Tag: connections - Mala Naidoo's Book World

Creative Inspiration: Tiger Courage

Narrow down goals set for 2022 as we enter the Lunar New Year in the Year of the Tiger – courage, strength and wisdom offer the possibility to soar in new creative dimensions.

Creativity, like the birth of every new year goes on in whatever shape, form, time of week, or day it chooses to make its presence felt. A fresh look at how to reinvent creativity is alive with the advent of the Lunar New Year.

the noble and fearless creative

Competing with oneself is healthy competition in achieving one’s heart’s desires for a better version of last year’s self when the tiger’s strength and courage are called upon.

To endeavour (NB: a lifelong endeavour) to master the craft of writing is to read and learn from the writers/artists one admires as mentors, and whose works are enjoyed. Choose from a range of mentors to extend the reach by being open to the recommendations on the craft of creating. Read every book humanely possible to grow the craft in many and diverse ways.

To say a writer should write in one style or genre is limiting the capacity a writer possesses for experimentation, and possible success that comes with attempting a new way.

sitting in a long-term comfort zone is tedious, safe – this is not in the spirit of the brilliantly courageous tiger.

Challenging the self is a wise way to curate the best creative version of oneself.

dare to be different

No one way is ever the only way or best way – the best stems from daring to be authentic, to enrich how the creative works to harness new inventive powers buried within.

Here’s to courage and strength in the dawn of the Lunar New Year!

the dawn of the second month creeps in — January pants

in unfinished business carried over

days pass like the speed of light

chasing the tail of many months

as responsibilities mount

like the leaves of autumn winds

but imagination breathes new life

in spring dreams of possibilities

arriving on the gilded wings of time

twelve months to reinvent

turn the page on the book of life

the wind whispers then roars

‘we’ll get there — together’

Have a very happy, and adventurous Lunar New Year!

Good health!

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Haiku Matters

Brevity is not only the soul of wit, but the lifeblood of today. Now— the immediate, matters in a world where nothing is constant.

Attention span flits in the blink of a second.

Words matter, live and linger…

The upswing in the unquenchable thirst for poetry is a gratifying return to the appreciation of the poetic word and form. Poetry propels one on a light year’s journey into measureless realms. It delights and moves the human spirit with the evocative and provocative choice of words, themes, shape and style.

Haiku is short, so brief that every word tells a story to leave its inscription on memory.

For the writer, (for me) haiku is inspiration, a deep but quick inhale and a rapid expulsion of observations and emotions. The effect is cathartic but unforgettable.

The on-tap, sharp and visual that bombard our senses every day, growing an ever-increasing need for quick satisfaction—that adrenalin rush akin to a gym workout.

The economy of life’s necessities gives haiku breath in a world juggling too many balls, where survival is a luxury.

Haiku, originally a seventeen syllable (5-7-5) three-line structure poem was predominately about nature—weather, animals, plants, and changing seasons. Traditionally the Japanese form was the opening of a longer poem, serving as a haiku introduction to the composition.

Variations to the original 5-7-5 syllables are widely used by poets in the modern world to capture values, love, life’s challenges, and varying themes beyond the natural world.

Simple, intense and direct…

As a fiction writer, poetry fuels my imagination. In both my poetry collections, Random Heart Poetry: Light and Shade and Random Heart Poetry: Visions and Voices, haiku has a respected space on the page.

on the precipice

have you attained the true spice

ikigai of life

Try your hand at haiku writing today, feel the inner benefit, take the inspiration into your day and share it with others.

Happy Writing and Reading this festive season, but above all, keep safe.

Join me on FB and Instagram to share our haiku stories.

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Creative Mindset: Flex and Extend

Routine is necessary to accomplish a finished product. The creative benefits from a routine that maximises goals and intentions.

Rote, however, harms creative growth when curiosity is denied in favour of robotic daily ‘doing’ that limits the capacity and capabilities of the mind. Rote erodes enjoyment, takes the fun out of creativity if allowed to fester in mindlessness.

Once we relinquish the act of questioning, debating, and learning alternative ways, the creative quest goes down the rabbit-hole

Open to what others are doing successfully in their creative pursuits. Debate with the self, first, to test how to improve our creative patterns and when we observe or flex to alternative methods, before embracing them, then we are on the route to extending the creative mind.

What we read is as significant as what we write. As a fiction writer, it is essential for me to move beyond restricting myself to only reading fiction.

Get out of the box – mind the bog

It is imperative that we read judiciously selected, respected successful forerunners of the craft of fiction—past and present—for inspiration on the ways in which we can flex the mind. Engaging with the information gathered is the actual flexing—then question what does not sit well. Argue why this is so, look for alternatives to the arguments that have surfaced. Never ignore your internal unrest without asking why and how. Why am I unsettled by this? How should I address why I feel this way? We learn to flex and extend our skills from observing first and then listening to what is around us. The inner well is deep, but testing the waters from the ocean of talent available deepens and brightens the path ahead.

The choice to extend ourselves is within our grasp to refresh or radicalise how we create. Flex to invite minor changes, analyse what is working for you, and incrementally extend to achieve more.

Like muscles that face a new physical challenge which is overcome by gradual flexing and extending, achieved through the art/act of trying—not rote, but being open to challenging the self, so too, the creative mind grows.

Photo Credit: My Life Through a Lens (Unsplash)

Creative and Critical

As creatives, we ought to be critical thinking beings—not cynical but critical. Herein is the source for debate to generate fresh waves of thinking and doing.

Watching a documentary, for example, on an unfamiliar topic that holds some interest is beneficial for starting the mindset extension with exposure to new knowledge. This opens inner and external debates that arise from the observation phase to grow the knowledge base and experience on the subject/topic.

Extend listening skills to enhance creative growth without visual distractions by listening to podcasts that present new knowledge to stimulate thinking without the bias of the visual effect. The brain rain received generates novel ways of thinking or questioning how we can reinvent old patterns.

Never stop asking why, how or what can I gain from this?

As fiction writers, we should seek to understand the values that differ from our own to invite creative ideas to emerge from this openness to what lies outside of our inner workings.

I ground my novels in, in our angst and joy we are one under the sky of humanity.’ Inclusivity is my pre-wired emotional mindset because I have lived my formative years under South Africa’s apartheid regime’s divisive rule.

Suggested Reading

Try reading all or extracts from the following non-fiction books to open new vistas of understanding, or to deepen your understanding of human relations, justice, and politics, if this is of interest.

Essays – George Orwell

The Source of Self-Regard– Toni Morrison

The End of Imagination – Arundhati Roy

Caste – The lies that Divide Us – Isabel Wilkinson

Pick up, or do something different—something you have never read or done before and observe, reflect and note by writing what it stirs within. Get past the initial discomfort then decide if you want to extend what you do and how you do it.

When we flex the mind in a new direction, there’s discomfort at first, when extended, it fuels passion and ignites creativity

How do you flex and extend the mind in your creative pursuits?

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My AllAuthor Interview

Where did you grow up? Do you think your background has colored your writing in any way?

I grew up in South Africa during the apartheid era. This horrendous annihilation of a sense of authentic self, visibility and acknowledgement, features in and through my novels in shaping the necessity for inclusivity.

What developed your interest in the suspense genre?

I have always enjoyed Crime Fiction and taught Crime Fiction as an Extension English Course which further developed my interest in suspense/mystery/thriller/crime fiction.

What was that one moment in your life when you realized that you wanted to write?

I was a closet writer for almost ten years and never thought of publishing my work until I read Stephen King’s On Writing and that pushed me over the threshold with my debut novel, Across Time and Space, followed by its sequel, Vindication Across Time.

How has been your experience of working as a teacher in South Africa and Australia in secular and non-secular institutions?

With the Group Areas racial segregation in South Africa, the schools I taught in were largely of my demography. My Australian teaching experience has been diverse, but regardless of the geographic location, the time and space, as it were, students are similar in their love of learning or in their need of motivation to learn. Socio-economic status does not make an iota of difference in a student’s capacity to learn or to soar to great heights.

When did you publish your website, Mala Naidoo’s Book World?

My website was published to coincide with my first book being published in 2017.

Who inspired the character of Viola Bardo in “Aurora Days”?

Viola Bardo is a music teacher and vigilante justice seeker — she is a figment of my imagination although her name was drawn from Shakespeare’s Viola in his play, Twelfth Night.

How was the idea for The Sisters Helping Sisters Organisation (SHSO) in “What Change May Come” developed?

The need for safe houses with the ever increasing global threat to women in toxic relationships spurred me to create such a fictional organisation to serve the diverse characters in Chosen Lives and What Change may Come.

Would you be friends with someone like Dr Grace Sharvin from “Souls of Her Daughters” in real life?

Absolutely! She has phenomenal strength and vulnerabilities that make her endearing as a compassionate being both personally, and as head of ER at City Hospital. A wonderful friend indeed.

Which is your favorite story in “The Rain”?

This is a difficult question because I love them all. Every story was written during a week of torrential rain in Sydney so I feel I have lived through each one of the stories. The title story, The Rain is a favourite.

What was your favorite part, and your least favorite part, of the publishing journey?

Writing and seeing my book in hand is the favourite part, as is seeing the cover for the first time. Sending my manuscript to strangers in the publishing world and waiting for a response was a nail-biting experience.

What would you say is your interesting writing quirk?

I write a haiku on any topic that comes to mind and then dive into my novel writing.

What was one of the most surprising things you learned in creating your books?

I have to let the flow of the story guide the pen. It’s almost like being held hostage by the story when the characters dictate their actions.

Do you hear from your readers much? What kinds of things do they say?

A dedicated group of readers will drop me a line about something they connected with in any one of my novels or respond to a blog post I might put out that holds appeal for them.

What other authors are you friends with, and how do they help you become a better writer?

An online platform of authors through The Alliance of Independent Authors such as Orna Ross and Joanna Penn are great mentors and recently interacting with Brenda Mohammed has been great .

What is your takeaway based on your experiences with AllAuthor?

A very friendly highly active service that I felt a connection to almost immediately.

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2020 and Beyond – Voices in Literature

Diverse voices exist in literature but are under-represented by trade publishers.

All hail the dawn of self-publishing!

The tragedy of George Floyd’s death in the United States has sparked a resurgence for the recognition of black writers. Read the rumble in the UK here on what the newly found Black Writer’s Guild has initiated.

It is shocking to note that black writers are offered a lower advance to that of their white contemporaries, and editors ask for white or racist characters to be added to books.

As an author of colour, in Australia, I faced the dilemma of whether I should create a neutral non-black pen name to get publishing recognition. But my writing mission is, In our angst and joy, we are ONE under the sky of humanity, which does not support using a pen name and so authenticity prevailed.

My apartheid past in South Africa had stolen the right to feel comfortable in my skin or to dare to speak out against racism. Hence my debut novel Across Time and Space and the sequel Vindication Across Time, present the bald face of racism as a universal disease through my eyes. My third novel, Souls of Her Daughters exposes injustice on multiple levels.

Fear makes one believe that a name that hints at race would be bypassed by publishers and readers. Listen to the words of author Michael La Ronn who articulates the issues black writer’s face in writing and publishing. Note what he says about gaslighting

Racism – Inequality – Injustice – Prejudice – by any name must be caught and called in the books we read, movies we watch and conversations we have

The Zulu word Ubuntu refers to the human spirit as it should be:

I am because we are
humanity towards others
the belief in a universal bond of sharing that connects all humanity

In writing multicultural stories as I do – the spirit of Ubuntu prevails.

What will you be reading and watching in the renaissance of Black Lives Matter in literature?

I recommend watching the movie In My Country on the Truth and Reconciliation Commission (TRC) in South Africa and Rabbit-Proof Fence on Australia’s Stolen Generation.

From the Uncle Tom’s Cabin and beyond, voices have raised the alarm but sadly the call to end racism fell on deaf ears. Now it must be made history, an unforgotten one to remind us that prejudice is heinous and should be obliterated from the stage of life. Diverse voices that are in the main ignored, share why the human condition needs a radical shake-up.

Feel the angst, walk a mile in the shoes of the racially downtrodden – only then will you know the corrosive impact of racism.

The wound of prejudice cuts deep to the soul leaving indelible scars.

But you pick your head up, as you do, to face another day no longer silent especially to subtle bias…

In the wake of the change in 2020 and beyond, walk a mile through these suggestions to know and feel that in our diversity the common factor is that we are emotional beings with the capacity to rectify prejudice by the stories we tell and read.

Here are ten suggestions where diverse voices rip out your heart to sensitise your soul.

Long Walk to Freedom – Nelson Mandela
. My Place -Sally Morgan
Talking to My Country – Stan Grant
To Kill a Mockingbird – Harper Lee
The Underground Railroad – Colson Whitehead
Between the World and Me – Ta-Nehisi Coates
Cry the Beloved Country – Alan Paton
The Power of One – Bryce Courtney
The Bluest Eye – Toni Morrison
Race Talk and the Conspiracy of Silence – Derald Wing Sue

May you write and read stories that share histories to sensitise our souls to dismantle racial bias.

Writing Courage: Be YOU

While the world is swamped by social media and every form of communication possible — words fly at us, to us and among us at a speed we cannot keep pace with.

Yet amid this world of words there is always an aspiring writer with a story to tell — struggling with the fear that it might not be good enough — or imposter syndrome takes hold. It’s every writer’s fear each time a new book is sent out into the world.

The first step is the most difficult like anything in life — being authentically YOU is all that matters

Finding the courage to put your work out into the world is dependent on a range of factors. How serious are you? Do you have patience, and will you be persistent in achieving your writing aim? It really is about sitting down to write and then finding the courage to hand it over to a stranger. Try a friendly eye first to gauge if the story excites and entertains. Be prepared to accept whatever feedback comes your way. Everything is fixable if you have a manuscript on hand — plot, structure, style, sense etc.

As many words as there are in the dictionary, there are professionals who will guide you in the right direction. This may come at a cost and, some find friendly writers by joining writers’ forums online to share feedback/impressions of each other’s work and to offer advice

If a story is brewing and bubbling within, you need to begin toiling if you know it will make a difference to someone.

Stop pondering and get writing — BE YOU

If you’re afraid of writer’s block — news is — it does not exist. You might pause and research and redraft parts of a piece but once a story bites — something truly magical happens. You begin to write as though you are guided by that which is transmitted through you. You will only experience this when you take that first step and allow yourself to deepen the process.

Writing is not for a chosen few. We all have the language to communicate our thoughts and feelings. The imagination develops from reading and takes hold with an unquenchable thirst. This opens the gateway of the creative font as stories emerge from stories. Then pick up the pen and write all that you can at a speed that you find bearable.

Stephen King said, ‘To be a writer you have do to two things, read a lot and write a lot.’

Once you have taken that step towards writing, choose a comfortable space to call your own. This invites the magical muse to transmit through you. Begin with meditating to ease your mind, body and spirit. Choose your time of day or night — your most lucid, productive time and begin — one word at a time…
Listen to the whispers and act on them — or beware — they will go looking for the next transmitter.
Missed opportunities are of our own making because the signs do come. It took me ten years before that voice pecked at my waking and sleeping state and I had no option but to answer the call.

Writing is the blood pumping in my veins — it’s the air that sets my breath aflame

Nothing happens in life without desire, determination and persistence. Courage will flow if the mind is open to desire.

Don’t be an aspiring writer, don’t wait ten years, you have the ability to take that step but do persist.

Best wishes

Happy Reading, Happy Writing

From Sydney to Seychelles

Today we travel across the Indian Ocean to meet Magie Faure-Vidot. Magie is a French-language poet from beautiful Seychelles. She has published work in English and Seychelles Creole. She is the Chief Editor/Director of the Publication SIPAY and is an inspirational supporter of rising poets and writers. She is tireless in her dedication to upholding international close connections between writers of all genres and forms.

Recently she has travelled to India for the World Thinkers’ and Writer’s Peace Meet attending two international events in December 2019 in Vijayawada and Kolkata.

Meet the Poet

Magie Faure-Vidot was born in Victoria. She is a member of the Institut Académique de Paris and the Académie Internationale de Lutèce. She has won numerous prizes over the course of her career, including the Coupe de la Ville de Paris, a Lyre d’honneur, and six silver and numerous bronze medals in various international literary competitions, and she has represented her home country at many international poetry festivals and other initiatives. Her work has been discussed in critical studies of Seychellois literature. She has also achieved some fame as an oral performer.

After living for some time in Lebanon, England, Italy, and France, Faure-Vidot returned to Seychelles. There she co-founded and continues to codirect, both the online literary review Vents Alizés and the online publishing house Edisyon Losean Endyen, both of which she runs in conjunction with Hungarian poet Károly Sándor Pallai. Her work is regularly published in Seychelles Nation and The People, and she is the Chief Editor/Director of SIPAY, the only Seychellois international literary magazine. Her poems were published in the international poetry anthology Amaravati Poetic Prism in India. In 2017, she received the prestigious Seychelles Arts Award in literature for her outstanding literary work and achievements. She writes for Spirit of Nature where she features amongst the 60 poets published in 2019.Opa Anthology of Poetry.

She is a member of the World Nations Writers Union Kazakhstan. She is the Regional Director – East Africa and Central Asia and on the Administration Council of MS.

Additional information on Magie Faure-Vidot is available on Wikipedia.

Getting to know Magie

When did your love for poetry begin?

The love for literature began when I was a kid. My parents worked on a vast agricultural property and had many animals. I loved them so much that I used to tell them small stories. We lived close to the beach and I had my private beach where I used to enjoy the sea, the birds, coconut trees, swimming with small fish, and playing with crabs. Being a loner, I had to keep myself busy. The sea carried me to faraway imaginary places. And I would always be asking my parents to buy me pencils and exercise-books.

What do you enjoy the most about living in Seychelles?

The island life, friendliness of the inhabitants, no snow but the sand.

The View From Magie Faure-Vidot’s Home in the Beautiful Island of Seychelles ~ A Creative Haven

Tell us about the International Literary Journal, SIPAY. When did it begin? What is its aim?

SIPAY saw birth in 2008 but registered in June 2009. At first, the aim was to promote the French language at 60% and 40% shared between our two other national languages, English and Creole. But now it has taken another turn. It is affiliated to Motivational Strips, and Spanish has been added to the three languages. SIPAY is now an International Literary Magazine and opportunities are given to various writers all over the globe. SIPAY is a non-political, non-religious magazine. SIPAY is distributed to the Ministry of Education for all the schools, Ministry of Culture, Creole Institute, the National Library, the National Journal (NISA), and some private individuals. One copy is posted to all contributors at no charge. SIPAY is a non-profit making publication. Money generated from the sale is reinvested in the next edition.

Describe your typical writing day.

I write when the urge tickles me. First, however, I take care of my home, family and animals – three dogs, and I feed some fifty birds every day. I then take to writing, attending to posts in MS, Lasosyasyon Lar san Frontyer, Congo Ecrit etc.

What are your future goals for literature both within Seychelles and internationally?

I’m planning my 7th book, assisting the Lasosyasyon Lar San Frontyer as a Chief Consultant and Congo Ecrit. I attended two international events in December 2019 in Vijayawada and Kolkata.

***

I extend my gratitude to Magie Faure-Vidot for sharing her illustrious writing journey. You can connect with Magie Faure-Vidot for more information on her recent literary travels and works:

Website

Facebook

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Writer’s Connect: Spotlight: Author Vash Karuppa

Today I turn the spotlight on South African Author Vash Karuppa whose debut novel DESTINY FOR LOVE ARRANGED is a favourite among readers in South Africa and abroad. Her novel captures the cultural significance of life, and the command and necessity of love in a voice that connects the reader to place and culture and the understanding that the heart is not entirely self-directed.

Synopsis: Destiny for Love Arranged:

Destiny for Love Arranged is a contemporary, gripping and angsty, second chance Indian romance that reveals the love of family and friendship bonds during trying times. All protagonists are of South African Indian origin.

The story revolves around Aariyan Ranjan, a highly successful CEO of a Hotel Empire and Varini Iyengar, an Oncologist, both are forced into a temporary marriage of convenience to help them resolve personal dilemmas.

Not because it had anything to do with his heart he thought stoically…, but because it suited his purposes…

While Aariyan is determined to treat their marriage as he would any other business deal, love rarely listens to logic, and what follows is anything but business. On the other hand, Varini soon finds herself gravitating toward and rejoicing in the love she thought lost forever with a hidden hope that their marriage of convenience will end in a union of everlasting love. The story is embedded with cultural anecdotes familiar to any family of Indian origin. It takes their family, friends and a life-threatening situation to show them the love they lost is worth fighting for.

In short, this is a story about family, friendship, and starting over, as Aariyan and Varini embark on a journey toward a second chance at love. You will get to share in their moments as they discover that vulnerability can be their strength and the most perplexing problems can be overcome with the support and resourcefulness of a loving family and faithful friends. This is Book 1 of a trilogy.

About the Author

Vash is a South African author of Indian origin who has been a bookaholic from about the age of five. Her addiction for books grows exponentially daily, so after spending years concentrating on her role as a corporate executive and a short stint as an entrepreneur, she decided to unleash her number one desire i.e. a passion for writing. Whilst books of most genres interest her, it was romance that captured her soul. Her writing portrays the lives and drama of ordinary people who readers can easily relate to. The crux of her stories celebrates the power of true love coupled with the timeless bonds that exist between family and friends while capturing the true essence of diverse cultures.

Vash Karuppa is a member of the Romance Writers Organisation of South Africa (ROSA)

What inspired you to write Destiny for Love Arranged?

For many years I have read articles around the call for diverse romance novels that incorporate multi-cultural aspects into a traditional romance plot. In addition, I’m a hopeless romantic myself and always had a plot in my head around a story that integrates family and friendship bonds (which I have been blessed to have throughout my life) together with a typical romance story.

When I eventually decided to put pen to paper, it all just naturally came together, giving birth to Destiny for Love Arranged. Finally, I am aware there aren’t many novels written which share intricacies of the South Indian culture and I was determined to write about it. Looking at the feedback received thus far from readers, it was well-received.

Have you always wanted to be a writer? How long did it take you to write your novel?

Being a passionate romantic and voracious bookaholic, reading was a drug to which I had an instant addiction, one that only grew with time. While books in all genres interest me, it was romance that I was drawn to. From as early as my pre-teen years, I loved the ‘happily ever after (HEA)’ syndrome hence my love with any book in the romance genre, and later as a teenager with a dream of writing my own HEA story.

Writing a novel has always been part of my bucket list, so, after spending years concentrating on my role as a corporate executive, I eventually unleashed my number one desire and passion for writing with Destiny for Love Arranged

I didn’t really plan on publishing my work though, because I started writing for my own fulfilment. However, when a few of my friends read the script, they encouraged me to consider publication and so it happened….

The hardest part of completing the story was not knowing how to stop. I had so much more to tell but owing to publishing rules on limited word count and reader expectation of the length of books I had to cut out a lot from the original script.

What’s your typical writing day like?

Owing to a “day job”, I tend to confine my writing to nights for at least 2 hours a day in the week and whatever time I can hijack on the weekend.

My best writing is done in a quiet space in my little apartment directly next to a window where I can have the warmth of the sun and sounds of chirping birds to keep me company while writing.

Who is your greatest source of inspiration?

My 92-year-old maternal grandfather has undoubtedly been the inspiration behind my love for writing. He taught me how to read and then introduced me to the word of writing through the books he wrote and is still writing might I add.

What are your future writing plans?

Books 2 and 3 of the Keshavam Industries trilogy is almost complete and will be released between December 2019 and February 2020.

I have a new series planned for the rest of 2020.

Destiny for Love Arranged is on Amazon for your reading pleasure.

You can engage with Vash Karuppa on:

Happy Reading! Happy Writing! Happy Publishing!

Teacher Spotlight: Early Creative Influence

Writers might be influenced by a family member who writes, or motivation is drawn from a much-admired writer. I come from a reading family and absorbed that passion as a child. This brought many pleasure-filled hours to an introverted child. More on this can be found on my, about page.

Why Teachers Matter

The early teenage years opened another door — the door to the other side of reading, equally exhilarating — notably writing. This influence stemmed from my brilliant, nurturing high school English teachers.

One such teacher was Ms Devi Anderson.

Educating the mind without educating the heart is no education ~ Aristotle

My fourteen or fifteen-year-old first impression of my new teacher was that she was so young, vibrant and intelligent. She was passionate about literature and brought Shakespeare to life in our South African classroom, drawing connections, making her students feel the angst and joy of the bard’s characters, and life situations.

She was selfless and spontaneous in conducting weekend literary discussions on the texts studied, and additional literature she selected to extend students’ knowledge and passion for such works — yours truly devoured it all. The discussions were just that — not teacher-talk like so many classrooms of the time. You mattered and your voice was valued. You were praised for trying. Ms Anderson was a godsend to many, more particularly to me. Her presence in my school life had a profound influence on my teaching with a passion and thirst for literature.

In a flashback moment, I recall a lesson on haiku poetry. It was my first lesson on this poetic form, Ms Anderson made it accessible and intriguing with her easy-going, warm manner. Every student received her attention, each made to feel that the work done was worthy of praise and encouragement. To this day, many moons later, I remember the poem I wrote, as a somewhat angsty fifteen-year-old. Here it is (I might have to retreat from global after this revelation!)

Haiku (5-7-5)

‘I stared at his face

Wondering at his beauty

Confused, I slapped him’

My English teacher thought much was said in those short lines, there was laughter followed by a deep conversation on my haiku attempt — the adult ‘me’ now blushes that it might have been a dead giveaway on some infatuation — a missed opportunity, perhaps? Memory does not serve well on that count! The moment remembered is a teacher who made my effort worthwhile.

I am not a teacher but an awakener ~ Robert Frost

From Shakespeare’s Twelfth Night with the love-sick Duke Orsino’s famous lines, If music be the food of love, play on… to novels and poems introduced, my love for literature grew in intensity under the nurturing tutelage of Ms Anderson. Those early days, for which I am eternally grateful, paved the road to writing novels and short stories, and occasional poems in my adult life.

As Shakespeare’s fate would have it, by accident most strange, a bountiful Fortune, (The Tempest), so together with the helping hand of a schoolmate and Facebook, I reconnected with Ms Anderson across the Indian Ocean — I wanted my inspirational teacher to know how influential she was, when two roads diverged in a yellow wood, (Robert Frost), I followed her teaching passion.

Today, these brief months later, we are Facebook friends, and I know my students, past and present, will enjoy knowing this. Many lessons along my teaching career raised the appreciation I had for my English teachers with Ms Anderson sitting at the helm of the list.

It is with gratitude that I share her influence on my teaching career and writing life and the joy in reconnecting with her.

The impact of a teacher who makes all the difference, is never forgotten.

Please share your memorable teachers and their influence on your life or choices in the comment box below.

Creative Mindfulness

The mind is a powerful seat of creativity — when nutritiously fed, it leads to abundance in creative output and a mood of positivity.

Creativity blends, binds and benefits humanity. The practice of conscience mindfulness is essential for inner and outer harmony. A calm state is conducive to creative thought when mind and emotions are in sync.

Dwelling on the positive elicits the creative mindset through meditation, listening to inspirational or relaxing music, motivational talks, and reading, listening to or writing poetry. This creates an enhanced feeling of joy and general wellbeing. Consciously choosing what we give our attention to is either of benefit or dismantles our equilibrium. The choice rests within. Daily Flow Practice Inspiration Meditation enhances my day, bringing inner calm to invite the muse or conscious mindfulness to create new worlds and people that have a message to share.

Consciously choosing what we give our attention to is the act of mindfulness

To foster the creative state, a mental and emotional journey has to be undertaken, nurtured internally. Pain can be turned into positive creative energy by daily writing about the pain, the angst we feel. Keep a daily journal or diary at your bedside or on your desk and write to diminish the gravitas of the struggle — this conscious decluttering allows freshness or the sunlight of positive energy to seep in.

Turn pain into positive creative energy

Climbing a mountain takes sheer physical effort and stamina to reach the summit, so too is harnessing positive energy — it needs work. Who we engage with and how we engage is as important as what we read, write and listen to. Surround yourself with the company of positive people. Choosing what we eat has an impact on physical wellbeing, and if neglected it erodes wellness, clouds judgement and infiltrates every aspect of life. Equally choose how you will interact with life by rewarding yourself with what you enjoy, taking in a movie, buying yourself flowers or picking a bunch from your garden. The simple things yield profound benefit for body, mind and soul.

Elevating the mind can also be as easy as taking a walk in a park or alongside a river. For me the ocean brings peace. Walking along a shoreline cleanses my mind and frees my soul. Reading poetry is as beneficial as taking a walk in nature when poetry speaks to the spirit. Take time out to seek the simple pleasures of life. We don’t have to climb a mountain to prove how strong we are.

I have been losing myself in the delight of reading Allowing Now – A Book of Mindfulness Poetry by Orna Ross, launched on Friday 25 October. If you’re looking to soothe your soul or settle a disquieted mind look no further for mindful inspiration.

See into the delights of nature…

Look around you and see into the delights of nature — leaves dancing in the breeze, a beam of light peeking through clouds, the silver ripple blinking on a river or the gentle unfurling swish of a wave on a shore. The musical twitter of birds at first light is a celebration of life, a new day and a clear mind.

Make positivity your journey to a creative state by writing a positive thought, your wish for your day upon rising, and a thought on what you are grateful for before turning to sleep to return refreshed for another creative day.

Happy reading. Find your joy by choosing that which fuels your passion, creates wellness and makes your soul sing.

Please share, comment and spread the spirit of creative mindfulness.

Tripartite Character Connection

Quick access and the desire to know more, allow novel/film/ trilogies and series to thrive.
Writing a trilogy is planned either before Book 1 is written or while the first book is being written, but in my case, it emerged as the first book ended. Films such as ‘Mission Impossible,’ ‘Pirates of the Caribbean,’ ‘Spider-Man,’— to name a few, and novels: ‘Century Trilogy Series’ by Ken Follet, ‘Border Trilogy by Cormac McCarthy,’ ‘African Trilogy’ by Chinua Achebe, and ‘Hunger Games’ by Suzanne Collins — and so many more… have stood the test of time.

Being more of a pantser is probably the reason why Book 2 emerged after Book 1 was completed, thereafter a plan was mapped for each book which morphed along the way as characters spoke about their lives/situations. What is originally envisioned does not really end up as expected — this is my experience. With Souls of Her Daughters, each book that follows may be read as a standalone book or in combination as a trilogy.

In writing Souls of her Daughters, Chosen Lives and What Change May Come two arcs are included through the lives of sisters Grace and Patience, first as sisters, and then as professional women. Felicity Cassano, friend and associate to both sisters is the third arm in the tripartite connection. There is also the suggestion that Andrew Lang, young, handsome intern at City Hospital could be the third connection — ultimately the reader will pick a favourite for a host of reasons — tragic childhood or unrequited love, the emotional hook shapes preference.

Trilogies allow the inclusion of a range of characters to enter and intersect with the main arcs. Book 2, Chosen Lives, sees the entry of Ming, Audra, Masuyo and Zuri. This adds intrigue and colour to the lives of each character in their growth and development through the three books. The beginnings of a love story in Book 1, develops in Book 2, faces challenges in Book 3 adding more drama and intrigue in the rocky life of Grace with her beau Keefe Daly. Patience’s social justice initiative in creating safe houses for women of abuse in Australia sees her traveling to different places and finding commonality of the human spirit in any geographic location. Multicultural representations feature in all my books as an expression of a world where difference is of no consequence, professionally and personally.

Additionally, characters that attract negative attention for their human flaws in Book 1 can transition in Book 2 or Book 3. Such is the situation with Felicity Cassano, the legal eagle with good intentions that go awry in her sharp-tongued impulsive criticism of Grace, a medical practitioner she believes is somewhat faint-hearted.

We are voyagers, discoverers of the not-known… we have no map ~ (from HD – Hilda Doolittle’s – Trilogy- Tribute to the Angels)

Trilogies have value for both readers and writers — readers immerse themselves in the lives of fictional characters by finding limitless connections to their own worlds, and the writer relishes the depth of creative expression in fleshing out lives and situations that leave the reader wanting more.

What are your favourite trilogies? Drop a comment in the box below.

Happy Reading! Happy Creating!

Fiction: Perfection in Imperfection

Perfection is too exhausting. It’s not true to who we really are as individuals, communities, and societies.

Fictional characters echo this representation of imperfection without necessarily being labelled Shakespeare’s Iagos of the world – they do exist – the first page of the daily newspaper or the first news item on the evening television news reveals that Iago exists in politics, education, the corporate world, and other dark corners.

Nobody is as good as gold…

My tag line, Perfection in Imperfection, the themes in my novels, and short stories, and essentially most novels, illustrate that life is just that – a mix of the good, the bad and the ugly. Nothing is perfect nor is anything entirely imperfect – there is always a reason for the apparent ‘imperfection,’ the interpretation of which is dependent on one’s value system in either accepting or rejecting a perceived ‘imperfection’. The psychological benefit of understanding that ‘perfection,’ as defined by ‘particular’ standards, is not the norm, invites the greatest learning in appreciation, understanding and compassion which is born from trial and error or walking in the shoes of others.

Perfection bores, it disconnects the reader from the lack of reality evident in the world around. A saintly character who holds pious thoughts and performs selfless acts through the duration of a story might offer some inspiration, but insufficient entertainment value for the reader. Give that saintly character’s perfection a dent or two and they are endearing as human after all.

The socially moral cop with a particular weakness, perhaps peeling bags of onions, eating tubs of ice cream, or engaging in a ‘monkey-ish’ tossing of almonds into his/her mouth, or some such habit, when a case is in a deadlock or about be nailed, is either loved, creates amusement, or is despised. Inspector Aldo in Vindication Across Time, a man who controls the media and women, particularly the rich, widowed, and lonely like, Ana Kutnetsov, a housekeeper with a big heart, and a secret past, grates on every character’s nerves. He is enigmatically dark – a looming manifestation of Iago.

Literary heroines such as Tolstoy’s, Anna Karenina, illustrate this point, and Margaret Atwood’s speech, Spotty-Handed Villainesses, on the good-bad women of literature highlight the fallacy of crafting perfect female characters as unrealistically flawless or insanely bad. Flaws might engender empathy in the reader when weaknesses or vulnerabilities are exposed, not the overt Jekyll and Hyde associations – which exist, depending on the genre of the tale.

Nuanced human foibles draw connections and acceptance, that to err is human. From Count Dracula, Robin Hood, Ned Kelly, to Portia and Desdemona – it’s the yin and yang, the balancing between the scales of imperfection and perfection that makes them timeless characters through reader held values, and the emotions elicited.

Perfection in the natural world is not assured, periods of drought, fires, snow and floods, etc, strengthen human and animal reactions or behaviour to changeability.

As What Change May Come is released this week, my heroes and heroines are both weak and strong. Even the selfless character Patience has her weaknesses much to the embarrassment of her sister Grace. While there are consistencies of characterisation across the three novels, Souls of Her Daughters, Chosen Lives, and What Change May Come, there are times when change elicits or decrees an unexpected behaviour in the character. They are all human after all and aren’t we all?

Happy Writing, Happy Reading!

Please share your thoughts on the topic in the box below.

Fiction: Women and Culture

Every writer has a unique voice drawn from culture and values. Even when one opts to write a ‘different’ tale with ‘different’ people, the authentic self seeps into some aspects of the writing process.

Having been raised in South Africa my psyche is wired to the spirit of the people. I remember older women as the stalwarts in the home – stalwarts with hearts of sheer gold. Writing this infuses me with warmth and tenderness. This is the reason for the crafting of Mama Elsie, in Souls of Her Daughters, Mama Thembu in Vindication Across Time and Grace’s mother Varuna whom Patience lovingly refers to as ‘Mama Varuna.’ Each of these women epitomises the significance of a mother in the home which accords them profound respect for the hardships they endure in a country that negates their existence.

The character Marcia Ntuli has the strength of character that her mother, an activist for women’s rights, exudes. Yet in seeking a new life, in a new country, she is subjected to professional racism until she is forced to give up her passion with a rapidly declining sense of self-worth. It’s only when Michael Morrissey, a human rights lawyer helps her through her dark days of self-doubt is she able to pick up the pieces of her shattered life. It is not the act of racism that is showcased but rather the resilience of the women and men who help victims find their way through inhuman situations.

In offering a lesson on how to uplift the human condition, it is men like Michael, Andrei, Brad, Keefe, Petros and Andrew who cherish the broken souls of my African women characters. A multicultural cast adds colour to the worlds of these women as the way of the world – as it should be.

I learned to appreciate this after having lived in segregation under apartheid. My premise will always remain that in our angst and joy we are one under the sky of humanity. Idealistic, perhaps, but hope has to be pursued to make a difference in how people perceive and engage with each other.

In The Rain – A Collection of Short Stories Thuli in the title story is a young, strong village woman who will do anything to keep her family together.

The song she sings to her children, a lullaby, Thula Thula Baba as she waits for the storm to end, is one I remember hearing from the cradle. It moves me to this day in its sweet, yet haunting sounds and meaning.

I give you Thula Thula Baba– a lullaby sung by mothers to calm their fretful babies while their husbands went into the cities to find work.

What Change May Come presents the coping strategies of sisters Grace and Patience in their struggle with irreversible change. Here the notion of perfection is challenged when one woman has motivations that clash with Patience’s perception of what it means to be human.

If stories open vistas of understanding and bring a lesson while entertaining – that is the footprint needed for a better today and even better tomorrow.

Go in peace.

Writing Life: Looking Back

Time and technology have propelled us through 2018 at the speed of light. While the end is nigh, it’s nostalgic as memorable, or a year quickly fading and forgotten.

A nostalgic or forgotten year? What’s your choice?

It has been an incredible year on the writing and publishing front with changes appearing at every corner. While embracing change is the way forward, it has been challenging keeping pace with the rapidity of change in the publishing landscape.
Keeping informed and grounded is paramount to keep creative energy buoyant and abundant. Associations with professional writing bodies, tuning in to the wise and wonderful is essential.

After three publications this year:

•Souls of Her Daughters – March 2018
•The Rain – A Collection of Short Stories – July 2018
•Chosen Lives – October 2018

the year certainly sped by in a haze of complete joy and heady energy.

The Rain, A Collection of Short Stories, an unplanned visitation that appeared between resting a novel draft before editing, took hold with an unstoppable fire, in the middle of the Australian winter, warming my heart and heating my hands, for a July 2018 publication.

The joy of writing is soulful, delightful and inspiring and brings to mind the memory of the amazing Aretha Franklin’s timeless, universal words breaking the wall to being voiceless, to find the necessary space through writing/music/painting that is unshackled by difference when it ignites, consumes, connects, offers hope, and entertains – surely that is the meaning of life!

It has been a year of connecting with writers near and far, the lovely Queensland author, Rhonda Forrest in the post, Australian Voices, and reading her novel, The Shack By the Bay, that invites the reader into the stunning North Queensland setting. Meeting online, award-winning, inspirational, Trinidadian author, Brenda Mohammed, author of How To Write For Success, a non-fiction book, and the famed fictional Zeeka Chronicles, and many more.

Valuable inspiration is drawn from ALLi’s Director and Founder, Orna Ross, poet and author, on the creative process and the creative business mindset, essential for authors/artists. Joanna Penn’s The Creative Penn podcast provides up to date inspiration and information on publishing trends, and Mark Dawson’s SPF podcasts and courses are valuable resources for all writers. Online inspiration is abundantly available from well-informed, forerunners who selflessly share their experience in supporting aspiring and new authors.

Receiving readers’ comments on what they enjoyed or how they connected to your books is the sheer joy of knowing it has moved someone. It’s the validation needed to go on. Equally, it’s accepting that one learns something new every day, to improve, to become the best at what we do.

Looking back is undoubtedly encouraging the way forward to 2019, to reach out, share, connect and create.

Moving ahead, onwards and upwards is what matters the most, by networking in a shared global, writing community.

May the new year usher in abundant creative energy and books galore!

Happy NEW YEAR!

Happy writing, Happy reading.

Share your thoughts in the message box below to start a New Year conversation on your writing and reading aims for 2019.

Whose Voice is it Anyway?

Voice is the defining feature of any book we read. It is unique to the author and is often what draws readers to pick up a particular book, by a particular author.

Turning to influencers is a significant aspect of the writer’s professional development, but mimicking the voice of another, as in tone, values, the nuance of language, etc, underscores the authenticity and value that a unique voice offers. Just as our personalities differ, so too does voice – it has character, personality, and it becomes the signature of the writer/speaker/narrator.

Readers find comfort, delight, and excitement in the voice they read, in being entertained or informed, or perhaps both. The rush to ‘be like others,’ comes with the risk of losing purpose or creating a voice that is inconsistent with the message. Voice is a significant part of connecting with readers. It communicates values and visions drawn from life experience, culture, lifestyle, education, angst, joy, and more, as part of early, and ongoing socialisation. We are after all, beautifully unique.

The writer’s voice is delivered through narration, characterisation, description etc. In characterisation, the writer’s voice is distinct, based either on personal experience, research conducted, and observations of human patterns of behaviour and communicating. Tension or suspense through voice is also drawn from the writer’s observed, or experienced fears, to capture the moment with accuracy and evocative creative design. This should move the excitement/thrill to the next level, for the reader. Emotional aspects of a novel are effective in holding the reader’s attention when it comes through from an authentic/believable/unadorned voice.

We often say, ‘seeing’ is believing, but, ‘feeling’ is living the moment in a book – it might well be remembered long after the book has been put down. Now, Shakespeare’s Othello craved, ‘ocular’ proof, of his wife’s alleged infidelity, yet if he cautioned his doubting mind by embracing his deep love for her, he might have lived his happily ever after. Well, one can surmise and hope, it’s to the writer’s credit when readers are overjoyed or disappointed when the character/s either meet up to or deviate from their expectations.

The accolade is huge when readers say, I could hear your voice while reading.

Voice in graceful narration is as important as the ‘voices’ that diverse characters are given in stories. Narration, description, and dialogue are the pillars of a novel with plot guiding the platform through the author’s voice as the vehicle that intersects with the reader’s experience.

Listen to an excerpt from Morgan Freeman’s narration in The Shawshank Redemption, based on the novella written by Stephen King- reading a story, or excerpt out aloud after it has been written or during the process of writing is of tremendous value to shift and polish how meaning is created through voice. The flow, tone, and authenticity of voice become transparent when reading aloud. Record an excerpt and play it back to catch if ‘voice’ is represented as imagined during the writing phase.

Honesty or truth should ring through the writer’s voice to establish a valued connection to the reader, creating an expectation that makes the reader continue to turn the page. Voice can be frivolous, serious, angry, calm etc. depending on the type of tale being told. Hence consistency of voice, dependent on the genre/scene/story etc. is imperative to hold the reader’s attention. It makes the reader return for more. A relationship is formed between the reader and ‘voice’ for a fulfilling engagement with the book.

Whose voice is it anyway?

The writer’s unique voice does not have to be written in Jane Austen’s, Charles Dickens,’ or any favourite writer’s style, it is about reaching readers with an authentic voice regardless of the niche appeal the story might have. A writer’s voice is the ‘heard’ presence of the writer.

Listen here to Pat Schneider, author, on how nuances of voice emerge.

More food for thought:

“For last year’s words belong to last year’s language
And next year’s words await another voice.”
~ T.S. Eliot

“Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.” ~ Meg Rosoff

“My aim is to put down on paper what I see and what I feel in the best and simplest way.” ~ Ernest Hemingway

Continue reading “Whose Voice is it Anyway?”

Do You Feel It?

No pain, no gain, no compassion, did the book you read make you feel, did it create a connection? Did you feel the fear, pain, joy, laughter, hope, and love or perhaps just one, maybe two of these emotional triggers through the characters and events in your book?

‘In a dark time, the eye begins to see’ ~ Theodore Roethke

Some of the greatest artistic expressions emanated from the seat of pain, ‘a dark time’. Sylvia Plath’s Ariel comes to mind, her suite of poems on life and pain.

Emotion brings art to life, inviting the beholder to stop, listen, and absorb, to feel the pulse of the writer’s being.

In a dark time, challenges and struggles turn the eye and ear inward. Stop… still yourself from thought and action – listen and connect to your internal landscape. When writing grows from such a place, compassion is born through created events and characters.

Emotion, regardless of whether it’s negative or positive, draws us in, more so when love and understanding emerge through the connection. We are emotional beings. While Descartes said, ‘I think therefore I am’ (Cogito, ergo, sum) – it can be said, ‘I feel, therefore, I connect’ or ‘I feel, therefore, I understand, appreciate…’

Giving in to the emotion-feeling the pain to redefine your world (pixabay image)

Stories should build connections, to validate the reader by bringing characters and their challenges to life. When readers leave a review on the connections the writer’s prose created for them, this provides valuable feedback and acknowledgment.

Here’s an extract from my latest novel, Souls of Her Daughters when the realization of where her life is at, comes crashing down on the protagonist… too much has happened, the past and present collide…

Grace walked around the hospital grounds, confused, lost in thought on the uncertainty of life. Visions of what her mother would have done came to mind. She walked to her car, sat back in the seat and sobbed for all she had lost in her life, and that poor Mrs. Beresford lay dead for the better part of a day, waiting for someone to claim her – Grace understood the pain of loneliness.

Loss and loneliness are sadly, but realistically universal. With the protagonist feeling the emotional weight of both, in a single moment, empathy is elicited and might perhaps connect with the reader, offering solace that we essentially are not alone in what we feel.

Emotional connections whether through song, literary fiction or a life-size painting, draw us in by the intensity of the emotion expressed.

Alternately, there are light-hearted moments in the novel, to lift the weight of the struggles the protagonist and the women around her undergo. The blurb concludes, ‘A timeless tale of every woman’s story…’ Timeless on the struggles and celebrations of life, of women from different cultural contexts and professional backgrounds but nonetheless women with collaborative fighting spirits.

Tapping into the essence of our humanity through any art form, is a way forward, to capture the moment in its rawness, to allow us to walk away from the wars of the world, to look at the pleasure and beauty of life, to let the time of struggle pass. Appreciation and compassion are bred from challenges – how do you know the dark side, if you have not felt it? So too, characters’ lives should represent life through art to make fiction sing with timelessness.

Souls of Her Daughters captures the dark side of life, but the positive emotions swell in the relationship between mothers and daughters. Amidst tears, there is laughter, the reality of the experience of life. I hope you read this tale which will leave you with the message – never deter telling the truth, no matter how painful it might be.

I leave you with this timeless TED message from Susan David, that encapsulates the essence of Souls of Her Daughters, on embracing your emotions in its truth.

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Why a sequel?

Do writers plan to write a sequel? Why are sequels so popular?

Sometimes they are planned and sometimes they grow from the first book for a host of reasons.

We live in an age where we are desirous of connections for the long haul, we want more as we book our Netflix favourite series into our private calendar time-slots; we crave more when we connect or are moved by a story and its people.

We desire more of what we enjoy, what we look forward to. Connections with people and places make us reluctant to leave. The story is anticipated as an after work or relaxing weekend read. It’s locked in and beware the unsolicited ringing of the telephone or doorbell! Solitude is non-negotiable!

For the writer, unfinished matters in the first book lead to the second book which unveils new situations and hidden aspects of characters and situations, sometimes shocking or expected and satisfying.

Picking up reader feedback from the first book while the sequel is being written is significant in ensuring that favourite characters are not destroyed or killed off too early, reader and writer satisfaction is imperative.

In the writing of my debut novel Across Time and Space, the sequel began to emerge by the end of the penultimate chapter, there was more my characters had to say, there was more that had to be revealed. The intrigue of the first tale created expectations that needed further exploration. Relationships needed to grow.

Truth and deception were left skulking in the shadows at the olive grove in Viareggio in Across Time and Space and these ghosts came calling for more.

This made me restless to dive into the sequel, some cautioned ‘not so soon,’ others begged ‘when will it be ready?’ The process became an organic growth –an obsession to take the story to where it was leading me. Hence the birth of the sequel, Vindication Across Time.

Cover Design- Working Type Studio- Luke Harris — What will be lost, what will be gained when the dark forces of human nature obscure truth and justice?

Will this become an Across Time series?

The question we are left with is, ‘what are we keeping hidden from view in the hope of leading or appearing to lead a happy and by anyone’s definition, a ‘normal’ life?’

Coming to terms with our ghosts as something of the past rather than defining our present worlds is significant in Vindication Across Time.

Whose ghosts will be exhumed in this tale of love, loss, hope, and patience?

Have you read, Across Time and Space?

What are your thoughts on book sequels and television series, what do you anticipate in Vindication Across Time?

Please leave your comments in the message box below.