Tag: reality - Mala Naidoo's Book World

Fiction and Reality

Pen, a fictional story and aspects of the scribe’s life, spills onto the page between fiction and reality. Angst and joy collide in the unfurling of the emotive content of the story. The emotional hooks in a story invite readers to open their own wounds and happiness for a well-penned story.

In my novels and short story collections, dogs feature as necessary in human lives. A lifelong love of dogs finds their way into the lives of significant characters I create.

In the Sequel set Across Time and Space, and Vindication Across Time the wonderful Ted is the adored pet of human rights lawyer, Michael Morissey, and aspiring writer Meryl Moorecroft. Michael advises and befriends schoolteacher Marcia Ntuli, caught in workplace professional racism. Ted is the first to understand the growing romantic involvement between Michael and Marcia. His sensitivity to Marcia makes him even more adorable.

Fiction is the lie through which we tell the truth. ~Albert Camus

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Two hours later they emerged from Michael’s bedroom, laughing at Ted’s quizzical peaked ears and worried frown.

In Souls of Her Daughters, Patience, a social worker has two dogs, Ajax, and Sprite. She adopted them while her sister Grace was overseas at a medical conference. Patience witnesses her sister’s battle with her past demons and hoped Ajax and Sprite might offer her healing and joy. We may read this novel as a stand-alone novel or as a trilogy.

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They were abandoned in an old building on the south side of town. I could not take one and leave the other. They are high maintenance in the love department but adorable to come home to.

Life’s Seasons, a short-story collection, includes a valiant dog as title story – Toby. This story was first published in the short-story collection, The Rain, where Toby, a brave dog, living on his owner’s family farm is confronted by a treacherous storm. Instinct guides Toby when the safety of his beloved human family is threatened. Toby’s heroic, selfless act unwinds minute-by-minute to melt hearts.

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He gripped the harness between his teeth, prostrating to give the children a lift, to allow them to be pulled up with ease.

The Bardo Trilogy has Woza and Khaya, the loyal companions to the mysterious doyenne Tempest, on her mission to offer safety to women and children who are victims of crime.

Fiction reveals truth that reality obscures ~ Ralph Waldo Emerson

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Living in isolation was difficult, but her parrot, Caramba, a keen white watcher of the skies and her two Rottweilers, Khaya and Woza, filled her lonely hours.

The act of including dogs in each of these novels and short stories is a subconscious inclusion drawn from experience.

Pets are companions who combat loneliness, fulfil a caring need, aid healing from grief and bring joy during life’s challenging times. Both fiction and reality meld to create balance to live in unison with the universe.

Now there’s nothing like one’s writing companion puppy snuggled at one’s feet as words and new worlds rise and fall on the page.

Happy Reading. Happy Writing.

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Creating in a Challenging World

We have read it and heard it repeated everywhere we look and listen.

Change is — has been — will impact all facets of life. The current global change that has claimed 2020 has challenged the ‘do I dare?’ mindset of the creative. The muse is a sensitive soul. She feels the angst as deeply as the joy — inspiration is derived and mined from this seat — gold mined.

Health crisis, economic crisis, the uncertainty of life, the fear of not so much the outdoors but whether we can trust that everybody is doing the right thing.

For how long must we entertain fear as it enslaves us by forfeiting joy?

The creative forges on to leave the carbon footprint of these challenging times.

Dare and dare again and the muse shall heed the call.

The creative day, if allowed to slide, is a difficult one to recover but is possible with the determination of, ‘I will dare.’

TS Eliot’s poem, The Lovesong of J Alfred Prufrock. conveys the uncertainty of modern times where ‘normal’ becomes unusual. Images of desolation pervade his poem:

Like a patient etherized upon a table/Let us go, through certain half-deserted streets,/The muttering retreats

This echoes the current emotional and scientific uncertainty we face.

The yellow fog that rubs its back upon the window-panes,

The yellow smoke that rubs its muzzle on the window-panes

Eliot’s raw emotions capture the universal angst of his time where rapid economic and technological advancement changed his perceptions of life. And the yellow fog of uncertainty seeps into 2020 rising, falling …

The natural outcome is to be perplexed but navigation to the new normal through introspection is vital.

The pen is the mighty memory of our time, of all times, and writing must go on as must art and music and all creative pursuits.

In the making as creatives, writers, artists, we share a universal experience in that it is normal to be afraid, and it is brave to dare by creating new worlds that either mirror the present or transport us to worlds we dream of. In dreaming we bring those hopeful worlds into the conscious mind of the reader/audience who in turn subconsciously works towards making that dreamed, hopeful world, a new reality.

The writer’s pen will never dry or fade — words speak into the future from the past bringing meaning and understanding that this too shall pass.

The human condition is live with the possibility for new stories to be told, poems to be written, songs to be sung and paintings to be created to articulate and quell all fear.

Do I dare, and do I dare, — oh yes, we must, to make this life the best life we have had the courage to dream into our reality!

Today step forward — leave the fences and backyards of your mind and speak of your fears, insecurity, and uncertainty through artistic expression.

Take a chance. Live your passion.

This is a time for you to be YOU in all that you do without the fear of judgement.

Happy writing. Happy creating. Happy daring to channel your way forward for a life free of angst with the promise of joy.

What’s your creative plan?

Doing Thinking Creating

A creative life calls for a balancing of our daily demands for a true representation of talent and untapped possibilities.

Too much doing becomes a mindless mission – routine for the sake of routine.

We rise – we shower – we go to work – we return home – dine – go to bed – and do the same thing the next day.

Thinking and overthinking generates zero doing as we are suspended in thoughts playing over, and over again – a scratched vinyl turning the whys in a dizzying circular dance until bitterness creeps in and a stony countenance is set to stay.

The quest for wonderment in everything around us generates positive energy but wait a minute, too much leaves a rose-tinted view of life. Floating through life this way might be an enjoyable ride until reality bites knocking the air out of the bubble and the fall could be a crushing blow.

Mindset balance in a creative life is essential to achieve an outcome both in the accomplishment of the product and a sense of self-satisfaction. This balance preserves the self.

Creativity involves breaking out of established patterns in order to look at things in a different way ~ Edward de Bono

Doing is vital to finish what has been started. The danger is when doing is obsessive. Unhappiness seeps in as exhaustion from too much doing consumes body and mind.

Thinking is the main ingredient, but overthinking can spiral out of control and have the opposite effect on creativity by becoming judgemental and critical of self, society and soon everything about life, leading to mental decline. The mind can heal you or kill you harks at how dire balance is.

The chief enemy of creativity is good sense ~ Pablo Picasso

In a creative life being driven by passion requires the ability to know when to shift the dial. Enjoying the creative process is as important as doing the slog to get to THE END. No good work is created without the slog. But the balance between work and play results in a far more fulfilling outcome with the bonus of a healthy body, mind and the spirit of joy for the long haul.

This birthday that is the resolution for my older self, but in this order — think, learn, create, and enjoy. Revise new ways and start over.

May you find your creative balance. Too much of one thing denies the joy of many missed aspects of life that have the potential for new ideas and new ways of thinking.

Here are some inspirational lines to prompt a quest for a creative life.

Go forward in your balanced creative life.

Writing and Publishing During a Global Crisis

Every corner of the world has been hit by Covid19 — life for millions has come to a grinding halt. Businesses have shut down left, right and centre. Bookstores have closed their doors. Libraries are no longer a sanctuary as silent voices are in lockdown.

The question tossed around is: do we go ahead with the launch of a new book?

My heart says yes but my mind says, should I? Then a voice whispers an answer: yes, launch it online, reach people who need to move out of the mental space of the current crisis we all face. We need the sanctity of books. Bookshops continue to take orders online if a digital book is not a preference.

In the face of a global crisis, publishing is vital now more than ever before — it says we are here, later it will speak confirming that we were here, and this is what we did. It is akin to writing historical fiction. The Great Books of the world brought us knowledge of people, cultures, events, aspirations, challenges and celebrations from eras long before our current existence. Without those scribes, the artists of the past, we would be as ignorant of the world as the occupants in Plato’s cave.

Literature is the light into now, the glow of the past and spotlight into our dreams of the future.

Books imprint memory

Writers have the acute ability to sense mood and observe human behaviour down to minuscule details. So, why wait? It is time to pick up the pen of prose or poetry. Each will speak of this time and of our dreams and visions. Leave the messages that say we are indeed one.

In our angst and joy, we are ONE under the sky of humanity

To ignite compassion, we must walk in the shoes of angst, or suffering, to extend love and care to others because we know it—we feel it. Stories elicit compassion and bring meaning more particularly as we sit in self-isolation to protect our loved ones and communities.

Writing and publishing must go on, as must, soft digital launches of news titles and relaunching of backlists. Lower prices, offer free titles, reach the masses by bringing meaning to the lives of those living in fear of what the next news bulletin or press conference will announce. Our uncertainty unites us in our desire for a renewed tomorrow. We inhabit the same house under a global sky.

Now we speak with the same human voice in our sans streets, sans parks, sans beaches… but we should never be reduced to fearing each other.

Keep literature flowing for generations to come—it is within our control, thanks to the digital platforms that serve us.

Keep Writing, Keep Reading.

Stay Safe.

This time will pass. Keeping hope alive through poetry and stories.

Fiction: Perfection in Imperfection

Perfection is too exhausting. It’s not true to who we really are as individuals, communities, and societies.

Fictional characters echo this representation of imperfection without necessarily being labelled Shakespeare’s Iagos of the world – they do exist – the first page of the daily newspaper or the first news item on the evening television news reveals that Iago exists in politics, education, the corporate world, and other dark corners.

Nobody is as good as gold…

My tag line, Perfection in Imperfection, the themes in my novels, and short stories, and essentially most novels, illustrate that life is just that – a mix of the good, the bad and the ugly. Nothing is perfect nor is anything entirely imperfect – there is always a reason for the apparent ‘imperfection,’ the interpretation of which is dependent on one’s value system in either accepting or rejecting a perceived ‘imperfection’. The psychological benefit of understanding that ‘perfection,’ as defined by ‘particular’ standards, is not the norm, invites the greatest learning in appreciation, understanding and compassion which is born from trial and error or walking in the shoes of others.

Perfection bores, it disconnects the reader from the lack of reality evident in the world around. A saintly character who holds pious thoughts and performs selfless acts through the duration of a story might offer some inspiration, but insufficient entertainment value for the reader. Give that saintly character’s perfection a dent or two and they are endearing as human after all.

The socially moral cop with a particular weakness, perhaps peeling bags of onions, eating tubs of ice cream, or engaging in a ‘monkey-ish’ tossing of almonds into his/her mouth, or some such habit, when a case is in a deadlock or about be nailed, is either loved, creates amusement, or is despised. Inspector Aldo in Vindication Across Time, a man who controls the media and women, particularly the rich, widowed, and lonely like, Ana Kutnetsov, a housekeeper with a big heart, and a secret past, grates on every character’s nerves. He is enigmatically dark – a looming manifestation of Iago.

Literary heroines such as Tolstoy’s, Anna Karenina, illustrate this point, and Margaret Atwood’s speech, Spotty-Handed Villainesses, on the good-bad women of literature highlight the fallacy of crafting perfect female characters as unrealistically flawless or insanely bad. Flaws might engender empathy in the reader when weaknesses or vulnerabilities are exposed, not the overt Jekyll and Hyde associations – which exist, depending on the genre of the tale.

Nuanced human foibles draw connections and acceptance, that to err is human. From Count Dracula, Robin Hood, Ned Kelly, to Portia and Desdemona – it’s the yin and yang, the balancing between the scales of imperfection and perfection that makes them timeless characters through reader held values, and the emotions elicited.

Perfection in the natural world is not assured, periods of drought, fires, snow and floods, etc, strengthen human and animal reactions or behaviour to changeability.

As What Change May Come is released this week, my heroes and heroines are both weak and strong. Even the selfless character Patience has her weaknesses much to the embarrassment of her sister Grace. While there are consistencies of characterisation across the three novels, Souls of Her Daughters, Chosen Lives, and What Change May Come, there are times when change elicits or decrees an unexpected behaviour in the character. They are all human after all and aren’t we all?

Happy Writing, Happy Reading!

Please share your thoughts on the topic in the box below.

Research and Sensitivity in Stories

A post read recently suggested writing from a knowledge base and not from imaginative creations that might be insensitive if writing about mental illness, physical disabilities, emotional disorders etc. While I agree with being sensitive by not causing injury to others, art should mimic and extend reality if understanding and connections are to be formed.

The question is – does one have to proceed with caution when creating a character with mental illness or a physical disability in a novel?

The depiction becomes insensitive when it supports stereotypes, insults, separates and denigrates actions and situations the character is placed in. To create a character who overcomes a difficulty by honing other powerful skills or having amazing support from family and community to achieve goals is indeed not insensitive but rather supportive of what a cohesive humanity is – certainly a message for raising the lot of the human condition.

The foremost purpose of writing, fiction, in particular, is to entertain the reader more than to inform. However, if the writer is able to strike a balance between entertain and inform, the reader is likely to gain valuable understanding from such a piece of writing. If written without dictating what is right and wrong then sensitivity should prevail and the writer is more likely to connect with the consciousness of the reader which might motivate the reader to read more books by the same writer.

When entertainment and purposeful information are included in a work of fiction, a level of research is necessary to sustain the story to its logical, authentic conclusion. If the storyteller/writer has first-hand experience of events, social issues, illness, particular ways of thinking and behaving then research is not the prerequisite as it would be for a nonfiction book that covers specialised areas such as crime, history, science, psychology, culture, economics etc.

Research will not go amiss in fiction writing, it should add colour and depth to the story plot and character representations. When creating characters with a medical condition, research around the condition or perhaps speaking to a medical specialist on how the condition manifests will add authenticity to the story. How much research should one engage in is dependent on how significant that character is to the overarching story or plot. Striking a seamless balance between the story and research is essential to avoid having the story appear like an ‘unofficial’ handbook or textbook. Shaping characters in true to life situations are more likely to lead to an enjoyable reading experience. For the writer to create authenticity in a story, it is necessary that the purpose of writing is to entertain first and then inform on matters that pertain to character and plot.

The writer has to give voice first to what he or she is passionate about. If one is to expose the harsh reality of particular situations prevalent in society, then that which makes the reader uncomfortable is equally necessary. We bandy around that we need to be ‘moved’ for change to occur – to be ‘moved’ is either happily or unhappily so, with joy or sadness. If we are to be catalysts for thought change through writing fiction or nonfiction books, it should come with some thought-provoking messages – George Orwell’s Nineteen Eighty-Four might leave readers either grateful that they have control of the decisions they make in life or it might result in a re-examination of whether they are indeed free.

Fiction and nonfiction books are of equal value to the reader when they create thought change or thought searching connections.

What do you think? Should sensitivity be at the heart of all our writing? Should the writer entertain, inform and shock the reader?

I would love to hear your thoughts. Please comment below.