, and dialogue are the pillars of a novel with plot guiding the platform through the author’s voice as the vehicle that intersects with the reader’s experience.

Listen to an excerpt from Morgan Freeman’s narration in The Shawshank Redemption, based on the novella written by Stephen King- reading a story, or excerpt out aloud after it has been written or during the process of writing is of tremendous value to shift and polish how meaning is created through voice. The flow, tone, and authenticity of voice become transparent when reading aloud. Record an excerpt and play it back to catch if ‘voice’ is represented as imagined during the writing phase.

Honesty or truth should ring through the writer’s voice to establish a valued connection to the reader, creating an expectation that makes the reader continue to turn the page. Voice can be frivolous, serious, angry, calm etc. depending on the type of tale being told. Hence consistency of voice, dependent on the genre/scene/story etc. is imperative to hold the reader’s attention. It makes the reader return for more. A relationship is formed between the reader and ‘voice’ for a fulfilling engagement with the book.

Whose voice is it anyway?

The writer’s unique voice does not have to be written in Jane Austen’s, Charles Dickens,’ or any favourite writer’s style, it is about reaching readers with an authentic voice regardless of the niche appeal the story might have. A writer’s voice is the ‘heard’ presence of the writer.

Listen here to Pat Schneider, author, on how nuances of voice emerge.

More food for thought:

“For last year’s words belong to last year’s language
And next year’s words await another voice.”
~ T.S. Eliot

“Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.” ~ Meg Rosoff

“My aim is to put down on paper what I see and what I feel in the best and simplest way.” ~ Ernest Hemingway

Continue reading “Whose Voice is it Anyway?”

Do You Remember The Days?

Do you remember the things you did during your childhood that defines what you do as an adult?

I remember being passionate about drama, performance and the pleasure it elicited. When I say being passionate about plays, I mean reading them with great zeal.

Growing up in apartheid South Africa on the ‘wrong’ side of the colour line meant that going to the theatre was not an option. Additionally, television had not been introduced into the country. I make reference to this in an earlier post, To Kill a Mockingbird Moment Realised, here.

I remember going to the library, standing in a long queue to add my name on the waiting list for a particular playscript I was eager to read.

One such play that is vividly remembered is Toad of Toad Hall written by A.A Milne as the dramatisation of Kenneth Graham’s, The Wind in the Willows.

Growing up under the horrendous apartheid regime in South Africa makes the adult me smile at this choice. As much as the child enjoyed Rat’s, Badger’s, Mole’s and Toad’s car and caravan adventures, the deeper issues were lost in the euphoria of ‘putting this on stage’ in the apartment building of my childhood.

Actors were sourced from eager children who were hungry for entertainment during the school break. Parents were at work and no laws protected downtown children from being left at home alone with an occasional check in from an elderly neighbour- this was all an aspiring eight-year-old producer needed!

Parts were allocated and lines rehearsed over two days. Pitch, tone, movement and a haphazard choreography were based on the whim of the eight-year-old producer who ensured she donned a hat and a scarf for a theatrical edge that was akin to those seen in magazines and the Sunday newspaper.

What a time was had by all! An intermission was in place and red Kool-Aid duly served as the drink of choice in plastic wine glasses to an innocent audience ranging in years from five to ten. Mothers’ costume jewellery, ‘plastic pearls’ and hats with feathers were placed askew on little heads for attendance at this momentous production in the dining-room of my parent’s apartment.

Innocent children made their debut into the world of theatre, revelling in being transported to a magical world away from the tedium and boredom that sets in after playing all the games children could come up with during a six-week long school break.

Fast-forward decades later, in another country of choice, the itch takes hold, not as a theatrical producer, but one who has started to pen fictional tales of life and its challenges, thus Across Time and Space is born.

Such, such were the joys of childhood.

What do you remember of your childhood that lingers fondly as a defining moment? Share your thoughts below.

Research and Sensitivity in Stories

A post read recently suggested writing from a knowledge base and not from imaginative creations that might be insensitive if writing about mental illness, physical disabilities, emotional disorders etc. While I agree with being sensitive by not causing injury to others, art should mimic and extend reality if understanding and connections are to be formed.

The question is – does one have to proceed with caution when creating a character with mental illness or a physical disability in a novel?

The depiction becomes insensitive when it supports stereotypes, insults, separates and denigrates actions and situations the character is placed in. To create a character who overcomes a difficulty by honing other powerful skills or having amazing support from family and community to achieve goals is indeed not insensitive but rather supportive of what a cohesive humanity is – certainly a message for raising the lot of the human condition.

The foremost purpose of writing, fiction, in particular, is to entertain the reader more than to inform. However, if the writer is able to strike a balance between entertain and inform, the reader is likely to gain valuable understanding from such a piece of writing. If written without dictating what is right and wrong then sensitivity should prevail and the writer is more likely to connect with the consciousness of the reader which might motivate the reader to read more books by the same writer.

When entertainment and purposeful information are included in a work of fiction, a level of research is necessary to sustain the story to its logical, authentic conclusion. If the storyteller/writer has first-hand experience of events, social issues, illness, particular ways of thinking and behaving then research is not the prerequisite as it would be for a nonfiction book that covers specialised areas such as crime, history, science, psychology, culture, economics etc.

Research will not go amiss in fiction writing, it should add colour and depth to the story plot and character representations. When creating characters with a medical condition, research around the condition or perhaps speaking to a medical specialist on how the condition manifests will add authenticity to the story. How much research should one engage in is dependent on how significant that character is to the overarching story or plot. Striking a seamless balance between the story and research is essential to avoid having the story appear like an ‘unofficial’ handbook or textbook. Shaping characters in true to life situations are more likely to lead to an enjoyable reading experience. For the writer to create authenticity in a story, it is necessary that the purpose of writing is to entertain first and then inform on matters that pertain to character and plot.

The writer has to give voice first to what he or she is passionate about. If one is to expose the harsh reality of particular situations prevalent in society, then that which makes the reader uncomfortable is equally necessary. We bandy around that we need to be ‘moved’ for change to occur – to be ‘moved’ is either happily or unhappily so, with joy or sadness. If we are to be catalysts for thought change through writing fiction or nonfiction books, it should come with some thought-provoking messages – George Orwell’s Nineteen Eighty-Four might leave readers either grateful that they have control of the decisions they make in life or it might result in a re-examination of whether they are indeed free.

Fiction and nonfiction books are of equal value to the reader when they create thought change or thought searching connections.

What do you think? Should sensitivity be at the heart of all our writing? Should the writer entertain, inform and shock the reader?

I would love to hear your thoughts. Please comment below.

Wellness While You Write

Everyone is a writer- authors, students, teachers, business executives, talk show hosts, journalists, doctors, lawyers, engineers and the list goes on. Some of us write for longer periods in our day and others in short spurts, depending on what you do and want to achieve from your writing.

This post is different to my other posts but an area I think we all need to be aware of.

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When the writing muse comes calling, all else is forgotten, the writer lives in the space where ideas unfold upon ideas, time stands still.

Often writing in the comfort of our own space can lead to poor eating patterns. This might seem like common sense but we need to be reminded to sustain ourselves for the long haul. Writing is mental, creative energy that needs sustenance – yes sustenance – I don’t mean food for the soul – that is important, but, you need good wholesome food, first, before the reward food if it’s your choice. Do you keep a jar of lollies at your writing desk?

Here’s my strategy for a healthier writer body and mind:

If you start your day at 5 am and head to the kettle for your coffee fix. Stop. You need to sustain your energy for the duration of your writing day/ hours.

Try this for three days and note the difference.

# fill a jug with water, slice half an English cucumber or a whole Lebanese cucumber, and add it to the water.Cucumber is a source of vitamin B. Leave the skin on and you add vitamin C to your drink which is much needed to ward off colds with winter advancing in this neck of the woods. A dash of chopped mint is optional but a great herb to add. Adding a thin slice of lemon will pack on more vitamin C.

# while the water, cucumber, and mint infuse, get in a few back stretches while standing in the kitchen and a few more cat stretches on the carpet or exercise mat if you have one readily available. Arching and relaxing your back will serve you well for a day or hours in your writing chair.

Now for the refreshing drink:

# a tall glass of cucumber-infused water should be sipped while standing up – only because you will be sitting in your chair for an extended time. Keep the blood flowing like you would on a long haul flight.

# having that cup of coffee should come after the cucumber infused water which would have energised you by now, clearing the mind, cleansing and oxygenating the blood. The antioxidants perform their magic. Cucumber is an anti-inflammatory food which might aid with swelling feet if you are prone to this after hours of sitting at your laptop.It might help your aching fingers or wrists after hours/days of typing too.

# if you are an exercise junkie, (if you can fit that in with your writing schedule) and need your morning run, eat a banana before you head off.

# now for breakfast, you’ve stretched, cleansed, had your coffee treat or banana and run, what should your choice of breakfast be before you hit the writing page?

Here are some options depending on whether you are vegetarian, vegan, gluten-free, lactose intolerant or diabetic etc.

– a small slice of fruit, if you had the banana, skip this step, – a small bowl of rolled oats will sustain you for hours of writing – if you prefer eggs – poach them and eat with a slice or two of lightly grilled tomato.

– If you have avocado on hand, a slice will add to a healthy mix. I would limit bread to wholemeal/gluten-free if you are going to have a slice of toast.

– take your jug of cucumber infused water and leave it close to your writing desk to sip at will – why should you do this? It hydrates you, keeps you clear-headed, mentally alert and the bonus is you will be forced to stand up to walk to the toilet!

As writers, time does not exist when in the creative maze of writing, two hours may seem like twenty minutes.

You might ask, what about lunch and dinner?

– A light lunch perhaps, tuna on wholemeal or gluten-free crackers or bruschetta followed by a cup of green tea. Dinner could include grilled chicken, fish or red meat with a side of steamed vegetables or a salad followed by a cup of herb tea and perhaps…perhaps… a tiny treat of your choice.

Here’s hoping this works for you as it does for me, if you have suggestions on how you remain well and sustain yourself on your writing days, please share by writing in the comment box below.

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Wishing you many healthy, happy writing hours!

Authenticity

We want to believe.

We crave loyalty.

We need assurance.

We are human after all.

In creating characters in fictional tales, those that resonate with the reader are the characters who are either perceived as most authentic in their expressions of truth or deception. Literature mirrors the fabric of humanity highlighting concerns on the human condition creating understanding and connections with the reader. Readers want to identify with characters in the books they read to keep hopes and aspirations alive.

In conversation, the following were identified as underpinning the expression of authenticity

# motives,
# relationships
# sincerity

What does it truly mean to be an authentic person?
Fifteen character components that I identify as essential in this quest for personal authenticity or that which you create in your characters could include:

being true to yourself first before you can be true to others
going it alone even if you are the only person in the room holding a different view
saying you can’t do it anymore or that you need assistance
risking friendship by saying you feel used or need to be heard.
being proud of one’s origins, culture and values
acknowledging the presence of others
being comfortable in your own skin
being truly happy for others in all they accomplish
embracing diversity/ withholding judgment on race, culture, religion, sexual orientation, disability, political affiliation, socio- economic standing
greeting with a smile that extends from the soul to the eyes to the mouth
upholding the truth as it is
not allowing fear to govern choices
protecting vulnerability rather than exploiting it.
reaching out to those in need even if you don’t have enough for yourself
striving to be the best version of yourself.

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How Difficult is it to be Authentic?

It does not require one to renounce worldly aspirations nor live like a saint or hermit.
Being authentic is simply being you, not a carbon print of someone else or living up to the expectations of others.

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If you are always trying to be normal you will never know how amazing you can be- Maya Angelou

To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.- Ralph Waldo Emerson

There is nothing more rare, nor more beautiful, than a woman being unapologetically herself; comfortable in her perfect imperfection. To me, that is the essence of true beauty.- Dr. Steve Maraboli

Enjoy the lyrics that beautifully and simply says it:

Enjoy!

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Should your brave new world of being true to yourself be feared?

Only if you lose – your way – yourself – in a sea of manipulation and deception. The character, Meryl in Across Time and Space undergoes a steep learning curve to emerge as…I leave you to find out…and the sequel will reveal more.
When you are surrounded by authentic people, you feel the positive vibration around you. This energy allows you to flourish. Separating the wheat from the chaff comes with life experience as you glide towards the true, the real you.

Here’s to creating enhanced versions of ourselves and the characters we create

Energising Creative Thought

Here are a few practical suggestions to a question posed this week which is a significant and very real concern:

‘How to centre yourself and clear your thoughts before writing?’

The time of day when your energy levels are high and you are rested is a good time to sit down to gather your thoughts.

Have a plan for what you hope to achieve for that particular writing session- is it a paragraph, a chapter or some research on a new idea? I have a skeleton plan of what I would like to create in my chapters- this is done through dot points which help to structure my thoughts that I build upon as I write.

Keep a journal on random thoughts that emerge each day.

If gathering your thoughts hits a roadblock, try this exercise:

Look around the room you are in – what object catches your eye, write a brief description of that object using as many sensory images as you can come up with – visual, auditory, olfactory, tactile.
Consider why you might have been drawn to that object – Colour? Shape? Associated memory? Who was the person who might have given you the object or where and when it became yours?
Write a paragraph on the size, shape, colour, ownership and memory associated with the object.
Record your thoughts, in your phone or other recording device, by speaking about the object first, then write them down as you hear it on your recording adding on the ideas as you go.

If this does not spark your creative energy, pick up a book, turn to any page and read the first line – stop – absorb – now write down what you think might happen next.

A quiet space, undisturbed, gives voice to your thoughts to pick up the pen or tap on your keyboard, a quiet space will lead to thoughts being centred where the noise of a crowded space might distract creative thought. This also depends on whether you can work with complete stillness, as I do, you might find a bustling coffee shop, as the protagonist, Meryl, in my novel, Across Time and Space, does suitable to creative thought if undisturbed by intrusive newcomers like the infamous, ‘roving professor’.

Once you find the space that is conducive to creative thought, tune into your inner clock, establish a rhythm to clear and centre your thoughts. If this does not happen in one sitting, go back later, or the next day – persistence and consistency is the key.

The most potent muse of all is our inner child –Stephen Nachmanovitch

Happy Writing!

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Imagine Being There

Place in a story is vital to ground where and why characters react to or create situations which drive the plot of a story. Within identified locations, characters become loved or despised for the actions and reactions they indulge in.

People connect to a place for an array of reasons because it holds the memory of:

a brilliant childhood/not so brilliant childhood
first love/first break-up
marriage/honeymoon/divorce
travelling to landscapes or geographic locations where culture, cuisine, architecture, history or local people either inspire or horrify
favourite authors/celebrities who lived in those settings
the stories heard or read about places making them part of one’s experience
loss and grief
spirituality
the devastation of war and politics
personal heritage associated with a place
the comfort of home, a bedroom, a garden, study

The reasons are endless making it necessary when writing a story to anchor it in a specific place or a few places to create a sense of physical reality for the reader. Place, in fiction, does not have to be grounded in a real geographic location, the sights, sounds and smells – odours or aromas of a place will bring it to life for the reader based on how effective the sensory imagery is in connecting the reader to the context of the action.

The lines below portray an inescapable landscape that confines and stifles. The narration indicates familiarity with a place which makes it experiential for the reader through the author’s specific framing of location. Here, the place is named creating the reality the reader craves, when a place remains unnamed, evocative sensory imagery creates a link in the reader’s imagination.

The heat in the street was terrible, and dust was all about him, and that special Petersburg stench, so familiar to all who are unable to get out of town in summer –Author, Fyodor Dostoyevsky, Crime and Punishment.

In the creation of a fictional place the writer is the creative camera lens, beginning with a wide view, then zooming into backstreets before giving close up consideration to:

Demography – who will be created in this terrain- will it be a multicultural environment? What morals and values might come to light, is there an alternate way of thinking endorsed by a group?
What is the socio-economic dynamic of this place?
What’s the weather like?
What sounds are heard in this place?
Is this a city or rural setting- what other aspects will you include to define this landscape?
Is it a busy or laid back place?
Is this a contemporary world or a lost and forgotten world?

Let the reader reach his or her own conclusion but be sure to add drama to most scenes and emotions that characters go through- this will allow the reader to speculate why particular locations elicit human reactions the way they do.

I leave you with these lines that reveal the human condition through the words of Alan Paton in his novel, Cry the Beloved Country:

The great red hills stand desolate, and the earth has torn away like flesh. The lightning flashes over them, the clouds pour down upon them, the dead streams come to life, full of the red blood of the earth. Down in the valleys, women scratch the soil that is left, and the maize hardly reaches the height of a man. They are valleys of old men and old women, of mothers and children. The men are away, the young men and the girls are away. The soil cannot keep them anymore.

Is Commitment on Your Agenda?

Across Time and Space explores commitment in relationships in romance, friendship and family relationships. Whether or not it leads to the commitment of, ‘I do’ – commitment is a primal need in relationships for one to feel valued. The protagonist in Across Time and Space has been in a relationship for a length of time, a comfortable, complacency envelopes the relationship creating restlessness that becomes the catalyst for unimagined challenges.

This begs the question, does commitment mean unstinting devotion and loyalty akin to ‘til death do us part?’ The answers are vast and varied depending on the values one has embraced or formed.

Being raised in a time and place which instilled that a promise of commitment meant fulfilment of that promise on a nominated, ceremonial day which comes with its own merits and flaws. This might be considered ‘old world’ or fit for ‘Cinderella and her Prince Charming’, yet the expectation is that couples will unite or commit in a way they deem appropriate to both of them. Yes, the operative word is both – not ‘one’ making a decision, on a whim, that life’s path has beckoned a change for ‘one’ without consideration for how this might impact on the other half of both. Such is the life of the protagonist in Across Time and Space and her partner – good people in their own right who buckle under the fear of commitment, fear for the loss that might be incurred in all that has yet to be achieved in life.

This leads me to why should commitment be feared as the end to individuality and relinquishing of one’s dreams? Commitment should encompass all spheres of one’s life in relationships: singular and joint dreams, commitment to professional ideals and commitment to going off on a whim if its one’s choice to do so by acknowledging that both need to be aware of such changes. Meryl, in Across Time and Space will clarify the choices she makes to catch the star of her destiny that she feared might never be realised in her lifetime.

Commitment can have its dark and dangerous side when passion overrides reason. This brings to mind Catherine and Heathcliffe in Emily Bronte’s Wuthering Heights where both are inextricably and destructively hemmed to each other. Stepping outside literature as we turn on our televisions to the reality of the evening news or an online article on domestic violence which results from unhealthy commitment which is power and control. Supposed commitment, commitment without reason creates a dark, terrible and often tragic situation.

Commitment in family relationships be it as mother, father, grandparent, carer or extended family member should be based on trust, approval, open communication and support from love shared to promote good mental health.

Love, respect and freedom of choices are a right that should not be debated, it’s a basic human right – a human right that should acknowledge commitment to respectful consideration through communication before heading off alone into the sunset.

Commitment to values includes commitment to the values of place, the place we call home – the country- the city- the street- our backyards. It is often those who cannot commit on a personal level who cannot commit to democracy, justice and a fair go.

Reason should always caution passion, dreams should be lived for peace and joy to reign for both halves in any relationship and for all in our choice of place that we call home.

What’s your take on commitment to all things in life? I would love to know your thoughts.

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