Tag: fiction - Page 2 - Mala Naidoo's Book World

On Creating Characters – The Outlier

There are numerous defining aspects to what makes a character in a novel or short story, an outlier.

This is shaped by societal and cultural values, or more directly by prejudice. Size, race, ‘foreign’ origins are just some elements that create the outlier fence.
This deepens when layers of social and professional barriers are erected making the outlier, who ascribes to individual ways of expression, an ‘outsider’ rather than a unique contributor to society.

Regardless of the category/label attached to the outlier, it’s divisive, destructive, and a living death for the character experiencing the hell of being (mis) treated as such.

The outlier syndrome is growing in society, slouching back to outdated values, and emerging new forms of prejudice in how individuals treat each other. Literature should mirror life in all its ugliness, hopes and dreams. While we read to lose ourselves in the pages of a good book, what is the experience worth if it does not linger with the ills evident in society, and the hope that we have the capacity to be change agents? Writing purely on the prejudice of life without the yardstick or suggestion on how this ‘disease’ can be overcome, would be remiss on my part, in particular, in any story I tell. Writers are change makers by opening our minds and voices to what needs rectifying. This is the beauty and at times the daunting reality of being a writer.

Hardship is a fact of life for the majority of the worlds’ population. This is not defined by financial issues alone. My novels capture these issues from death, parting relationships, loneliness, cultural pressures, past psychological and physical traumas, and more.
In each situation, an individual or character is an outlier by choice or societal prejudice.

Literature offers that connection to the outlier’s suffering and hope for redemption and redefinition. Reading is imperative, words linger and dwell deep in the readers’ psyche as a visual and emotional connection to the situations and events the outlier might experience.

Souls of her Daughters reveals that the outlier syndrome affects all regardless of professional or social position. Dr Grace Sharvin struggles with her secret, making her an outlier in her family- in her need to conceal her pain from her mother and sister. Her sister, Patience, is an outlier through interracial adoption in apartheid South Africa, forcing her to acknowledge her birth culture. Across Time and Space and the sequel Vindication Across Time unveil both Meryl Moorecroft and Marcia Ntlui as outliers in personal, cultural and professional contexts. Michael Morrissey, a human rights lawyer, becomes the outsider in his relationship with Meryl when the course of their lives change. Housekeeper, Ana Kuznetsov and Boris Malakov are outliers in their complicated families. Global landscapes invite the notion that the situations characters undergo are not isolated – shaping the universality of human angst and joy.

The Rain, a Collection of Short Stories presents this notion in the human capacity for good and evil.

Drama, crime and abduction bring high entertainment value to the reader, but beneath the layers lie the human face and soul of the outlier. The character should be carefully crafted to invite empathy or repulsion by stripping away layers that shroud the essence of human angst and joy.

The continuation of ‘Souls of Her Daughters,’ in the next saga, Chosen Lives, grows in representing the outlier theme with glimmers of a futuristic world where perfection resides in imperfection.

Let’s continue to create stories that leave a lingering message.

Please add your thoughts in the message box below:

Book Blurbs

Book blurbs are as important as the cover story of your book. It’s what readers look at to decide if they will take it home to love. Why? Because they cannot walk away from the temptation the blurb triggered. Think of it this way, if you’re a chocoholic, or one who cannot walk past a coffee shop, without going in to pick up a cup of your favourite beverage, because the aroma is overwhelmingly tempting, or the sight and smell of your favourite chocolate bar, is irresistible enough to make you pick up many bars, while you chomp on one on the way home!

It’s not that easy with a book blurb, but the temptation must be created through a strategic choice of keywords, associated with your genre. Tap into the right sensory imagery, tug at emotions, create a connecting interest. Say enough to grab the reader’s interest, to make them want to know more – that should be your blurb goal.

Captivating your potential reader in 200 words, including your intriguing heading, is the sum of the blurb. Second, to the book itself, the blurb is a significant part of the book package. It’s a sales pitch that has to have a timeless ring. Intrigue without giving too much away is the trick. It takes several drafts to perfect the blurb, and it might also mean going back to it after your book has been published, to tweak your choice of language by perhaps escalating how you present tension or to cut back on the number of words used etc, to draw more reader interest and enhance book sales.

Short, Concise, Punchy, Captivating

Often the blurb is left as the final step in creating a book. It’s a vital part of your book package and should be developed along with the writing of the story. A summary point of each chapter should be written to have a storehouse of ideas to draw from. Play around with possible blurbs as you are writing your novel. This morphs as you reach the middle or end of the writing process. The crafting of the blurb becomes less onerous this way.

A few suggestions to consider when constructing a blurb.

Who is my audience?
How will I entertain them?
What emotions do I want to elicit?
What’s at the core of my story – my purpose?
What’s the high point – the point of challenge and intrigue
What does my book offer?
How will I create a sense of place
What will I say about the characters?
Avoid spoilers
Use a hook opening line/question
Use hyperbole to heighten reader interest
Keep your voice/tone authentic
Write a blurb tailored to your genre
Keep it succinct, punchy, captivate the reader
End with a cliff-hanger

A book I recommend reading and drawing skills from in writing a killer blurb, is Bryan Cohen’s, How To Write A Sizzling Synopsis. It’s a step by step guide to a sizzling synopsis.

Write your killer blurb for your next brilliant story!

Please share your thoughts on what grabs you in a killer blurb, in the message box below.

Happy Reading, Happy Creating!

Leading Lines

How often have we heard that first impressions are lasting? Does the same apply to the opening lines in novels?

An attention-grabbing opening to a novel, not the head-standing, acrobatic, high energy stuff but a carefully crafted opening is a sure-fire way to spark the curiosity of the reader to continue reading.

Leading the reader in without saying too much by judiciously leaving out some essential details elicits intrigue for the reader to pursue the tale to its conclusion. The reader should discover aspects of a character’s world by being invited to be part of the journey. Those discoveries do not have to be palatable to the reader. A favourite character might reveal a side of their personality that perturbs the reader. The unexpected sustains the intrigue. In the real world, perfection is an illusion, to quote Alexander Pope, to err is human, to forgive divine. I fondly recall the podcast with Sevgi Yildiz, coordinator of the Sydney Bookclub, who said she ‘threw the book’ when her favourite character from her reading of Across Time and Space was not as saintly as she had wanted her to be. Emotional connections are indeed what keeps readers wanting more.

A sequel carries a known backstory but it should also be satisfying to read on its own without knowledge of the first book. Without summarising the first book, the opening lines should invite the reader in with glimpses into what went before which puts all the pieces of the larger plot puzzle together.

Opening lines of a book often take several redrafts to ensure that the right balance is achieved that leads to a natural flow from the first book into the sequel.

This is a skill that improves with each book written after several self-edits before the professional edit is solicited.

Continue reading “Leading Lines”

Tools of the Writing Trade

My writing career started in a somewhat circuitous way with writing stories for an audience of one for many years until a story emerged that ran through to become my debut novel, Across Time and Space. It was then that the decision to publish emerged with some coercion from those closest to me.

My journey was a cart before the horse situation as all that I am about to outline to you happened after my debut novel was in the process of being published by a publisher.

It is for this reason that I decided to write this post to pass on what needs to be done, in the initial stages, before the process of writing begins.

As a writer, aspiring writer or fully-fledged published author we all need additional writing tools to sharpen the craft for an enjoyable and less stressful writing journey.

What do you do? Where do you go to set yourself on your merry, enjoyable writer’s journey?

Here are a few questions:

Before you begin writing:

do you have a plan for your writing journey?
are you following influential writers?
are you reading extensively into your preferred genre?
are you attending book festivals and conferences?
have you started creating an online presence?

Before you publish:

If you self-publish you should consider all of these and if you are going the traditionally published route some of these steps have to be undertaken as marked by my asterisk

do you have a Goodreads reader/author profile?
have you set up your Amazon account and author profile in the countries you hope to sell your books?
do you have a Kobo account?
do you have an iBooks account?
do you have a Draft2Digital account to have it all done for you?
do you use Ingram Spark/Createspace/Smashwords or all publisher/distribution channels?
do you belong to writing organisations online or groups in your hometown?
do you have a Facebook Page/Meta where you create an engaging presence?
do you have a Twitter/X Account?
do you have an Instagram account?
do you have a website or blog site?
have you started blogging and have an engaged audience?
if you are self-publishing, do you have a freelance editor and cover designer enlisted?
have you bought your ISBN for your book?
have you registered your title?
have you lodged your book with the National/State Library (Australia)
if your books are in public and school libraries- have you registered for PLR and ELR?
do you have proof-readers?
are you able to enlist legitimate (ARC) reviewers?

While you are writing

What software do you use?

do you do a handwritten first draft?
do you use Microsoft Word to type up your manuscript?
have you sourced other software to write and format your manuscript?
would you dictate your novel? do you have the software for your audio needs for dictation?

After you’ve published your book:

How do you market your book?
Even if you are traditionally published – you have to do your own marketing. The onus is upon you to get your book out there.
Will you have a ‘live’ book launch or will you have a Facebook or website launch of your book?
Will you be open to giving talks to aspiring writers?
Will you engage the media?
How much will you invest in marketing your book? Consider the ROI and check all options.
Do you want your books in bricks and mortar stores only?
Do you have print and eBooks published?
Have you considered creating an audio version of your book?

After my roundabout entry into writing and publishing, I am trying new tools for my third book and will report back in a few months on how I fare with my new researched tools.

I encourage you to continue pursuing your writing dreams and hope you can take something away to begin your writing journey.

The world will be a dreary, sad, isolated place if our stories were not written and shared. – Mala Naidoo

Please share where you are in your writing journey and what works fantastically well for you in the comment box below. If you are thinking of starting out, let’s begin the shared conversation today.

Happy Reading and Writing!

Are you particular about dates?

When I ask ‘Are you particular about dates?’ – I’m not referring to the dating game or romance.

Here’s my reason for asking.

I recently published Vindication Across Time as the print version late in September to coincide with my father’s birthday.

The digital version on Kindle, Kobo, iBooks, BN will be released next week on my mother’s birthday. It’s up for preorder on these sites now.

I can hear you ask, ‘Pray do tell us more!’

Some of the themes reflected in Vindication Across Time – the pursuit of truth and justice is a value I grew up with. The truth no matter how painful had to be acknowledged and implemented.

Lies were severely admonished in my childhood home regardless of any perceived justification for stretching the truth.

Truth and lies are dominant in the novel as in different versions of the truth. The bearers of fake truths are soon discovered and good karma visits those who steadfastly adhere to the truth. My understanding is that there is only ONE truth. If a man has been gunned down, there might be one person directly responsible and others who helped expedite the heinous act.

Justifications offered for why this happened does not remove the truth that a defenseless man was gunned down in cold blood. The next truth to be served is that justice must prevail regardless of individuals’ motives and challenges.

There, in a nutshell, is why the print version of Vindication Across Time was released on my father’s birthday as an acknowledgement of his respect for truth and justice.

What about my mother made me choose to release the Kindle and eBook versions on her birthday next week?

The expression of culture and values through strong female characters in Across Time and Space, led to greater nuances of imperfect lives in Vindication Across Time. This is where my mother’s love, compassion, and strength shaped these ideas.

Continue reading “Are you particular about dates?”

Are you a dog with a bone?

In my world being a dog with a bone is sometimes needed to get the job done.

Persistence pays.

By the same token, I am aware how utterly annoying the person who is always a dog with a bone can be … gnawing at issues or situations for self-aggrandisement. They gnaw at the issue or situation with dogged intent. Is it with a power-laden agenda to prove a point and claim a hubristic victory?

An ego trip might well motivate a dog with a bone syndrome (my definition) hence such characters are quick at the ready to prove a point, make a statement or perhaps just want to be heard. A sad dog with a bone.

This excessive gnawing suggests self-obsession, the ‘look at me’ need.

You will find this character type in my novel, Vindication Across Time, or can you identify characters in literature you’ve read, where such attributes are identifiable?

How about some of these characters?

-Shakespeare’s Duke Orsino in Twelfth Night – hankering after love:

If music be the food of love, play on/ Give me excess of it, that, surfeiting/The appetite may sicken and so die.

– Shakespeare’s King Lear in the play by the same name, desirous of hearing how his daughters love him:

… which of you shall we say doth love us most. That we our bounty may extend.

A vain ploy, albeit by an aging king and father, to ‘buy’ profanations of love.

Note the positions of power in each of the above, male, duke, king, etc.

But what about the humanitarian goal-focused dog with a bone? What defines this person?

#courage
# resilience
# hope, authenticity, and determination
# achievement
# embraces challenges
# wants the best things in life for self and others

Shakespeare’s Cordelia, King Lear’s daughter, says:

I love your majesty according to my bond, no more no less.

This girl tells it like it is! She speaks from the heart in her truth. She stands by her truth like a saintly puppy with a bone, she is prepared to forgo her part of her inheritance from her father’s kingly estate in:

Nothing will come of nothing.

This is an admirable quality which has been included in my novel, Across Time and Space. Who is it?

Meryl?
Marcia?
Ben?
Andrei?
Michael?

I leave you to decide.

But while pursuing these noble intentions, individuals/characters might walk all over those who support and promote them by becoming consumed by their goals, to the point of frustrating others with their exuberance, self-centred, and misfired passion.

So how does one or one’s crafted character become a pleasant goal-focused dog with a bone?

# have a purpose that will also benefit others
# know when to take a break from the bone of self-promotion – in other words, give the jaw a break.
# consult with peers and others and share by being an active listener.

Where are these characters in literature?

How about Friar Laurence in Romeo and Juliet? He knew he could no longer prevent Romeo from wanting to marry Juliet, so he dutifully got them married.

And the upright, Atticus Finch, in Harper Lee’s To Kill a Mockingbird who was relentless in proving the African American, Tom Robinson, innocent of the allegation by Mayella Ewell and her father Bob.

The dog-with-a-bone fictional characters make interesting case studies and create engaging plots with perhaps a moral lesson.

A valuable, and historic determination is Martin Luther King in:

I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become a reality… I believe that unarmed truth and unconditional love will have the final word. ~ Martin Luther King

Be a dog with a bone or craft such characters but know when to give the gnawing a rest. Craft characters who echo tireless values that promote change for a better world, or expose the dark side through characters who invert goodness.

Some valuable motivational quotations to guide your characters’ actions:

I hope you enjoyed this and encourage you to comment and share your views on characters who have had an impact on you. Please share your thoughts in the message box below.

Continue reading “Are you a dog with a bone?”

School BOOK TALK

It’s with gratitude that I write this post today in respect for the invitation to speak on reading and writing at a local school whose English Faculty and Librarian are tirelessly working to foster a love for reading to encourage students to expand their horizons and improve their speaking and writing skills.

Leading up to my talk, students were asked to send me their response to, ‘I enjoy reading because…’ – a simple question that elicited some thoughtful responses from teenagers.

Here are a few lines that suggest that young readers seek refuge between the pages of a book:

I enjoy reading because it is a spectacular and intriguing ticket to a distinctive and captivating dimension which either creates a gulp of despair or a shiver down my spine.
I enjoy reading because it allows me to be in two places at once.
I enjoy reading because it allows me to escape reality without leaving the comfort of my home
I enjoy reading because it allows me to broaden my horizons without having to get on a ship and sail halfway across the world…
I love reading because my heart is satisfied- my heart learns more than my brain can ever know- I learn priceless lessons. It’s the portal to my heart.

Additionally to complement the study of Cry Freedom I was asked to share my apartheid, South African experience on a personal level to forge greater connections to students’ appreciation and understanding of the world through the study of their school selected text.

The sharing of a terrible history elicited compassion and questions from students on how one overcomes this decimation of one’s people and identity and yet remain simple and humble, free from anger. My response was, that drawing from family values, the people one associates with and careful selection of role models will ultimately work in sync to fortify and support the entrance into light from darkness. I cited Nelson Mandela’s ideology of tolerance, acceptance, and forgiveness as the selfless way forward. This attribute shapes the crafting of the character, Marcia Ntuli, in my novel Across Time and Space.

The final message was that reading expands understanding of diverse ways of thinking, promotes exposure to varied writing styles and elicits inspiration from the unique crafting of characters and their experiences.Ultimately it’s about allowing strength to grow from fear.

To Quote Jane Austen:

I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! – When I have a house of my own, I shall be miserable if I have not an excellent library.

Here’s to many hours of delightful and informative reading!

What are your views on the benefits of reading for teenagers today and into the future? Extend the conversation today.

Book Launch – Writer’s Joy!

I look back on Sunday with a glad and grateful heart. To see so many positive, supportive readers, friends, and family at the book launch of ‘Across Time and Space’ makes the process of writing a blessing – a joy!

What a wonderful afternoon of sharing ideas and experiences, reading and making new friends. To gather with people who are appreciative of the craft of writing is what cradles a writer through the quiet periods of solitude when the creative muse is the only other presence. Authentic voices that speak in the language of the mind and soul make readers want more as they eagerly anticipate further stories.

To see aspiring young writers wanting to know more about the craft is invigorating.

My message has been and always will be – We all have a story to tell. Let your voice be heard, and do not let fear inhibit you.

This reader’s view sums up the connection to characters and events:

‘To be able to recognise human effort and spirit and hear voices that echo the wisdom that long creates our sense of self is the essence of the novel, ‘Across Time and Space’. The sentimental and poignant voices of the characters are authentic in their quest for recognition of self and existence, with both protagonists striving for justice both literally and metaphorically. The courage of conviction and desire for liberation may come at a cost, but dismantling the shackles of human limitation is far more rewarding. ‘Across Time and Space’ proves that the difference between impossibility and improbability is our fear – abolishing fear and harking into our soul will set us free. I truly believe from a reader’s perspective, that’s what the psychological journey of Marcia and Meryl is all about. ~ (Khadija Taiba – reader perspective at the book launch of ‘Across Time and Space.’

Across Time and Space straddles the positivity of coexistence in society regardless of difference, a message that is palpable today. Decisions, choices, danger, and love connect to our essential state of being. Bullying and professional injustice, crime, and deception are knitted into the fabric of life where challenges serve to create the best version of those who struggle. The endurance of the human spirit shines as the brightest star on the darkest night in this tale of possibilities now and into the future.

I hope you will pick up a copy of ‘Across Time and Space’ and share your connections.

Which characters and situations resonate with you?

Suspense

Stories that make us ‘experience’ a moment within a scene comes from the creation of suspense when characters or events invite expectation from the reader, stimulating the desire to read on. Often several revised versions of a suspenseful moment might be necessary to achieve the desired effect to make the moment memorable for the reader, creating unease or anticipation. Feeling, seeing, perceiving and dreading imminent danger could be achieved through highly charged descriptive language and use of sensory imagery, which, when effectively done leads the reader to walk in the skin of the protagonist, seeing, feeling and breathing through the character’s eyes.

A voice recording of the suspenseful scene allows the writer to assess whether the desired effect – the light and shade have been achieved. This might lead to a reconsideration of how to enliven suspense in a scene. The first draft of such a scene most often requires several tweaks before the effect is achieved. The joy in crafting your stories is that you are in control, as the writer, to entertain the reader.

Listening to haunting or suspenseful music helps to centre the imagination in the creation of tension, suspense and anticipation.

Listen to this

Try your hand at writing a brief scene that builds suspense.

***

Here is an example of a suspenseful moment:

‘The wind howled down the craggy cliff dotted with rocks like crooked fingers in erect, forbidding stance. Within minutes dark clouds drew a veil over sunlight — day turned to night as she cowered under the overhang of a swaying rock. Flapping batwings in frenzied flight sent a cold shudder coursing through her.’ (MN)

Here is a snappier version of the moment- which example do you prefer?

‘The wind chilled the marrow of her being, her refuge beneath a dangling rock threatened — dark clouds curtained daylight as mounting flapping bat wings made their deafening panicked flight.’

What would you add, take away or recreate in such a moment where the protagonist is challenged, losing his or her grip on the situation?

Pop your visualisations/ideas of this moment in the comment box. I would love to read your versions of this moment or your own ideas. (MN)

***

This excerpt from an overview of Stephen King’s ‘Salem’s Lot’ has chilled many a reader at the thought of what lurked between the pages of this riveting book:

The town knew darkness…and the awful, heavy silence of terrifying images grotesquely dancing in and out of the shadows…

But no one living in Salem’s Lot dared talk about the high, sweet, evil laughter of …

***

Here are two brief excerpts from my novel, ‘Across Time and Space’

1). She knocked at the door.

It opened with the force of a heavy gust of wind. Meryl jumped away gasping. Framed in the light of the candelabra, Ana looked chalky-pale against her black head of hair left hanging about her shoulders…

2)….she awoke for the second time that night aware that she was not alone in this vast house beside the olive grove. …the silhouettes of two figures bending over loomed on the wall…

Try writing a suspenseful moment, use a piece of haunting music to beckon your muse forth!

Happy Writing!