The world is teeming with the here and now, current stories in the making with the mounting flux of national and international events and situations that drown the past as voices evaporate into the mists of time. The danger is in relegating these voices to forgotten histories when they have much to teach this time on human kindness and compassion, to obliterate the self-centred I, me and my way of thinking and behaving.
Fiction writers have the skills at their finger-tips to animate these voices through fictional recreations, Many such esteemed writers, as Toni Morrison, Maya Angelou, Chimamanda Ngozi Adichie, Elif Shafak, et al, have done so to great effect over time.
Ignorant of history, we find it easy to accept our isolation from one another. We are more able to recognize differences than shared experiences and perspectives. History proclaims our common humanity. – Author: Linda Simon
South Africa’s apartheid history has a multitude of women’s voices, women of colour – some of whom have gone unnoticed under the radar of time.
Souls of Her Daughters arrived to highlight the role that women of colour made to the contribution in dismantling apartheid’s constructed barriers of race, sex, culture and ethnicity.
InSouls of her Daughters, two mothers, Varuna and Elsie, the mothers of Grace and Patience unite as one family when their husbands are brutally killed during the darkest times in the land’s racist history. Their daughters, Grace and Patience, become the stoic women they reveal themselves to be while fighting their own demons on sexism and abuse. Kindness and compassion pave the way forward as the personal histories of Varuna and Elsie in demonstrating their resilience under the scrutiny and accusations of racist stereotypes.
From humble beginnings both Grace and Patience emerge as women of courage, serving humanity in an international arena. Before they achieved this level of confidence they found a space where they were valued, belonged, to reach out to those struggling a similar or worse fate.
These four forgotten voices were deep, and the reach expansive that it opened the way for two more novels to follow, Chosen Lives, and, What Change May Come. These novels that followed, Souls of Her Daughters takes the reader on a journey from South Africa to Australia, Ireland and India. The novels showcase the kindness and compassion of two sisters born from different mothers into a segregated South African society with the potential to overcome the debilitating challenges of their birth country’s political history.
Fiction has a valuable role to play in the recreated telling of stories that did not make it into the history pages of its respective time, yet these stories carry the potential to educate the here and now for a future built on kindness and compassion. These human qualities dissolve the quagmire of the human condition.
Please like and share your thoughts and ideas on the recreated fictionalised histories you would like to read.
It is with great joy today that I travel on the blog from Sydney to Washington to feature the inspirational Keshni Washington who I met through an introduction from a respected and trusted mutual acquaintance. I have had the privilege of attending a virtual screening of ‘Immigrant Story Telling Night’ with Keshni Washington and speakers on the night who shared their honest, authentic, lived experiences as immigrants.
Regardless of where we reside in the world, the connection is palpable.
Author – Keshni Washington
My ten questions introduce Keshni’s life and work in Washington DC as a writer and compassionate person, living, working, and contributing to DC society with a strong connection to her South African roots.
1.What is your most vivid memory of South Africa?
I miss those perfect hot dry Joburg summer evenings, the smoke of a braai (bbq) with friends and the clear skies and stars. Along with this memory, I also miss the taste of Koo baked beans and South African mayo potato salad.
2. Did you move to Washington for work?
Yes, I was recruited from South Africa to work for an international non-profit that is based in Washington DC. I had never been to the USA before coming through for the interviews. I worked there for 8 years but have been trying my hand at being an entrepreneur for the past year.
3. When did you realize you wanted to be a writer?
I can remember composing the opening to my first book when I was 11 on the walk to and from school in Chatsworth, Durban. But I was soon discouraged and advised to do something more financially rewarding that would secure my future – I grew up in an apartheid segregated neighborhood and so being able to support yourself and others financially was a natural priority. I put away the dream until decades later in life. Coming back to it about 5 years ago, reaffirmed the feeling inside me, that this is what I was meant to do, and I know I will be telling stories for the rest of my life. I have been learning and honing my skills and now have two draft novels.
4. Tell us about your ‘Signal Fire Series’ podcast and what motivated you to do it.
I wanted to fuel my own fires of inspiration by talking to some of the people that inspire me about their journeys and glean some of their wisdom. I realized quickly that these conversations could do the same for others out there, whatever their passion. Since I have deep roots in South Africa, I decided to host conversations with both Americans and people from my first home. It has been an expansive experience, in which I have found a new admiration for every single person’s journey, whether they pursue their passion in their spare time or full time. It’s my offering, and I hope the person who needs it will find their connection and inspiration.
5. Please share your recent publishing success and writing motivation.
Published in Yellow Arrow Literary Journal
I have recently had short pieces/essays published in American literary journals: Yellow Arrow Literary Journal, Mer Vox Quarterly and Pen-in-Hand Literary Journal. I have also been fortunate to attend two writing workshop intensives – VONA (Voices of Our Nations Arts Foundation) with author Daniel Jose Older and Tin House Writing Workshop with author Alaya Dawn Johnson.
Keshni Washington’s favorite writing spaces where a cup of South African Rooibos tea is served at the Jamaican Tea Shop in DC.
Sunday street-side cafe
Espresso and mini cake
Writing at Deep Creek Lake, Maryland
Jamaican Tea Shop in DC
6. What genre do you enjoying reading the most?
This is hard to narrow down as I read just about everything. When I was young, I was obsessed with science fiction. When I got older, I gravitated to literary fiction and poetry. Over the past year, I have been reading a lot of YA as my latest novel is a YA novel, which has been a ton of fun.
7. Tell us about Tin House, and the experience you have gained/are gaining.
Tin House is an American publisher of award-winning books of literary fiction, nonfiction, and poetry; home to a renowned workshop and seminar series; and partner of a critically acclaimed podcast, Tin House champions writing that is artful, dynamic, and original.
The writing workshop consists of a series of small classes of no more than eight writers per class, so spots are limited. I got to work with the amazing Alaya Dawn Johnson. As part of the selection process, I submitted the first three chapters of my book, and these chapters were critiqued during the workshop by both my classmates and my workshop leader. All my classmates were critiqued this way. It was an invaluable opportunity for feedback and discussion. I had one-on-one meetings with Alaya and a literary agent who gave me feedback on my query letter. There were many amazing craft lectures by the faculty, generative exercises, and discussions about the publishing industry. We had the opportunity to do a reading from our work and mingled with other amazing writers attending and teaching at the workshop. It was an intense but invaluable experience.
8. When did KAMA DC start and what is your role at KAMA DC?
I first found Kama DC when I signed up to participate in their Immigrant Story-Telling Night. (where immigrants share a five-minute story from their experience on the theme of the night.) I have since stayed with Kama DC as a volunteer – part of the Storytelling team. Kama DC is a nonprofit in the DC area, run by volunteers, whose mission is to build community through immigrant-led experiences, providing a platform for immigrants to teach classes, share stories and their skills and passions to foster awareness, understanding and community. I also inaugurated and now run the @immigrantsOftheDMV Instagram feed, which is similar to Humans of New York in that we invite immigrants on the DC, Maryland, and Virginia area to do a takeover – hold the handle and share a bit about their story, home country, and experiences in the USA. It is a wonderful group of people and I am immensely proud to be a part of this mission.
9. What has been most inspirational about your semester of Creative Writing at GW?
During this semester we get to learn from published author Cutter Wood. It is focused on creative non-fiction aka essays, and how to write our true stories. As my self-study has been focused on fiction and novel writing for many years it’s wonderful to develop this different writer muscle. It is a small class of 13 people. We write a new piece every week, so I have to dig around in my memories and experiences and create something on a schedule. And the best part is sharing in class and getting to grow through the experiences and creations of the wonderful writers in my class.
10. If there is one piece of advice that you would share with young aspiring writers, what would it be?
To just start. Just write. Whether you think it’s imperfect or feel you are not ready. Just write. Put your fingers to the keyboard, or your pen to paper today, start journaling today. You are not too young nor too old. Just write. You will get better by doing, I guarantee this. But you must start, the world needs your stories.
With gratitude and best wishes to the inspirational Keshni Washington for sharing her creative journey, life and work in Washington DC.
Diverse voices exist in literature but are under-represented by trade publishers.
All hail the dawn of self-publishing!
The tragedy of George Floyd’s death in the United States has sparked a resurgence for the recognition of black writers. Read the rumble in the UK here on what the newly found Black Writer’s Guild has initiated.
It is shocking to note that black writers are offered a lower advance to that of their white contemporaries, and editors ask for white or racist characters to be added to books.
As an author of colour, in Australia, I faced the dilemma of whether I should create a neutral non-black pen name to get publishing recognition. But my writing mission is, In our angst and joy, we are ONE under the sky of humanity, which does not support using a pen name and so authenticity prevailed.
My apartheid past in South Africa had stolen the right to feel comfortable in my skin or to dare to speak out against racism. Hence my debut novel Across Time and Space and the sequel Vindication Across Time, present the bald face of racism as a universal disease through my eyes. My third novel, Souls of Her Daughters exposes injustice on multiple levels.
Fear makes one believe that a name that hints at race would be bypassed by publishers and readers. Listen to the words of author Michael La Ronn who articulates the issues black writer’s face in writing and publishing. Note what he says about gaslighting
Racism – Inequality – Injustice – Prejudice – by any name must be caught and called in the books we read, movies we watch and conversations we have
The Zulu word Ubuntu refers to the human spirit as it should be:
I am because we are
humanity towards others
the belief in a universal bond of sharing that connects all humanity
In writing multicultural stories as I do – the spirit of Ubuntu prevails.
What will you be reading and watching in the renaissance of Black Lives Matter in literature?
I recommend watching the movie In My Country on the Truth and Reconciliation Commission (TRC) in South Africa and Rabbit-Proof Fence on Australia’s Stolen Generation.
From the Uncle Tom’s Cabin and beyond, voices have raised the alarm but sadly the call to end racism fell on deaf ears. Now it must be made history, an unforgotten one to remind us that prejudice is heinous and should be obliterated from the stage of life. Diverse voices that are in the main ignored, share why the human condition needs a radical shake-up.
Feel the angst, walk a mile in the shoes of the racially downtrodden – only then will you know the corrosive impact of racism.
The wound of prejudice cuts deep to the soul leaving indelible scars.
But you pick your head up, as you do, to face another day no longer silent especially to subtle bias…
In the wake of the change in 2020 and beyond, walk a mile through these suggestions to know and feel that in our diversity the common factor is that we are emotional beings with the capacity to rectify prejudice by the stories we tell and read.
Here are ten suggestions where diverse voices rip out your heart to sensitise your soul.
Long Walk to Freedom – Nelson Mandela
. My Place -Sally Morgan
Talking to My Country – Stan Grant
To Kill a Mockingbird – Harper Lee
The Underground Railroad – Colson Whitehead
Between the World and Me – Ta-Nehisi Coates
Cry the Beloved Country – Alan Paton
The Power of One – Bryce Courtney
The Bluest Eye – Toni Morrison
Race Talk and the Conspiracy of Silence – Derald Wing Sue
May you write and read stories that share histories to sensitise our souls to dismantle racial bias.
Growing up in apartheid South Africa as a non-white person, living under the Group Areas Act where you only saw people like you with the same coloured skin, living with the knowledge that your people had to be hidden from view — white view — left scarred for life and needing immense strength to shelve the hurt and pain in memory’s hinterland.
This divisive system invites shame — why am I not good enough? Why can’t I eat at that wonderful seaside restaurant? Why can’t I go to a school with its English countryside setting and Victorian buildings? Why am I afraid every time I see a police officer or paddy wagon? Why can’t I lift my eyes above the ground? What have I done to be born black?
Here is why…
Racism is hatred that unleashes a plethora of negativity both ways: Unchecked power that intensifies with acts of brutality that crucifies an already broken self-concept. Systemic injustice — physical, emotional, and psychological feeds the depraved hands of power. How does the victim deal with an enforced erosion of who they are?
Let me tell you…
There are only two ways: head down — mind their manners or take to the streets to protest. Stop! When power strikes up against protest it is obvious that human survival instinct kicks in and violence erupts. Nobody wants violence — justice is all the victim wants — a fair go — it starts out as a peaceful protest, and if left to do just that, no force is necessary. Let the voices crying out for change be heard or it speaks of intolerance to change.
Then somebody cries ‘looters!’
This is why this happens…
The downtrodden are as the words say it, the ‘have-nots’— denied, deprived, shamed, and blamed for all the ills of the land. Human instinct kicks in again and necessity guides reaction/behaviour. Before we cry ‘looting’ investigate what underpins it. Where there’s social inequity the ‘haves’ have ‘looted’ the country for a very long time taking more than they needed — perpetuating inequity.
History tells us that peaceful protests become violent when the hand of power strikes. Decades before Nelson Mandela sat at the helm of government in South Africa, the country was on the brink of civil war and the Sharpeville massacre of 1960 like the Soweto riots of 1976 started out as a call for justice but led to police taking up arms against protesting civilians who wanted their voices heard.
#BlackLivesMatter is a timeless cry for justice from the time of Rudyard Kipling who referred to the people of the African continent as ‘half-devil and half-child, ’ in his 1899 poem, White Man’s Burden. Colonialism stole the right to justice — a fair go, for original inhabitants of the land. Assimilation — one way or no way denies culture, heritage and the right of recognition.
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Remember those fallen at the hands of racial prejudice — countless — the loved ones of grieving families — too many still dying at the hands of what can be changed…if they are heard.
Listen to this Ted Talk by Amy Thunig: Disruption is not a dirty word that pulls no punches on racism endured by Indigenous Australians in a country I call home.
It’s 2020, and some in the misguided grip of power swim in the quagmire of the barbarism of racial prejudice — educated by book not humane moral code — sure-fire intellect — no emotional intelligence. Silence widens and deepens the stain of prejudice. Speaking out against racism does not always win friends and influence people, but the few who join black brothers and sisters in the fight for justice at the risk of losing their tribe — those are the gems that make #AllLivesMatter, for they will pull together to create liberty, equality and we all need fraternity.
What is your choice to be on #BlackLivesMatter?
Stay safe, speak up against injustice but as John Proctor cried in The Crucible – ‘Because it is my name! Because I cannot have another in my life! … leave me my name!’
It has been a good week reading and hearing the voices that speak up and out about acknowledging women in literature and in every professional, political and social sphere. The momentous global Women’s Marches this year are indicative that times have indeed changed, however, silence or ‘Feminism Lite’ as warned by Chimamanda Ngozi Adichie, subvert the right of a woman to proudly be herself, to be seen and heard for what she believes is good for her.
She has music in her soul and justice in her blood
Ironically the media on this day, 10 March 2017, has reported, much to the chagrin in many quarters of society, that stay at home mums, are draining the country of much-needed skills. This understating of the role stay at home mums play in raising children, raising the next generation to be upstanding citizens and contributors to the world of tomorrow is questioned and frowned upon as not making a valuable contribution to society and hindering the economy?
This says that the War of Women against such opinions, studies and other such claims is an ongoing battle. Margaret Atwood’s states that The Handmaid’s Tale is more relevant than ever and Jude Kelly, theatre director and producer enlightens in a TedWomen talk on ‘Why Women should tell stories of humanity’.
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My Tribute to YOU
YOU are amazing in all you juggle in your day
YOU are amazing in the boundless energy and strength you demonstrate
YOU are amazing for your selfless dedication to your profession, family, friends, community
YOU endure each day with no complaints with an ever-ready smile for others
YOU are the rock when things fall apart
YOU are kind, generous and loving
YOU are SPECIAL – NOBODY can take that away.
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I leave you with two powerful messages from MEN on the significance of YOU
THE HAND THAT ROCKS THE CRADLE IS THE HAND THAT RULES THE WORLD.
BLESSINGS on the hand of women!
Angels guard its strength and grace.
In the palace, cottage, hovel,
Oh, no matter where the place;
Would that never storms assailed it,
Rainbows ever gently curled,
For the hand that rocks the cradle
Is the hand that rules the world.
Infancy’s the tender fountain,
Power may with beauty flow,
Mother’s first to guide the streamlets,
From them, souls unresting grow—
Grow on for the good or evil,
Sunshine streamed or evil hurled,
For the hand that rocks the cradle
Is the hand that rules the world.
Woman, how divine your mission,
Here upon our natal sod;
Keep—oh, keep the young heart open
Always to the breath of God!
All true trophies of the ages
Are from mother-love impearled,
For the hand that rocks the cradle
Is the hand that rules the world.
Blessings on the hand of women!
Fathers, sons, and daughters cry,
And the sacred song is mingled
With the worship in the sky—
Mingles where no tempest darkens,
Rainbows evermore are hurled;
For the hand that rocks the cradle
Is the hand that rules the world
-William Ross Wallace (1819-1881)
‘As long as outmoded ways of thinking prevent women from making a meaningful contribution to society, progress will be slow. As long as the nation refuses to acknowledge the equal role of more than half of itself, it is doomed to failure.’
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